Um tenente amaneirado chega ao Forte Comanche e, desde o início, o capitão não gosta nem um pouco dele. Ao longo do caminho, ele pegou uma garota que ficou em silêncio depois de contemplar o... Ler tudoUm tenente amaneirado chega ao Forte Comanche e, desde o início, o capitão não gosta nem um pouco dele. Ao longo do caminho, ele pegou uma garota que ficou em silêncio depois de contemplar o assassinato de sua família pelos índios.Um tenente amaneirado chega ao Forte Comanche e, desde o início, o capitão não gosta nem um pouco dele. Ao longo do caminho, ele pegou uma garota que ficou em silêncio depois de contemplar o assassinato de sua família pelos índios.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
- Cole Daugherty
- (não creditado)
- Capt. Owen Yates
- (não creditado)
Avaliações em destaque
A Thunder of Drums is directed by Joseph Newman and written by James Warner Bellah. It stars Richard Boone, George Hamilton, Luana Pattern, Arthur O'Connell, Charles Bronson, Richard Chamberlain, Duane Eddy and Slim Pickens. Out of MGM it's filmed on location at Old Tuscon & Sabino Canyon in Arizona, and also at Vasquez Rocks, California. It's filmed in CinemaScope and Metrocolor, with cinematography by William W. Spencer and music scored by Harry Sukman.
"There are three things a man can do to relieve the boredom of these lonely one troop posts: He can drink himself into a straight-jacket: He can get his throat cut chasing squaws: Or he can dedicate himself to the bleak monastic life of a soldier and become a great officer."
It's proved to be a divisive film amongst Western aficionados, and it's not hard to understand why. The film begins with a pre credit sequence of suggested savagery, a real attention grabber, then the credits role and the colour and vistas open up the story. From here we are placed into the lonely and fretful life at a cavalry fort in the Southwest. The company consists of tough grizzled Captain Maddocks (Boone) who carries around a burden from his past, his ire further inflamed by the arrival of greenhorn Lt. Curtis McQuade (Hamilton). He needs experienced men, not fresh faced kids, and McQuade isn't helping himself by being involved in a love triangle with Lt. Thomas Gresham's (James Douglas) lady, Tracey Hamilton (Patten). This coupled with the threat imposed by the Indians puts strain on all involved at Fort Canby. And there's the crux of the matter, the film is more interested with character dynamics than breaking out into an action packed B ranked Western.
Newcomers to the film should prepare for a talky picture, but it is a very good talky picture. Sure there's action, including a well staged battle in the final quarter (check out those Apache suddenly appearing from the rocks like ghosts!), but this is a film that is being propelled by dialogue, well written dialogue. There is no point in saying that it's well cast because it isn't, Boone is immense and intense and gets the best dialogue of all, but Hamilton is miscast and Patten totally unconvincing. Pickens is hardly in it and Bronson has a character that could be any number of things; someone who it's hard to know if we should dislike or cheer on. While Chamberlain and Eddy are in it to look nice and play the banjo respectively. Yet with the photography suitably keeping the landscape arid and harsh, and the mood around the base one of impending death or boredom (even the levity of a drunken sequence only enforces what little joy is around), the film has much going for it by way of psychology.
It's no "She Wore A Yellow Ribbon" of course, and its problems are evident, but it does have merits, and if for nothing else it deserves a look for Boone's excellent performance. 7/10
One of its chief virtues is the excellent job it does of capturing the day to day flavor of life in a remote cavalry outpost in 1870s southwest. The military manners, habits, and routines are portrayed with convincing detail. The class stratification between enlisted men and officers is utterly real. An early scene with dead soldiers being transported on horseback is played to grim, nauseating effect, with enlisted men displaying hardened indifference and black humor about the situation. All of this gives the film some weight and veracity.
On the other hand, it suffers from generic Hollywood artificiality, relying unthinkingly on shoot 'em up conventions of faceless Indians, and sporting a formulaic romantic triangle subplot. Another major problem is George Hamilton's performance. The character he plays is not particularly sympathetic or likable, and he does nothing to bring depth to it. He's unappealingly flat and cocky. A better actor in this key role would've gone a long way toward breathing some life into the film, especially in its flabby, tedious midsection.
But the real reason to watch this film is Richard Boone. I've liked him in just about everything I've seen him in, but here he is completely riveting. He plays the tough, smart, experienced commander of the undermanned outpost. He's a lonely man, who feels keenly the burden of his job. Late in the film there's a scene where he discovers a scene of carnage, with a number of his men dead, and his controlled rage is very moving. He brings the only real gravitas and feeling to the movie, effectively communicating the weight of life & death decisions and consequences. He's absolutely terrific.
Você sabia?
- CuriosidadesA Thunder of Drums is notable for the involvement of James Warner Bellah, a controversial author who made a name for himself by writing a series of pulp magazine stories about the U.S. Cavalry. Famed director John Ford took early notice of Bellah, adapting many of his cavalry stories printed in The Saturday Evening Post for his informal "Cavalry Trilogy": Sangue de Heróis (1948), Legião Invencível (1949), Rio Bravo (1950), and later Audazes e Malditos (1960). Bellah, an unrepentant misanthrope once described by his own son as "a fascist, a racist, and a world-class bigot," saw Native Americans as the "red beast in the night." In most of his films adapted from Bellah stories, Ford countered this contemptuous viewpoint by granting Indians a sense of dignity and humanity. In Fort Apache, for example, the Indians are not the villainous, mysterious "Other," but the victims of government-sanctioned scoundrels. Despite their racial disagreements, Ford and Bellah agreed on one thing: the valor and pride of the military. The cavalry was basically honorable and uncomplicated by psychological neuroses or social bugaboos.
- Erros de gravaçãoWhen there is a party for the engagement there are a number of senior officers in attendance but the fort has only the Captain and the three young lieutenants so where did all these older and over dressed officers come from?
- Citações
Captain Stephen Maddocks: [Addressing 1LT McQuade] I am a long way from a Bible Thumper, but one thing I do believe, the sum total of man's experience with morality is the Ten Commandments. If we do not try to live by them, we throw away the God given chance for decency.
- ConexõesFeatured in Kain's Quest: The Stone Killer (2015)
Principais escolhas
- How long is A Thunder of Drums?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El tronar de los tambores
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 37 min(97 min)
- Proporção
- 2.35 : 1