Criador de monstros

In the early seventies there were two late night horror movie shows where I lived: NIGHTMARE THEATER on channel 7 and SUSPENSE THEATER on channel 8. My dilemma was that both programs were on simultaneously(around midnight on Fridays),and I always had to decide which one I wanted to watch. On one particular Friday I chose the NIGHTMARE THEATER movie, opting to check out the other channel during the commercials. During one of those breaks I switched over just in time to see the infamous "eye-growing-on-the-shoulder" scene. A while later I looked again and saw that eye growing into an entire head! I left it on that channel until the show was over. I have no memory of what the other movie was.

American reporter Larry Stanford (Peter Dyneley, 'Thunderbirds') has been globe-trotting for a while, and is currently working in Japan. He goes to interview a scientist, Dr. Robert Suzuki (Tetsu Nakamura, "Red Sun"), who almost immediately turns the hapless reporter into the latest guinea pig for his experiments in mutation. Soon, Larry has become a foul-tempered jerk who can't help but cave in to homicidal impulses here and there, as he slowly mutates. His concerned wife (Jane Hylton, "My Brother's Keeper") and friend / colleague (Norman Van Hawley, in his only film appearance) fret over his hostile behaviour.

A mad scientist / cautionary tale in the classic tradition, "The Manster" is delicious fun for people who love a good B flick. The sight of Larry in monstrous form (played by George Wyman ("Battle in Outer Space")) is a true hoot, as he runs around and slaughters people and baffles the police. Larry remains a very entertaining character, for even though he turns into this big jerk, he's not entirely unsympathetic. We know he's a victim of somebody else's machinations. That said, his tirades are often hilarious. The whole cast (including Jerry Ito ("Message from Space") as an obligatory police superintendent) does creditable if not exactly award-worthy work. The effects are a blast; especially cool is that scene where Larry notices an eyeball has appeared on his right shoulder. And that is when this movie really starts to cook. Terri Zimmern (another cast member here making the only feature film appearance of their career) supplies some sex appeal as the assistant to Suzuki who realizes that she has fallen for Larry. Nakamura is solid as the antagonist who is portrayed in an even-handed way: he does express regret late in the game.

If you are anything like this viewer and have a BIG soft spot in your heart for "monster on the loose" programmers, you too will likely find this to be highly engaging entertainment.

Seven out of 10.

I watched this last night for the first time in 30-something years. From childhood, three scenes were indelibly stamped on my memory: the gibbering woman with the nightmarish melting face in a cage, the eye in the shoulder, and the infamous 'separation'. But what also was stuck in memory was the horrible screaming that accompanied some of these (not my own, but that of the characters ;>). Well, the movie's not *quite* as scary to my jaded sensibilities as it was then, but those scenes still had a kick; the unearthly howling, tearing sounds when the Manster 'separates' still chilled.

While it'll never be mistaken for great moviemaking, this film deserves a bigger 'cult' status than it has.

So - Are two heads better than one? Well - I guess you'll just have to watch this truly zany, Sci-Fi flick called "The Manster" to find out the answer to that daunting question.

Released in 1962 - The Manster is actually a kinda fun Mad Scientist/Horror movie to watch, providing, of course, that one doesn't take its goofy, far-fetched story at all seriously.

I found The Manster to be one of those outrageously low-budget, fright flicks from that particular era that was so bad that, somehow, it was actually (almost) good.

I think that it was a very wise move on the part of the director, George Breakston, to see to it that news-reporter Larry Stanford's hideous, two-headed transformation was kept partially concealed within the shadows of near-darkness - Otherwise the intended horror of Larry's horrific predicament would've, I'm sure, been completely lost by a string of unintentional laughs.

All-in-all - Even though I would never, ever consider The Manster to be great horror, I still thought that it was a least well-worth one honest viewing.

Everyone has already commented on their (mostly happy) childhood memories of The Manster, but the film actually has aspirations beyond those of the typical monster fest. The film is surprisingly bold about sexuality, hinting frankly at both rape and adultery. The Manster could be posited as a film that anticipated the free love of the late 60s, the 'split' as psycho-sexual as it is physical. Larry is, after all, a happily married average joe until his libido is aroused by a serum introduced via Mickey Finn by a 'mad' doctor. It's a bit like George Harrison being introduced to LSD by his dentist. As his desire for rough and raw sex increases, his body begins to mutate, leading to the infamous shoulder eye and second head. A cautionary tale, well told and ultimately very conservative, but thoroughly enjoyable on more than one level.