Dama por um Dia

Apple Annie (Bette Davis) makes her living as a gin-sauced, basket-carrying, apple-selling NYC street woman. This motion picture is in color which makes Davis's famous facial expressions, especially her eyes, all the more effective.

The people Apple Annie hangs out with are other street vendors who are social misfits of various sorts; but, they have one thing in common: poverty.

Apple Annie is well connected with a mobster known as The Dude. Fortunately, he's superstitious. The tough mobster (Glen Ford) believes Apple Annie's apples bring him daily good luck because she says, "God Bless You," to everyone who buys from her.

All along Apple Annie's been writing her daughter on stationary from an upper-crusty city apartment complex, in order to pretend that she's a well-to-do lady. When her daughter, Louise (Ann Margaret, in her film debut) writes that she's coming to the city with her potential fiancé', whose father is a Spanish count, Apple Annie's pretense is not only about to be exposed but it could ruin her only child's chance for marrying well enough so that she'll never live in poverty as her mother has.

The rest of the story is fabulous: humorous, ingenious, well-casted, scripted and acted. It's anything but a typical mob story.

For me, the priceless scenes are between the veteran actor Bette Davis and upstart Ann Margaret. Imagine being able to claim that in your first film you starred as Bette Davis's daughter? Margaret gives a fine first film performance face-to-face with the Queen of the Screen. Peter Faulk does his mobster version of "Columbo," in top form. Davis, in Technicolor, delivers one of the most realistic, heart-felt, truly dramatic metamorphosis characters I've seen.

I used to watch this movie once and again when I was a child. Didn't even know who Bette Davis or Frank Capra were, but already loved the film. The story is a remake of one of Capra's films of the 30's. Easy to follow, filled with smart humor and better acting. I admire the transformation of Bette Davis, great work along with wardrobe and make up departments! Last Capra's film, it has the typical characteristics of his career. The importance of emotions, the rhythm, the magic and the happy ending. It was the beginning of the future sex-symbol Ann Margret in a great and extensive cast. It's a great movie to watch with kids, or for cinema addicts looking for a rest.

Bette Davis turns in a great performance as "Apple Annie". Peter Falk, as has been noted, gets the best lines. Glenn Ford shows his talent for comedy. The young Ann-Margret is as cute as can be. But if i can be permitted a bit of Trivial Observation: I had to watch the next to last scene (the police-escorted motorcade) again because i could not believe it on the first viewing. Did anyone else notice the rear projection in the back windows of the cars? The story is set in the 1930's, the cars are of that era but the automobile following in the back window looks like a 1950 Cadillac! Either that car window was a time tunnel or someone used the wrong film clip for the rear projection. That's why studios have a Continuity Department.

With "Pockeful Of Miracles" Frank Capra remakes his own "Lady For A Day" with Capraseque results - that means a mix bag with mostly delightful stuff in it - The major problem here is Glenn Ford, not as an actor but as a producer. There is too much dedicated to Ford's character's businesses, moving away from what really matters - Apple Annie and her predicament. Bette Davis was one of the major supporters of Glenn Ford at the beginning of his career - A Stolen Life, did for his career what "Thelma and Louise" did for Brad Pitt's and one should remember that Davis sort of "imposed" Ford for that role. Now Glenn Ford bills himself above Bette Davis. That should tell you something. The film, however, more than survives the petty egos and comes out as a wonderful swan song for the extraordinary Frank Capra. Bette Davis herself confessed to have found enormous difficulty at being faithful to Apple Annie in those gorgeous gowns post-makeover, but this is, was and always will be a fairy tale and as such it succeeds beautifully. The entrance of Davis after the make-over scored with the Nutcracker suite, it's one of my most cherished movie memories as are Davis's eyes as she witnesses the "miracle" in first person. A collection of wonderful character actors: Thomas Mitchell, Ellen Corby and in particular Edward Everett Horton makes the whole thing a smashing pleasure. Beautiful Hope Lange is terrific and Peter Falk wears a coat that makes his character a shady relative of his future "Colombo". If you're not made of stone and/or your levels of cynicism have not reached inhuman stages, you're going to enjoy this very much. I certainly did.

Apple Annie (Bete Davis) is an alcoholic beggar who sells apples and controls the beggary in Broadway area. Dave the Dude Conway (Glenn Ford) is a prominent gangster, who believes that Annie's apples are magic and brings `good luck' to him. Elizabeth 'Queenie' Martin (Hope Lange) is his lover, and she wants to get married with him and move to Maryland, to have children. One day, Annie receives a letter from her daughter Louise (Ann Margret, making her debut on the screens), who lives in Spain. She informs that she is going to get married with the son of a Count, and her future father-in-law is coming to New York with them to visit her. Annie becomes desperate and Dude decides to help her, pretending she is from the high-society of New York. This is another wonderful Frank Capra's magic movie. Indeed, it is a fairy tale. The cast, direction and screenplay are delightful and although being talkative and long, it is such a good film that the viewer does not feel the time passing. Bete Davis has another outstanding performance, as usual, very well supported by the magnificent cast. Highly recommended as a family entertainment. My vote is nine.

Title (Brazil): `Dama Por Um Dia' (`Lady For a Day')