Dama por um Dia

With "Pockeful Of Miracles" Frank Capra remakes his own "Lady For A Day" with Capraseque results - that means a mix bag with mostly delightful stuff in it - The major problem here is Glenn Ford, not as an actor but as a producer. There is too much dedicated to Ford's character's businesses, moving away from what really matters - Apple Annie and her predicament. Bette Davis was one of the major supporters of Glenn Ford at the beginning of his career - A Stolen Life, did for his career what "Thelma and Louise" did for Brad Pitt's and one should remember that Davis sort of "imposed" Ford for that role. Now Glenn Ford bills himself above Bette Davis. That should tell you something. The film, however, more than survives the petty egos and comes out as a wonderful swan song for the extraordinary Frank Capra. Bette Davis herself confessed to have found enormous difficulty at being faithful to Apple Annie in those gorgeous gowns post-makeover, but this is, was and always will be a fairy tale and as such it succeeds beautifully. The entrance of Davis after the make-over scored with the Nutcracker suite, it's one of my most cherished movie memories as are Davis's eyes as she witnesses the "miracle" in first person. A collection of wonderful character actors: Thomas Mitchell, Ellen Corby and in particular Edward Everett Horton makes the whole thing a smashing pleasure. Beautiful Hope Lange is terrific and Peter Falk wears a coat that makes his character a shady relative of his future "Colombo". If you're not made of stone and/or your levels of cynicism have not reached inhuman stages, you're going to enjoy this very much. I certainly did.

in this case, the name of director is the best definition for the movie. like many of movies by Capra, Pocketful of Miracles is a superb fairy tale. but not only. Bette Davis does an admirable job and Ann Margret is charming at whole at first steps on screen. Glen Ford is a special gangster and Hope Lange far to be a surprise. a family film who represents gate to another time. a film about values, hopes and mankind . and, sure, about magic in a profound and lovely sense. a film who, out of artistic value, is a trip in an useful atmosphere heart. that is its best virtue. and the source of delicate joy after its end. because the romanticism and the friendship are essential pillars. always. for everybody.

Bette Davis turns in a great performance as "Apple Annie". Peter Falk, as has been noted, gets the best lines. Glenn Ford shows his talent for comedy. The young Ann-Margret is as cute as can be. But if i can be permitted a bit of Trivial Observation: I had to watch the next to last scene (the police-escorted motorcade) again because i could not believe it on the first viewing. Did anyone else notice the rear projection in the back windows of the cars? The story is set in the 1930's, the cars are of that era but the automobile following in the back window looks like a 1950 Cadillac! Either that car window was a time tunnel or someone used the wrong film clip for the rear projection. That's why studios have a Continuity Department.

Glenn Ford and the late Hope Lange in a comedy with Bette Davis taking a supporting role. Interesting enough, this crowd pleaser works quite well.

Dave The Dude (Ford) is a gangster on the verge of making a big deal. Dave is superstitious. He always must get an apple from that vagrant-looking Davis.

Davis, as Apple Annie, was phenomenal in this film. She acts just like an old broken down bag-lady. She does it with a finesse. (Is it really possible to have a refined bag-lady, you bet it is.)

Anyway, it appears that Davis has a daughter living abroad all these years. Ann-Margret is she and the latter thinks that her mother is high society. Trouble now is that Ann is getting engaged to a count and they're coming to New York to look mom over. Dave and his girlfriend, Lange, fix up Davis to make her look like a dowager. They even provide a husband for her-Thomas Mitchell!

As if this isn't funny enough, we have Peter Falk, in a truly worthy Oscar nominated supporting performance, as Dave's sidekick who can't fathom what is going on.

Edward Everett Horton is the butler who can't take bad endings. Fortunately, for him, the film has anything but that kind of ending. It's up-beat down to the last laugh.

When "the kids" sail away, Apple Annie resorts to her old ways by even announcing that her prices have gone up to her faithful friends.

A romp and memorable film.

Apple Annie (Bete Davis) is an alcoholic beggar who sells apples and controls the beggary in Broadway area. Dave the Dude Conway (Glenn Ford) is a prominent gangster, who believes that Annie's apples are magic and brings `good luck' to him. Elizabeth 'Queenie' Martin (Hope Lange) is his lover, and she wants to get married with him and move to Maryland, to have children. One day, Annie receives a letter from her daughter Louise (Ann Margret, making her debut on the screens), who lives in Spain. She informs that she is going to get married with the son of a Count, and her future father-in-law is coming to New York with them to visit her. Annie becomes desperate and Dude decides to help her, pretending she is from the high-society of New York. This is another wonderful Frank Capra's magic movie. Indeed, it is a fairy tale. The cast, direction and screenplay are delightful and although being talkative and long, it is such a good film that the viewer does not feel the time passing. Bete Davis has another outstanding performance, as usual, very well supported by the magnificent cast. Highly recommended as a family entertainment. My vote is nine.

Title (Brazil): `Dama Por Um Dia' (`Lady For a Day')