Duelo de Campeões

Decent Roman sword and sandal epic, a bit of an international effort with an American star, British director and an Italian production. Alan Ladd acquits himself well enough, I had doubts about seeing him in a Roman toga, he looks more convincing than John Wayne as Genghis Khan (not that, that would be difficult!)

A duel takes place in order to put an end to the long and bloody war between the Romans and the Albans. Three valiant brothers are chosen for each side. The Romans choose three brothers: the Orazi. The Albans are represented by the Curiazi.

Alan Ladd plays Horatio, a Roman general fighting in a war against the Albans. In battle, Horatio tries to lead a small party of soldiers on a guerrilla flanking maneuver. When the Romans are defeated, he is accused of having fled the battlefield. Of course, he returns to fight with his brothers against the Albans, but only after some drama.

Yes, Alan Ladd looks tired and puffy-eyed, and maybe someone else could've been chosen for the lead, but he acts quite well, his tired looks fits the world-weariness and dejectedness his character feels. After all, he accused of cowardliness, loses his love to his brother - his scenes with the character who plays his former girlfriend is well-emoted. The supporting cast is very good, especially Robert Keith ( father of Brian) as the intelligent and weary emperor.

The tone of this peplum is serious, it has a certain glumness and expresses the futility of war - but it also has some decent battle scenes such as in the beginning around the mountain and in the last twenty minutes. It's not a bad film, it has more drama than action, and the story idea is really good, it just needed a sharper screenplay and more liveliness. It lacks that punch, that's all, but its drama is decent.

The story of this movie has been described here by others and suffice it to say I found the movie to be very average. I think the really memorable aspect was the chance to see Alan Ladd and Robert Keith at the end of their careers. Alan Ladd would go on to make two other movies before his untimely death at 50. Unfortunately, from this movie, it is clear that his personal and professional lives were in decline at this time. He appears sluggish and bloated with only the infrequent flashing of a smile to remind viewers of past glories. Although he plays a general his performance doesn't really command the screen. If you want to see him, in his later movies, I would suggest you pass this up and settle for his final role, in the Carpetbaggers, which shows much more bite. Secondly, this represented the final film in the long career of actor Robert Keith (here playing the King of Rome). Although, by modern standards, a relatively young man (63) when this movie was made, it would be his last before his death five years later. He appears very frail but conveys a strong sense of dignity and maintains a masterful diction. Perhaps, given the combination, a suitable finale for a character lead.

This international co-production tells of a "famous" duel between two sets of three brothers (one from each side of the Romans and the Barbarians) which was to decide the fate of the ongoing war between them. While the production values sounded promising on paper – co-director Terence Young, American actors Alan Ladd and Robert Keith (whose last film this turned out to be), French star Jacques Sernas, ex-Fellini alumnus Franco Fabrizi, four noteworthy screenwriters, etc – the film comes off as a rather talky and undernourished affair which cannot hope to do justice to its mythical subject.

A visibly tired Alan Ladd, then, is evidently miscast and seems to be playing his role as if he has just stepped in from the American West rather than being at the head of a Roman legion! The hokey, would-be tragic "Romeo and Juliet" subplot involving Ladd's sister and Barbarian Fabrizi doesn't help matters either; on the plus side, however, is a sequence early on where Ladd is teared at by a pack of hungry wolves and the forest hunt by the three barbarian brothers for Ladd (after having killed his two siblings) which rebounds on themselves – with our hero, naturally, emerging victorious at the end to walk off into the sunset with his beloved.

Roma and Alba are at war, s they have been for a while. The king of Rome,Tullio Hostillo aka Robert Keith, dreams of Roman glory, despite all the mothers crying about their dead sons. Finally, the gods speak, saying that each side must choose three brothers and the last survivor will be the winner for his side. This includes Alan Ladd, but he is thought to have abandoned his troops and died. So the woman he loves is married to his brother. When he shows up, he denies both charges, but refuses to fight. Like Achilles, he will sulk in his tent on a nearby hill top.

Well, we can be assured that eventually he will fight, and will be victorious, because he's top billed. This peplum movie merges the usual thwarted love story with the other elements, including men showing off their legs. It's decent enough, but it doesn't appear to offer much in the way of any subtext. But that's not what people look at this sort of movie for, is it?