Avaliações de usuários

King of Crete named Minos (Carlo Tamberlani) has two daughters , one good named Ariadna and one evil named Fedra (Rosanna Schiaffino in a double role). Fedra orders Sciron (Alberto Lupo) to kill Ariadna , but the murderer fails thanks to Teseo , prince of Athens , and Demetrio (Rick Battaglia). Fedra rules over Crete and supported by Scirion wage war Athens . Athenians are defeated and obligated to tribute of fourteen maids for feed minotaur , a horrible monster , part human and part bull . Meanwhile , Teseo taking on Fedra and Sciron , when Ariadna goes into the cave of the monster and using the famous thread.

This ¨Sword and Sandals¨ movie packs adventures , fights , mythology , impressive battles , spectacular scenarios and results to be quite amusing . The film confronts ¨Greek culture¨ as pacific , civilized , luxurious and ¨Crete or Minoic culture¨ as cruel , brutal and worshipping Gods with human sacrifices included . However , from discovery Crete by archaeologist ¨Evans¨ is considered Crete a very developed civilization , above average the countries by that time . In fact , the palace of Knososs in Crete -partially reflected on the movie- was the greatest and luxurious for that time . Furthermore , the picture mingles wrongly the Crete setting from 1600 B.C. with Greeks dressed like V century . The film is starred by Bob Mathias , an US athlete , twice world champion decathlon and justifying his fans , he plays some scenes demonstrating his abilities , along with another starring , Rick Battaglia . The pic contains evocative cinematography by Giordani and atmospheric musical score by Carlo Rustichelli accompanying the usual dancing choreography . The motion picture was well directed by Silvio Amadio who filmed another Peplum set in Babylone titled ¨Seven thunderbolts¨ . Rating : Acceptable and passable . The film will appeal to muscle-man sub-genre buffs.

In ancient Crete, a monster called the Minotaur can only be satisfied by virgin sacrifices. The evil ruler of Crete is determined to keep the monster happy by sacrificing as many of the island's virgins as he can, but a pair of friends determine to kill the monster and stop the sacrifices.

Director Silvio Amadio is unfortunately not well known, perhaps best remembered for "Wolves of the Deep" (1959), and even that is rather obscure. Star Bob Mathias has a much more fascinating biography -- he was a two-time Olympic gold medalist, a Marine Corps officer, actor and Republican Congressman representing the state of California.

For movie buffs, the most recognizable might be Paul Mueller, who would go on to appear in a few 60s and 70s horror films by Jess Franco, including his version of "Count Dracula".

Anyway, that was all just to full space. You should watch this.

The legend of Theseus finding his way through the Cretan maze in order to battle the Minotaur and rescue Ariadne is one of the great tales in Greek mythology. Alas, this version takes the tale and dilutes it into the standard "sword and sandal" plot. You know how it goes. The coldly-beautiful but evil queen lusts after the handsome, muscular hero. He already has a girlfriend and is a foe of tyranny and so spurns the queen. She's outraged, has the girlfriend imprisoned, and subjects the hero to a torturous trial. He triumphs, frees the girlfriend, and overthrows the tyrant. Grateful citizens cheer the happy couple. The End.

Steve Reeves might have been able to lift this mixture to a higher level but in his place we have ex-Olympics champion, Bob Mathias. Mathias is an affable sort and he's given an opportunity to show off his athletic prowess by engaging in a display of javelin throwing, pole vaulting, and discus throwing. He also looks pretty good with his shirt off, though not quite as good as you'd hope and he seems a bit self-conscious about baring his chest. On a more troubling note, however, his personality is bland, his acting ability no more than passable, and he lacks the swaggering sexuality needed to give his character that necessary edge.

Rosanna Schiaffino gets to play the evil queen as well as her virtuous twin sister. She's good at being bad but bad at being good. As for the Minotaur, traditionally represented with the head of a bull, it's poorly depicted here as a stunt-man dressed in sort of a King Kong suit, and the climatic battle between Theseus and the Minotaur doesn't deliver the expected thrills. Also, little is made of the strand of yarn which leads Theseus out of the maze, and the Minoan culture is only vaguely hinted at in the sets and costumes.

And once again, the movie bungles the torture scene. Theseus winds up in the queen's torture chamber, chained to a wall, but he's modestly allowed to keep on the top of his tunic! So when the torturer approaches with the red-hot iron, he must reach out and make a discreet rip in the hero's shirt in order to expose a bit of bare flesh next to the hero's left nipple. Hey, this is a "sword and sandal" movie featuring a muscular actor as its star. Why not rip that shirt all the way off and put the hero's sweaty torso on proper display?

Fanciful rendition of one of the most famous Greek myths.To write that the movie takes liberties with the tale is to state the obvious:first of all,Phaedra and Ariadne are twin sisters both played by Italian beauty(and an usual sword and sandal heroine of the era)Rosanna Schiaffino : the former is the villain ,a wicked princess ,whereas the latter is an innocent clueless good girl .Theseus is still the king of Athenes ' son but his father won't throw himself into the sea which bears his name (Aegean sea);and if my memory serves me well,he marries Phaedra after abandoning her sister on an island.

