Léon Morin - O Padre

I discovered this one recently in my local market on a double DVD with a film called "Les Grandes Gueules". It was interesting to see Belmondo in the rôle of a priest and I thought his dialogue and ideas were very convincing indeed ! Emanuelle Riva, I know less but she put in a good performance too. The outcome, nevertheless, is predictable and, as is often the case in French films unfortunately, ends on a pessimistic note ! Although the film is in black and white and from 1961, picture and sound quality are reasonably good. I was most pleased to see Belmondo in this rôle which changes somewhat from stuntman and the usual commissaires de police ! I am moderately religious so was interested in the theme and ideas of the film. That said, on the other hand, to someone who is anti-religion, heathen or atheist, the film might indeed appear uninteresting and boring !

The film is about the relationship between an atheist woman and a local priest. It seems she's come to the church not out of a desire to convert but to join in order to protect herself from the Nazi occupiers, as communist atheists would not be safe. Yet, oddly, during the classes she has with the priest, the woman slowly begins enjoying her meetings and actually gets quite a bit out of them. What happens next, see for yourself.

"Léon Morin, Priest" is a very well made but very unusual film that took me by surprise. The biggest surprise was the casting of Jean-Paul Belmondo as the title character. In so many other films, Belmondo is cast as rogue--cocky, self-absorbed and charming. This isn't a criticism, but it is odd that the same guy from "Breathless" now plays a very humble and decent priest! As I said, this is NOT what I expected. The notion of an uplifting religious drama and Jean-Paul Belmondo going together is a bit of a shock to me! The other big surprise is how slow the film is and how unexciting it was considering most of it took place during the Nazi occupation of France--yet, the film was still very interesting and compelling! This is no action film but one that is very deliberate and satisfying if you give it a chance. In fact, it's exceptionally well written and acted and I enjoyed it considerably. And, you certainly don't need to be a Catholic to enjoy this one.

This is a movie that is partly about Christianity, but it doesn't only speak to a Christian audience. First and foremost, this is a movie about characters facing difficult realities, and finding different sorts of solace in each other.

I must say, Leon Morin was a fantastic character. I'm sure its due to a combination of great acting and writing. It's the kind of priest that you can imagine having long talks with, and the kind of person you can both disagree with and show great respect. I'm sure this movie has opened up the eyes of many when it comes to what a catholic priest can be.

The backdrop of the story, the second world war in a French town, is interesting, and even though it's not really a war movie, the war is always present in one way or the other.

While watching the movie, there were times that I thought it was too slow, but after finishing it, those moments were all forgotten. The movie doesn't have a complex plot, or all that dramatic scenes. But there's so much going on between the characters, that it captures you on two levels. One is the conversations themselves, with arguments for and against God (etc.), but the other is decoding the feelings that the characters have for each other. It's easy to expect a cliché, but the movie handled the situation really well.

I saw it at different ages. and I perceived it as one of films who transforms , in profound sense, its viewer. in a special, precise manner. it is not simple to define the sense of this change. and, for not give a to subjective answer, you say only than Belmondo did the role of his life, fragile, delicate, dramatic, so simple, and Riva preserves the flavors of "Hiroshima , mon amour", using in inspired manner. it is a war film, a religious one and a love story. and something more who , after the final scene, is reflected by a state of soul. that could be all.

For years now,the over all theme of religion in cinema has managed to touch more than it's share of raw nerves,both in the U.S.A.,as well as Europe (does anyone remember the brou-ha-ha that was raised over Jean Luc Goddard's 'Hail Mary',back in the mid 1980's,or 'The Last Temptation Of Christ',in 1988,or even 'The Life Of Brian'in 1979?). Long before all of that,there was a film that I'm sure raised some folk's eyebrows in 1961. That film was 'Leon Morin,Priest'. The story concerns a newly widowed young woman known as Barny,played by Emmanuel Riva,who is a self avowed atheist,who is seeking advice from a local priest,named Leon Morin,played by (then)France's matinée idol,Jean Paul Belmando ('Breathless',and way too many to mention here). The time is world war 2,and the small village Barny lives in is being invaded by Germans,Italians & later,American soldiers. What starts out as a series of conversations on spiritual matters,turns to unrequited love,which turns more serious as the story unfolds. Jean Pierre Melville (who was generally more known for his film noir crime epics, such as 'Le Cercle Rouge','Le Samourai','Army Of Shadows',etc.)directs & writes the story & screenplay,based on the novel by Beatrix Beck, in a film that tests one woman's temptation for the heart of another man. The rest of the cast (unknown by yours truly)turn in fine performances. The crisp,black & white cinematography by Henri Decae makes real good use of light & shadow (especially if the print quality is good to excellent),and the use of distance between the two characters,which eventually merge closer as the story goes on. Not exactly top shelf Melville,but none the less,still worth a look. Most European prints of this film originally ran 130 minutes,but unfortunately,the North American distributed print clocks in at 117 minutes (including the newly printed re-issue edition). Spoken mostly in French,with a wee bit of German,with English subtitles. Not rated by the MPAA,this film contains some minor adult content,and a rude word,or two.