Guerrilheiros do Gran Khan

Gordon Scott, at the peak of his physical form, proudly displays his chiseled body in nothing more than a rather fetching orange loincloth, often glistening with sweat (only Helene Chanel gives him any competition for sexiness). The film itself is far from exciting, but it's slightly more bearable than others of its ilk, with a basic "save-the-princess" story and a mini-earthquake climax. *1/2 out of 4.

It's Gordon Scott who dons the loin cloth here as he tries to save the young Chinese Princess (Yôko Tani) from a fate worse than death. She is the daughter of the murdered Emperor and a much prized asset for the leader of the Mongols (Leonardo Severini) to consolidate his power. Luckily for her, our intrepid hero arrives just in time to save her brother "Tai Sing" (Chu Lai Chit) from a tiger and together with her imperial feistiness they unite with her late father's allies and set off to regain a throne that was brutally usurped. Naturally, "Garak" isn't best pleased that these flies are in his ointment, and with his own scheming "Liu Tai" (Hélène Chanel) and the burly guards captain (Franco Ressel) on his team it's not going to be a cakewalk for our muscle-bound "Maciste". It's all a bit procedural, certainly, but this has had some thought put into the production and the whole thing is stitched together in a way more technically professional fashion than so many other films from this genre. The story allows for a little more depth from the characters and there's plenty of action and plotting to complement the oriental mythology and the horseplay that this provides. Scott is also not a bad actor. No, he will never win a BAFTA, but he knew what was required of him here and his own limitations - especially when it came to his seriously concrete style of dialogue delivery. He realised that he wasn't employed for his voice but because he could start an earthquake just by thumping the ground! (OK, so some of this is also a bit far-fetched, too). If you like your peplum lively and with some attention payed to the edits and the continuity, and don't mind the odd shot that has crept in from other films, then you ought to quite enjoy this.

Not bad as far as peplum goes, with former Tarzan Gordon Scott plying his trade as Maciste (or Samson in the English dub), go-to man of steel helping a Chinese princess (Tani) return to her people after she's captured by the evil Garak (Severini) who then wages war upon the poor villagers and Monks to retrieve her and his pride.

Scott is capable and ably supported by French-Japanese actress Yoko Tani, while French beauty Helene Chanel belies her youth in a physically demanding role of the imperial turncoat who helps Maciste smuggle the Princess out of the fortified compound in which she's held.

Stuntwork is creditable and there's a chariot-execution scene in which big Gordo flexes his frame to save the heads of a few petty thieves, but otherwise, it's very much more of the same. As usual, the sets and costumes are lavish and if you're partial to peplum movies, then this Maciste instalment should be mildly entertaining.

Ex-Tarzan Gordon Scott is the beefcake in this low-budget but exotic sword-and-sandal potboiler, set, oddly enough, in China. The set pieces are convincingly done for a mini-epic of this sort, and Scott appears to have done some amazing stuntwork in a chariot sequence. Les Baxter's recognizable GOLIATH AND THE BARBARIANS score has been superimposed once again by American International to good effect. One of the better retro-stud peplums for those interested.

Hordes of sadistic Mongol warriors descend upon China, enslaving its people and plotting to assassinate the beautiful young princess (Yôko Tani) -until a musclebound hero (Gordon Scott) rises up and rouses the people to drive the Mongols from their nation's majestic mountainscapes.

Gordon Scott, my favourite Tarzan, once again dons the toga, brandishes the enemy with red pillars, flings them around like they are pillows and also gets to sprouts some sage dialogue like "justice doesn't know race or creed." It's actually a well-made Peplum with great photography and grand action - chariot-charging action where our hero goes under and clings on to it, a fearless tiger-wrestling stunts and an earthshaking climax is quite impressive. No CGI! Real stunts. Definitely one of the better peplums - Sets are big and spectacular to watch. The only gripe is that it's a bit overlong.