A Vida Íntima de Adão e Eva

This is one of the very strangest films I have ever seen. Several travelers are en route to Reno, when thunderstorm causes them to take refuge in an abandoned church. Falling asleep, the two leads dream they are Adam and Eve in the garden of Eden. The "Eden" sequence, up until the "expulsion" is in color. The first twenty minutes of the film are actually pretty decent, and seem to build up to something good, but the dream sequence in "Eden" is just too silly for words. The sight of Mickey Rooney playing the Devil in a padded snake suit is alone worth watching the film for. Paul Anka sings the theme song and has a rather minor role in the film. Also noteworthy is Tuesday Weld who does not appear in the dream sequence, but who sparkles during her screen time. The film ends with Eve requesting a pickle from Ad. A definite must-see!

This is a VERY strange movie, co-directed by cult director Albert Zugsmith and actor Mickey Rooney, that was barely released back in the day and has never appeared on legitimate home video. The "frame" story involves a motley assortment of characters taking a bus trip to Reno, Nevada when they're cut off by a flash flood and have to take refuge in a church. The movie then slips (for no apparent reason) into a long "Wizard of Oz"-type dream sequence where two of the characters, conveniently named "Adam" () and "Eve" (Mamie Van Doren), re-live the Garden of Eden adventures of their namesakes, with two other passengers, a loud-mouth promoter (Mickey Rooney) and his sultry wife (Fay Spain), becoming, respectively, "Satan" and his consort "Lilith". (Va-va-voom actress/model June Wilkinson also appears as another female minion of Satan).

The Garden of Eden story is a lot more goofy than funny, the heights of the (mostly unintentional) hilarity reached when Rooney appears in a snake costume, which kind of looks like a bad papier-mache snake has unsuccessfully tried to swallow a chubby, washed-up child actor. What's particularly strange though is that the Garden of Eden sequence only utilizes four of the eight passengers on the bus. Paul Anka is apparently only there to warble a couple of lame songs. But "the Velvet Fog" himself, Mel Torme, is completely wasted both as an actor and a singer. You wouldn't think you'd really need a sixteen-year-old Tuesday Weld (playing a teen runaway) when you have Van Doren, Spain, and June Wilkinson in the cast, but even in an abortive role, the vixenish Weld manages to out-sexy--and definitely out-act--all of her older, more voluptuous co-stars (SHE should have played Eve). Then there's the elderly but lecherous bus driver who narrates everything (and says at one point of Weld's character, "They used to call her 'bobby socks', but now they call her 'baby sex'").

I didn't find this completely un-entertaining just because of the unusual cast and just because it's so damn weird. It's definitely a throw-back to a bye-gone era when the mostly male movie audience was an unapologetic mixture of chauvinists, big-breast fetishists, and dirty old men. Ah, the good old days!

So this movie is silly? It has plenty of charm and light heartedness! It's innocent and funny. It's really worth a look especially if you're a (female) Martin Milner fan! You can find this on video currently at www.thevideobeat.com It was worth the purchase because it had been so long since I had seen it and it was only more charming since I've become older. Mickey Rooney as the devil? Can you imagine Andy Hardy in a padded snake suit? I found that extremely hilarious, just that alone! I'm not really a fan of Mamie Van Doren, so her part is difficult to watch (though I'm sure she would be a sight for the male audience). All in all, the cast is excellent, the story is sweet. I honestly can't understand why the decency brigade tagged it...I know things were strict growing up, but there's really nothing dirty at all about it...unless you have a really filthy mind?

I don't care what everyone else said but I liked this film.

Sure it's silly with the dream sequence in the middle and

alternates between black and white and color, but it's god a sense of fun about it. It's also got some really nice looking ladies and Eve manages to walk in a skirt that looks almost too tight to fit into. LOL.....

Sure the film didn't win or for that matter deserve to win awards for production or such but it's fun.... I had fun watching it and it just felt like there was a sense of fun in the story.





6/10

One may say "The Private Lives of Adam and Eve" should be judged on its own terms, that of a low-budget drive-in entry without any aim other than being a mild amusement; that is to say, it doesn't aspire to be high art--but then, since it isn't amusing, it must be noted that the movie has questionable aspirations, without the proper handling to steer it in the right direction. A small busload of people en route to Reno, Nevada stop off in nearby Paradise, where the driver picks up a teenage hot-rodder and two married couples on the rocks; after their trip is sidelined by a storm, the passengers take refuge in a church, where one of the frightened couples share the same dream about the Garden of Eden. Co-directed by Albert Zugsmith and Mickey Rooney (who also stars), the film is a shambles on even the most basic cinematic level. In the crude but watchable black-and-white framing story, we at least have Cecil Kellaway as the Christian bus driver who suggests the group sings "Rock of Ages" when the flood waters come. This section also has Tuesday Weld as a possible runaway and Paul Anka as the crooning teen (he also sings the title song in the film's kickiest sequence). But the color dream sequence in Eden, with Martin Milner and Mamie Van Doren as Adam and Eve, is amateurish in the extreme, particularly with an excruciatingly hammy Rooney playing the Devil. Still, one can't dismiss the movie as camp quite so easily. There is quite a bit of serious talk early on about God and the Bible, and later Van Doren shouts and cries to the Heavens, asking God to speak to her. It's a mind-boggling venture that wants to be two different things: a quickie flick for sniggering teens and an earnest character portrait in the manner of John Steinbeck's "The Wayward Bus". But you don't have to see it to believe it, because the picture isn't worth seeing. * from ****