People who are eagerly waiting for the Minotaur will be disappointed for the monster looks like King Kong and would not scare a four -year- old .They did include Ariadne's thread and she is devoted enough to go and meet him in the labyrinth.

Closer to Robert Siomak's "Cobra woman" than to Greek tales.

After having seen The Minotaur I'm surprised that no one recognized the plot elements from Alessandre Dumas's Man In The Iron Mask. Maybe there was no mask for Rosanna Schiaffino to wear, but she plays the twin princesses of Crete as both good and evil.

The star of this peplum epic is Bob Mathias two time decathlon champion and he gets to show off some of the prowess that got him that gold. He's a visiting prince from Greece who rescued good twin Schiaffino where she's been brought up by peasants to keep her safe from the Minotaur. He's one nasty looking 7 foot tall dude with the head of an American bison and teeth like a shark. Virgins are sacrificed regularly to him and royal virgins are his special delicacy.

Evil Schiaffino has overthrown dad with her boyfriend Alberto Lupo and they run things. Mathias as Prince Theseus from Athens is our hero.

I kind of liked the makeup done for the Minotaur. It's not Ray Corrigan in a gorilla suit, some care went into the creation of the beast.

Nothing too special in this peplum. It's a combination of the myth of the Minotaur with the plot The Man In The Iron Mask. Take it fromm there.

Theseus of Athens (Bob Mathias, an actual Olympian) and his companion Demetrio (Rik Battaglia) rescue beautiful Ariadne (Rosanna Schiaffino) from brigands, only to discover that she is the twin sister of wicked Phaedra, princess of Crete (also Rosanna Schiaffino), who has no filial love for this potential rival for the throne. The malignant princess' power in Minos is maintained by fear of the Minotaur, a fearsome beast imprisoned in a labyrinth beneath the palace in Minos, a God to whom Phaedra sacrifices dissenters and their families. As Italian sword and sandal quasi-epics go, this one is not too bad. Decathlete Matthias has a heroic physique (although not quite as impressive as that depicted in the posters), the fight scenes are entertaining (despite numerous unconvincing armpit stabbings), and the women, especially Ariadne have skimpy outfits and very big...hair. The final showdown with the titular monster comes very late in the film and is somewhat anticlimactic as the film's Minotaur does not much resemble homo-bovine hybrid of myth. The film is a simple adventure that would appeal to kids but does contain some grim scenes of torture. I watched an adequately English-dubbed version on TCM which was OK, but there were some very abrupt cuts (when a woman's blouse is pulled off during the attack on Ariadne's village or when a character gets a red-hot poker in the eye) that suggests that a more 'adult' version may have been lensed. Entertaining but not great (but 'great' is not what the genre is known for).

In legendary times, the Cretans offered their children as sacrifices to the Minotaur. The movie starts with such a sacrifice. King Minos' wife Pasiphae is on her death bed. She reveals that Princess Fedra has a twin, Arianna who was raised as a Greek peasant. Fedra sends out her loyal guard Chirone to kill her rival. Teseo, son of King Aegeus of Athens, and his Cretan friend Demetrio happen upon the massacre and manage to rescue Arianna.

The acting is pretty bad and the dubbing does not help. Italian beauty Rosanna Schiaffino does better than most. Olympian Bob Mathias needs to go shirtless all-the-time to show off his form. He does get to do a few decathlon events. This is a cast of hundreds and the scale of production is pretty good. This spaghetti swords and sandals flick is not the worst. This should hinge on The Minotaur and The Labyrinth. Sadly, that is a bit of a disappointment.

The quick pitch: On her mother's deathbed, Princess Fedra learns she has a twin. Her reaction is to order her lost sister's death. Oh, and there's a minotaur living below the palace that requires virgin sacrifices.

For a movie called The Minotaur, the Wild Beast of Crete, I expected a bit more Minotaur action. The creature doesn't really make an appearance until the last 10 minutes, so he's hardly a factor. In the age of CGI we live in, the Minotaur may look silly and stiff, but I found the look pretty effective. Fortunately, with all the plotting and scheming of Princess Fedra, there's enough here to at least be somewhat entertaining. Rosanna Schiaffino does an acceptable job in the dual role of the evil Fedra and the kind-hearted Arianna. In addition, Alberto Lupo is convincing as Fedra's sinister sidekick. They really are an enjoyable pair. And, as I've already alluded to, much of the plot is entertaining - nothing groundbreaking, but I found myself drawn into the story. If it weren't for the clunky acting on the part of hero Bob Mathias and the even clunkier fight choreography, I could've seen myself rate this one much higher. Still, a 5/10 ain't all bad.

5/10

Well made, good looking " Sword And Sandal" fantasy with famed athlete Bob Mathias in his sole acting role and he gets to show off some of his athletic skills.Rosanna Schiaffino is lovely in both twin sister roles and for it's time and aimed as a family entertainment. it is at times quite violent.The actual monster itself, isn't seen fully until the film's last four minutes and although it does not have the Bull head as in the legend, it is a passable effect. Entertaining film.

