Spare the Rod

"Spare the Rod" may not qualify as a masterpiece but it's still worth seeing all the same. The story about an inexperienced school teacher who has the task of teaching a difficult class, usually makes for fairly engaging drama. I believe the above film achieves this, thanks to a good script and a solid performance from Max Bygraves. I've no idea why he didn't appear in more movies like "Spare the Rod," he would have been good. Even though Donald Pleasence is billed second in the cast, he hasn't much to do and his character isn't part of the storyline. Geoffrey Keen does quite well as a rather brutal teacher colleague who relishes the chance to use his cane. After a while, he manages to partly redeem himself. The classroom scenes are the best in my opinion, as the dramatic tension between teacher and rebellious pupils is at its best. You won't see much location photography around London, which is good as the narrative can remain focused upon the films main setting - that being of the school. One scene which must have raised an eyebrow or two, is the one where that blonde schoolgirl makes a pathetic attempt to seduce her own teacher. I'm surprised the B.B.F.C didn't demand the scene be removed. Obtaining this film on DVD is next to impossible but if you can watch it on TV, don't miss it.

Max Bygraves was hugely popular in the UK as a singer and comedian - and subsequently as a game show host - but, it has to be said, his greatest attribute was his affability.

A number of his singles made the UK charts and his "singalong" albums appealed (particularly) to older listeners not, I think, simply because he was a passably good vocalist, but because his persona was so likable and non-threatening.

In Spare the Rod, he is cast as a supply teacher working in a tough secondary modern school in the East End of London, hoping to succeed by winning over the pupils rather than punishing them. Along the way, he shows the bad boys that he can mix it with the best whilst refusing to be seduced by the bad girls.

Donald Pleasance is excellent as the headmaster who has no illusions whatsoever about the youngsters in his charge or the system that he is required to follow and Geoffrey Keen, as the sadistic woodwork teacher, reminds us all of some of the bad, bad times in what used to be described as the best years of our lives! Amongst the kids, look out, especially, for Richard O'Sullivan and Jeremy Bulloch, both of whom excel.

As for Max, well, sadly he wasn't really much of an actor but, surrounded by professionals as he is, he doesn't do too badly.

And it is kind of hard to dislike or say bad things about someone who is just so affable.

Gritty 1950s/1960s film are often described as "kitchen sink dramas" but here we have a "school desk drama" every bit as depressing as a kitchen sink one. It was difficult who to feel the most sorry for, the teachers or the pupils, but it's probably the pupils as they had more miserable years ahead of them than the much older teachers. Two years after this film Richard O'Sullivan appeared the Burton and Taylor extravaganza "Cleopatra" playing Pharaoh Ptolemy XIII, could there be a bigger contrast in lifestyle between these two characters played by O'Sullivan?

I enjoyed Blackboard Jungle and To Sir, with Love, but hadn't got around to seeing this counterpart until recently. I remember Max Bygraves mentioning it years ago on TV which always intrigued me. Bygraves is actually quite suited to his role, any shortcomings in his performance largely compensated for by the nature of the role he is playing. Donald Pleasence is marvellous as always and I'm sure Geoffrey Keen enjoyed every moment as the preening Mr Gregory. The book it is based upon did stir up the debate on the use of corporal punishment in schools when it came out, and although the cane is never likely to reappear, recent creative developments in school discipline suggest that another film along these lines may soon be needed to temper the fine balance between rectification and reprisal.

I must say I find the "6" rating awarded by all the previous reviewers of this film a bit on the harsh side and have awarded a ranking two levels higher myself. OK, so Max Bygraves was not a professional actor and his cinema 'career' is really not that much to speak about, but I still think he did a very good job in this picture. The support from consummate professionals like Pleasance and Keene also helped, of course, but he obviously established a genuine rapport with the actors playing the school pupils and he conveys the various emotions demanded by the role well, I thought. The main pleasure I experienced from watching the film, however, was in being reminded of just how absolutely appalling and brutalising so-called "secondary mods" in poor areas were, with jaded and often burnt-out teachers often resorting to brutal physical force/punishment in an attempt to maintain some sort of order and discipline. The film shows many insights, both retrospectively (e.g. how many (non-commissioned) ex-service men were herded into teaching after the second world war) and (unknowlingly) in terms of the future as well (e.g. the lad who tells Bygraves he "does not need to learn to read" as he intends to follow his dad in "working on the docks for £28.00 a week" (considerably more than a teacher like Bygraves portrays would have received at the time!) One wonders what became of the lad twenty years later when the London Docks had all gone and the entire surrounding area (as I can personally recall) had become totally derelict (until reclaimed by property developers who have now made the whole area totally beyond the dreams of the grandchildren of most of the kind of kids portrayed in the film.) A fascinating insight into a world long gone - and, one has to say, hopefully for good in some ways! The next time someone starts bleeting on about how "great" grammar schools were, the question to ask is, "And will YOU be sending your kids to a secondary mod like 'Worrell St' if the tests show they are a "sheep and not a goat" as well?