AVALIAÇÃO DA IMDb
6,3/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA troubled young man discovers that he has a knack for writing when a counselor encourages him to pursue a literary career.A troubled young man discovers that he has a knack for writing when a counselor encourages him to pursue a literary career.A troubled young man discovers that he has a knack for writing when a counselor encourages him to pursue a literary career.
- Direção
- Roteiristas
- Artistas
Charles Arnt
- Mr. Parsons
- (não creditado)
Mark Bailey
- Sheriff
- (não creditado)
Walter Baldwin
- Mr. Spangler
- (não creditado)
Joe Butham
- Mr. Dace
- (não creditado)
Pat Buttram
- Mr. Longstreet
- (não creditado)
Harry Carter
- Bartender
- (não creditado)
Linden Chiles
- Doctor
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Wild in the Country is a solid film and one of Presley's best.
Elvis is excellent as a delinquent who happens to be a potentially terrific writer. Psychiatrist Hope Lange helps Elvis achieve his potential and they slowly fall for each other. Elvis only sings a couple of songs here and therefore, instead of a musical, we get a dramatic story that's well acted by all three leads and is genuinely captivating, only falls short towards the end and goes for a sappy conclusion. Overall, one of Presley's best films and he once again proves what a great actor he could have been. 7 out of 10.
Elvis is excellent as a delinquent who happens to be a potentially terrific writer. Psychiatrist Hope Lange helps Elvis achieve his potential and they slowly fall for each other. Elvis only sings a couple of songs here and therefore, instead of a musical, we get a dramatic story that's well acted by all three leads and is genuinely captivating, only falls short towards the end and goes for a sappy conclusion. Overall, one of Presley's best films and he once again proves what a great actor he could have been. 7 out of 10.
Released in 1961, Wild In The Country would offer Elvis his last serious role in a film by a significant director (Philip Dunne). He gives what may be his finest acting performance as a troubled young man from a dysfunctional family whose passion is really writing.
There were fine supporting roles played by Millie Perkins as his girlfriend Betty Lee, Tuesday Weld as his cousin Noreen, and Hope Lange as his psychiatrist.
Wild In The Country is ranked high as one of my all time favourite Elvis movies, it's a bit slow moving at the start, but as you keep watching it gets better and better, this movie is worth the watch to see Elvis as an actor... He is great in this movie!
Conclusion - Great Movie.. 7/10.
There were fine supporting roles played by Millie Perkins as his girlfriend Betty Lee, Tuesday Weld as his cousin Noreen, and Hope Lange as his psychiatrist.
Wild In The Country is ranked high as one of my all time favourite Elvis movies, it's a bit slow moving at the start, but as you keep watching it gets better and better, this movie is worth the watch to see Elvis as an actor... He is great in this movie!
Conclusion - Great Movie.. 7/10.
Apparently Elvis didn't think much of any of his films. According to "Being Elvis", a recent biography by Ray Connolly, Elvis hated the repetitive nature of the plots - same story different location. He felt he had never been given serious roles where he could show what he could do as an actor - he certainly didn't have to compete with Paul Newman and Steve McQueen for the roles in "Fun in Acapulco" and "Girls, Girls, Girls".
Although he definitely had a point about the films toward the end of his Hollywood career, a number of his earlier films were actually based on novels -"King Creole", "Follow That Dream", "Flaming Star" and this one, "Wild in the Country" - stories that had more substance going in.
"Wild in the Country" has elements we expect from an Elvis picture, but then it gets complicated. This was made a few years after James Dean and Sal Mineo had shown that troubled teens were now a fact of life. Elvis plays Glenn Tyler, one of the troubled. After being placed on probation for injuring his brother in a fight, he receives counselling from psychologist, Irene Sperry (Hope Lange).
The not inconsiderable charms of Millie Perkins and Tuesday Weld can't compete when Irene discovers that Glenn has a talent for writing and Glenn discovers that he has feelings for the older woman. In reality, Hope Lange was only two years older than 26 year-old Elvis.
The film has a script by Clifford Odets, although one suspects he would not have considered "Wild in the Country" as his finest hour. He originally had Irene Sperry's character committing suicide at the end, it was changed, but it possibly reflected how Odets felt about selling out to Hollywood.
