Quadrilha do Inferno

I've long been a fan of Audie Murphy and event his lesser movies are better than most of the drivel that comes out of Hollywood today.

This is a good movie on its merits and not just as a vehicle for Murphy. It works well on all levels - story, acting, and directing. What I most enjoyed is the fact each actor is given screen time to rise above the stereotypes and create a memorable character - even if they only have a few lines.

The two I remember most are the young banker Seymour Kern (John Saxon) and the Mexican cowboy Johnny Caddo (Rudolph Acosta). Saxon in particular does well showing true, believable growth; he isn't just there as a foil/sidekick for Murphy to play off of but as a genuine character treated as equally important to the storyline. Acosta, usually a villain in the movies, plays an equally important role as a Spanish cowboy who joins simply because "it's the right thing to do".

Very superior B-Western. It is well cast. The posse is made of heterogeneous, well fleshed-out characters --more so than the usual Western. I enjoyed everything about the film, even stolid, amiable star Audie Murphy, who seemed tolerable. Most of the time, in an understated way, he seemed to keep from laughing out loud or reprimanding his inept posse crew. It must amuse most fans that while Murphy was the most decorated American soldier in WW II (maybe US history) in real life, his movie presence is often milquetoast.

I want to mention three very unusual things about this movie, all commendable in my opinion: One, in most Westerns the bad guys hold up the bank, quickly race out of town, and an instant posse takes off after them. But here there was an amazing scene that I found believable and in tune with the movie. The bad guys killed the marshal and some others and DIDN'T rush out of town. Instead they took over the saloon, sat down at some tables and gave orders and threats and killed some as examples, for an extended period of time. It made some sense to me. The townsfolk were not soldiers or gunmen. They didn't want to die, so they didn't fight back.

Two, when the posse came across one fatally wounded outlaw (Van Cleef), he lie on the ground telling them that they had a duty to care for his wounds, but Murphy said they couldn't spare a man to take Van Cleef back to town or to tend to him on the spot, so they had to leave him to die there.

Three, most Westerns would end with the death of the last outlaw, but not this one. After the last outlaw is killed, Murphy carries John Saxon (good as a posse member) a few miles back to town in triumph to be congratulated. But the film refuses to end there. There is a lot of talk about the dead marshal who had recommended bad boy gunfighter Murphy for the job, about Murphy possibly becoming the new marshal and talk with the girl (Zohra Lampert, a favorite of everyone) about her future.

Posse From Hell is my second favorite Audie Murphy western, his best being No Name On The Bullet. It's Audie who is leading the men who make up the Posse From Hell, he's a deputy tracking down the killer of the marshal and another citizen from his town of Paradise.

Four prize specimens scheduled to hang escape from territorial prison and come upon the town and terrorize it, taking with them as hostage and sex toy Zohra Lampert. The leader of the four is Vic Morrow who packs a deadly shotgun. Morrow is absolutely riveting in his evil, this may very well be his career role.

In fact Posse From Hell has many good supporting parts, Robert Keith plays a vain Civil War soldier looking to recapture some of his former prestige or acquire some he never had. John Saxon also stands out as a bank clerk who's from the east who joins the posse to see if he has the right stuff. Rudolfo Acosta who usually plays bad guys plays an Indian who joins the posse as a tracker and takes a lot of guff from the more self righteous whites.

Seeing how deadly Morrow is with a shotgun this is an image that will disturb you and stay with you a long time.

A nice cast of familiar players help Audie Murphy make this one of his best westerns. An absolute must for his fans.

Posse from Hell is directed by Herbert Coleman and adapted to screenplay by Clair Huffaker from his own novel of the same name. It stars Audie Murphy, John Saxon, Zohra Lampert, Rodolfo Acosta, Royal Dano, Robert Keith and Vic Morrow. Out of Universal-International, it's an Eastman Color production with cinematography by Clifford Stine and music supervised by Joseph Gershenson.

1880 and four escapees from death row ride into the small town of Paradise intent on causing mayhem. After robbing the bank and killing innocent men in the saloon, the men escape out of Paradise, taking with them a female hostage. A posse is formed, to be led by the slain Marshal's friend, ex-gunfighter Banner Cole, but good men are hard to find and Cole senses he would be better off on his own. But although many will die from this point on, from such adversity can heroes and friendships be born....

A little under seen and under appreciated is Posse from Hell. Hardly a deep psychological Western that strips bare the characters out on the trail, but certainly a picture high on action, blood and gutsy bravado. The title is a little misleading because the posse assembled is practically a roll call of stereotypes: gunman turned good, tenderfoot, man of different race ostracised, vengeful brother, pretty gal emotionally damaged, ex-army guy, wanna be kid gunslinger, and on it goes. Yet there is grim textures in the narrative (rape/revenge/cold blooded murder) and Gershenson scores it with horror movie strains. Even the blood red titles that open the picture look like something from a Hammer Horror production, clearly Coleman, Huffaker and co were aiming for a hellish wild west while cheekily having their posse formed out of a town called Paradise! A place where not all the citizens are stand up folk.