This opera was played on 7 June 2008, it is bad. I watched it with my family and we laughed at it, calling it "compulsive viewing", due to it being laughably bad... Do not watch this, I will never get that hour of my life back. Every "song" sounds the same, and when the writers cannot find anything that works, they chuck in a bit of Greek. If you like "opera", do not watch this. If you don't like "opera", don't watch this. Only watch this if you want something to laugh at. Terrible. The orchestra managed to chuck in every note that exists, and then some. Get a book, like Macbeth, and just sing the words to it in an "operatic" style, and you will get what The Minotaur sounds like. Don't let anyone convince you that it is too sophisticated for you to understand. IT IS STUCK UP TOSH!!!

King Minos sacrifices the 'required' number of virgins to the monstrous Minotaur. But as his wife -the Queen- is dying, she confesses that their daughter has a twin whom she has hidden away to avoid giving one of the girls to the Minotaur.

Theseus, the mighty Greek hero, Theseus (Bob Mathias), the son of King Aegeus of Athens, is out to rescue one of her twins separated at birth, and a power-hungry princess (Rosanna Schiaffino) is going to try and stop him.

Italian Sword and Sandals do get a bad name, unfairly for the most part, but the Minotaur gives the genre a very good name, actually its an excellent one - action-packed, has enough fights and feats of derring-do, but what makes it special is how the story is told and doesn't just relies on thrills. Everything unravels naturally. There's enough twists and impressive visual display - the sense of fantastical is fine-tuned. Loved the bit where the hero falls into the sea, gets saved by an underwater babe. Quite dreamy. Of course, the labyrinth scene right at the end is quite tense, however the Minotaur was bit of a disappointment- I expected it, though. And it wasn't totally bad, I guess. The creature looked like an overgrown chewbacca. No bullhorns. Could've been better, though. Otherwise this is a diamond romp that grips and excites.

The acting is great - Bob Mathias is good as the hero who takes the bull by its horns, but its Rosanna Schiaffino who just steals the scene in a double role, one a bad girl Princess who wants her sister dead and the other a nice girl next door.

This is a pretty good peplum film, based on the Theseus legend. It leaves out the ball of yarn gimmick that I recall from Bullfinch, alas; that made it a better story for me, showing Ariadne not only looked good in a short chiton, but had some brains.

Still, that's not what people watch swords-and-sandals flick for. The costume design is handsome, and there's some very nice photography under the supervision of Aldo Giordani, particularly the sequence with Theseus' rescue from drowning and Susanne Loret as Amphytrion. Bob Mathias plays Theseus and there's a bit with him throwing the discus. His principal claim to fame was winning Decathlon Gold at two Olympics, and he played himself in a cheap Allied Artist biopic, but his acting career was uninspiring.

Dug up a copy of this overlooked, nearly forgotten Italian fantasy/adventure because I had the vaguest recollection of watching it on Super Scary Saturday with Grampa Al Lewis in the 1980s.

I had forgotten almost everything about the movie, and I was expecting one of those cheap peplum latter day Hercules films. The movie is actually much more. The story is interesting instead of just an excuse to move between various fight scenes (though there's plenty of those), large crowd and battle scenes, vivid colors, and above average special effects for 1960s Italian films. The scenes are all wonderful to look at, and there's lots of beautiful women.

Highly recommended.

This Italian peplum genre film can be missed but has enough going for it to make a screening pleasant and amusing. First, there's a LOT OF MOVIE here: many sets, big outdoor battle scenes, decadent court and temple scenes, perhaps as many dancing girl scenes as any such movie offers. Whole lotta shakin' goin' on. The music meets the moment. The wine goblets look like they'd hold a liter.

Trade-offs too in those areas. The film's visuals never provide any large sense of the labyrinth itself. When the monstrous title character finally appears, it's for only a hurried minute or two of indistinct action, cut-rate camera angles, and shifting scales for the creature's size. Also, how did a man-bull hybrid grow teeth more appropriate to a baboon?

Continuing on esoteric details, to stay family-friendly the opening narration skates over the Minotaur's origin story, i.e. Born from Minos's wife Pasiphae's lust for a particularly handsome Cretan bull. Credit to the scenario for depicting Ariadne providing a thread for escaping the labyrinth (like Hansel and Gretel's breadcrumbs), but then the film doesn't show her and Theseus using it after he finishes off the minotaur.

Back to positives, Olympian Bob Mathias is appropriately big, buff, and handsome to stand in for Theseus (Italian Teseo), and an early generic games scene show him and Demetrios competing in decathlon events. Rosanna Schiaffino looks great as good and evil identical twin princesses and plays both stock characters well enough.

History retells mythic stories in so many variations that it's futile to complain of infidelities to the versions we learned in school. In any case, the plot tirelessly makes twists and turns to keep things moving--maybe a few too many, as some characters and their plotlines disappear for too long. Through it all Theseus looks as good as Bob Mathias on a 1950s box of Wheaties, and you could find many worse films with which to while away an afternoon or evening indoors.