However the film has a lot going on with well-defined characters and great locations in the Napa valley. If Elvis felt that most of his films only had stories to separate the songs, that was not the case in "Wild in the Country", there are a few songs, but the film is mainly the drama he craved.
I find a lot of his films are fun to watch in the same way as "Beach Party" movies are. But there are a handful of films that have a depth he may not have appreciated at the time - "Wild in the Country" is one of them.
Although he definitely had a point about the films toward the end of his Hollywood career, a number of his earlier films were actually based on novels -"King Creole", "Follow That Dream", "Flaming Star" and this one, "Wild in the Country" - stories that had more substance going in.
"Wild in the Country" has elements we expect from an Elvis picture, but then it gets complicated. This was made a few years after James Dean and Sal Mineo had shown that troubled teens were now a fact of life. Elvis plays Glenn Tyler, one of the troubled. After being placed on probation for injuring his brother in a fight, he receives counselling from psychologist, Irene Sperry (Hope Lange).
The not inconsiderable charms of Millie Perkins and Tuesday Weld can't compete when Irene discovers that Glenn has a talent for writing and Glenn discovers that he has feelings for the older woman. In reality, Hope Lange was only two years older than 26 year-old Elvis.
The film has a script by Clifford Odets, although one suspects he would not have considered "Wild in the Country" as his finest hour. He originally had Irene Sperry's character committing suicide at the end, it was changed, but it possibly reflected how Odets felt about selling out to Hollywood.
However the film has a lot going on with well-defined characters and great locations in the Napa valley. If Elvis felt that most of his films only had stories to separate the songs, that was not the case in "Wild in the Country", there are a few songs, but the film is mainly the drama he craved.
I find a lot of his films are fun to watch in the same way as "Beach Party" movies are. But there are a handful of films that have a depth he may not have appreciated at the time - "Wild in the Country" is one of them.
A beautiful and passionate screenplay by Clifford Odets. Elvis plays a brawling delinquent with a hidden literary talent. Three women compete for his attention, lust and future. Millie Perkins plays the childhood sweetheart. Tuesday Weld is outstanding as the seductive cousin. The older of the three, Hope Lange, is an understanding psychiatrist trying to lead Elvis' character to college. The songs in this drama are limited, but highlighted by "I Slipped, I Stumbled, I Fell". An emotional performance turned in by Elvis. Some say this is one of his best movies. Watch it again to appreciate.
This is yet another great Elvis movie. It's great to see how a young kid who is dealt a very bad hand in life, with an abusive father and brother, with the death of his mother as a child and being guilty until proven innocent by the town comes out on top. It has good songs, but is not a musical. Again another great plot with a strong supporting cast, with Tuesday Weld and Gary Lockwood to name a few. I give this movie 4 and a half stars.
Você sabia?
- CuriosidadesElvis Presley's best performances are invariably cited as his three forays into drama, which were natural matches for his chief acting characteristics: petulance, intensity and hidden vulnerability. Not coincidentally, music takes a back seat in most of these three vehicles. In King Creole (1958), based on the plot about a would-be singer, Presley sings a full score of songs. In Flaming Star (1960), there is just one song in the plot. In Wild in the Country (1961), there is only one 'serenade' per female character. The songs were included largely so that, at the very least, an Extended Play soundtrack album could be released for each film and record sales would not be negatively impacted by the time the dramas took to film. King Creole, of course, was one of the best selling albums of Presley's career, but in the case of both Flaming Star and Wild in the Country, no soundtrack album was released outside of a 45rpm single.
- Erros de gravaçãoIn the Elvis drunk scene, when he douses the window with the water hose, the in-between close up shot of the window pane (showing close up the women inside looking out) has no water residue / dripping: next shot back out to Elvis' stance (still water hose spraying) and it's (rightly) soaked.
- Citações
Betty Lee Parsons: I have no intention of wasting sympathy on him.
Glenn Tyler: Sympathy is never wasted, Betty Lee. One way or another, you get it back, or so it says in the Book.
- ConexõesFeatured in Elvis in the Movies (1990)
- Trilhas sonorasWild in the Country
by Hugo Peretti, Luigi Creatore and George David Weiss (as George Weiss)
Performed by Elvis Presley (uncredited)
Principais escolhas
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- How long is Wild in the Country?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 54 min(114 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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