For Murphy fans this rounds out as real good value, he gets to do a number of great scenes like pouncing on a rattlesnake and diving through a window, while there's plenty of gun play moments for him to get his teeth into. But it also represents a good characterisation performance from him as Banner Cole, a man rough around the edges but definitely beating a humanist heart underneath the tough exterior. Around Murphy is a group of solid pros and up and coming stars, there's the odd iffy performance (Frank Overton) and overacting (Paul Carr), but nothing that overtly hurts the film. Main problem with it is that the villains remain elusive to us as characters, galling because we have been teased greatly in the opening section where we were introduced to some delicious villainy from Morrow as the leader Crip and Lee Van Cleef as Leo. More Morrow as a reprehensible bastard was definitely needed!

Major plus point is the use of Lone Pine, Alabama Hills, for the exteriors. A wonderfully rugged, yet beautiful part of the world, where the weird rock and boulder formations envelope the characters as a reminder that it's tough out here in the west. It's an area that Budd Boetticher and Randy Scott used to great effect for their superb Ranown Westerns. It's a shame that Boetticher never worked with Murphy more, for I feel sure he really could have gotten another 25% out of him, especially around the early 60s period. Still, Posse from Hell is a very enjoyable Audie Murphy picture, a bit more violent than most of his other Westerns, it's one that if you can forgive the odd creak here and there? And not expect some posse containing Satan's offspring? Then entertained you shall be. 7/10

Here stars a lawman called Banner (Audie Murphy) , he is a deputy who goes after bad guys led by Crip (Vic Morrow) , four baddies escapees from death row , they shot his friend and kidnapped a local girl named Helen Caldwell (Zohra Lampert) and with rape in mind . But the posse of the coward inhabitants of the small town gradually abandon him . Only a tenderfoot banker clerk accompanies him at whatever risks .Two steel-nerved and two-fisted men take apart a gang of gun-mad killers who had looted the whole Southwest! Together They Team Up As An Avenging Posse From Hell! Only A Posse From Hell Could Stop The Gun-Mad Spawn Of The Devil!

This exciting Western packs thrills , hard-edged scenes , pursuits , spectacular shootouts , brief character studio and lots of gutsy action . Brawling , sprawling , almost primitive action in which our protagonist is forced to participate in a posse , teeming across the screen by means of gun-play , go-riding , attacks , and ambushes . The picture contains whirlwinds of frantic action , fights , sustained energy and often commendable results with a plot reminiscent of several classic Westerns .The film has a slickness and crude vigour , including impressive outdoors with rocky mountains stunningly photographed by cameraman Clifford Stine , being shot on location in Alabama Hills, Lone Pine, Olancha Dunes, Olancha, California, and Universal studios . Audie Murphy gives a nice acting in his usual style as Banner Cole , a tough sheriff's deputy who forms a small posse to go after some bandits .Murphy won more than 20 medals , being the most decorated American soldier , including the Congressional Medal of Honor and he was also awarded five decorations by France and Belgium . He starred a rendition on his own self-biography titled ¨To Hell and back¨ that was an acceptable picture based on actual events about Audie Murphy who played himself following his Army career in WWII , being professionally directed by Jesse Hibbs and it was a box-office hit for Universal Pictures and its record was apparently not broken until Jaws (1975) . Murphy starred a great number of Westerns as ¨The kid from Texas¨, ¨Cimarron Kid¨, ¨Gunpoint¨, ¨Night Passage¨, ¨The Gunrunners¨, ¨Posse from Hell¨, ¨Gunfight at Comanche¨, ¨Rifles Apaches¨, ¨The Unforgiven¨, ¨Red badge of courage¨, ¨Legend of Sam Ward¨, ¨Whispering Smith¨, ¨40 Guns at Apache pass¨ , ¨Texas kid¨ , among others . Being usually directed by Jesse Hibbs who directed various Audie Murphy vehicles such as : this ¨To hell and Back¨ (1955) , ¨World in My Corner¨ (1956) , ¨Ride a Crooked Trail¨ (1958) , ¨Medal of Honor¨ and ¨To Hell and Back¨.In ¨Posse from Hell¨(1951) Murphy is well accompanied by the young John Saxon as a kind clerk in one of his first films and the unknown Zohra Lampert as a girl abused by the captors , being really rejected by the hostile citizens who feel revulsion for her . Support cast is frankly nice , providing splendid interpretations , such as : Vic Morrow , Robert Keith , Rodolfo Acosta , Royal Dano , Frank Overton , James Bell , Paul Carr , Stuart Randall , Charles Horvath , Ray Teal and Lee Van Cleef pre-Sergio Leone's For a fistful of dollars more .

The motion picture was well written by Western expert Clair Huffaker and competently directed by Herbert Coleman. This professional director Coleman demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . He only directed this film and one warlike movie : Battle at Bloody Beach . However he's considered to be a prestigious producer , financing various Alfred Hitchcock films , such as : Vertigo , North by Northwest , To catch a thief , The Wrong Man , The trouble with Harry .Rating : 6.5/10. Acceptable and above average Western . Well worth watching .