A Vingança dos Vikings

Virtuoso filmmaker Mario Bava turns his attention to the Viking adventure genre with generally engaging results. It's set in the 9th century when Viking aggressors are bloodily invading Britain. Two Viking brothers are separated during a battle, and are raised by opposing forces. Eron (American star Cameron Mitchell) grows up to be a fierce Viking warrior, while Erik (George Ardisson) is adopted by a young British queen (Francoise Christophe). Eron loves a vestal virgin named Daya (Ellen Kessler), while Erik takes a shine to her twin sister Rama (Alice Kessler).

All in all, this is good fun, and worthy viewing for folks who enjoy a good period adventure. It's bloody, it's colourful (it ought to be - Bava photographed it himself), it benefits from obviously impressive production values, and it works as a combination of intense action, melodrama, sexiness (there are plenty of lovely ladies on hand), and even a little dose of humour. The action sequences are definitely well executed, and look especially good given that Bava actually shot this in the 2.35:1 aspect ratio, which he usually didn't do. One highlight is a wall scaling sequence that would make Spider-Man proud. The music helps immensely in making this a rousing bit of business.

The performances are solid right down the line. Mitchell does fine, even if he is dubbed, and embraces the physicality of his role. Hunky Ardisson is his match as his long-lost brother. The real-life Kessler twins are positively ravishing, and Andrea Checchi is an enjoyably odious villain as the devious Sir Rutford.

Fun to watch for Bava admirers, and the first of his three pictures with Mitchell - the others being "Blood and Black Lace" and "Knives of the Avenger".

Eight out of 10.

ERIK THE CONQUEROR (aka THE INVADERS) was Mario Bava's second directorial assignment after his meteoric success with BLACK SUNDAY (aka MASK OF THE DEMON/LA MASCHERA DEL DEMONIO (1960). ERIK THE CONQUEROR is a tale of intrigue and treachery between Viking forces and the Anglo-Saxon defenders of the British Isles in the year 786 A.D. The story begins as two children are separated from each other during a fierce battle. One of the two is taken and raised by Queen Alice (the stately & beautiful Francoise Christophe) and the other child remains with his Viking people. Both bear tatoos which identify them as brothers. They grow up to face each other in battle but have been tricked by Rutford (a deliciously evil portrayal by Andrea Checchi), a scheming English noble who intends to take the throne he covets for himself. Art direction alone is dazzling with phospherescent hues of crimson, gold, emerald & cobalt blue. There are many macabre touches courtesy of Bava, and in an interview with noted film historian David Del Valle, Cameron Mitchell marvelled at Bava's mastery of trick photography and flawless cinematographic style. Mitchell gives one of his finest performances here as Aaron, the Viking and Giorgio Ardisson is splendid as Erik, his brother and King/defender of Britain. The golden, flaxen beauty of Alice & Ellen Kessler is used o good effect here as the eventual lovers of Erik and Aaron. A must-see for Bava worshippers and required viewing for epic aficionados!

Mario Bava, fresh from the overnight success of BLACK SUNDAY the previous year, emerges as a master of epic cinema in this Viking tale. Brilliant use of color hues and outstanding art direction distinguish this saga of twins separated as young boys during a battle between Anglo-Saxon hordes and Scandinavia's feared Viking tribes. Giorgio Ardisson portrays Erik and imbues his character with great nobility as he rises to fight against the Norsemen led by his brother Aaron (splendidly cast Cameron Mitchell). Andrea Checchi (Dr. Kruvajan in BLACK SUNDAY) is also tremendous as the evil Rutford, the scheming villain in this piece who wishes to use both forces to his own gain and place himself upon a throne he does not deserve. In an unforgettable interview with film historian David Del Valle commented that this film was made on a tiny budget but one would never surmise this from the rich texture and tenor of this major Bava opus. Macabre touches and phospherent Bava lighting place this work in a class by itself. The Kessler twins are used to superior advantage here and Francoise Christophe appears as the dignified and lovely Queen of the British Isles. A must-see for all lovers of The Maestro and for aficionados of epic cinema.

Movie costumer of early England under partial Viking rule. In the 786 A.D. , two Viking children (one time grown-up Cameron Mitchel, George Ardisson), separated since their early childhood with one raised by the English and the other by Vikings . The Viking half-brothers fight it out the throne . This entertaining adventure contains pillaging ,ax-throwing, manly talk about the glories of Odin , Viking soap-opera , storming of castles and final heroic jumping into walls on fortress where finds enemy .

Fairly elaborate but comic-book level costume adventure of Vikings battling the British for power and glory in the 9th Century . This enjoyable picture packs adventures, thrills, good action scenes and is very amusing. Cameron Mitchell is good , he gives a nice performance as leader of a band of Vikings driving his ship sets sail for the unknown land in search of Britanny kingdom . Big-name Italian cast as George Ardisson, Folco Lulli , Andrea Checchi and colorful secondary casting as Franco Ressel , Raf Baldassarre, Franco Giacobini and the gorgeous Kessler sisters who had an ephemeral career as singers. Although full of stupid historical errors and unbelievable events , the film is pretty entertaining. Great location footage with sweepingly photography of booth England , Dover and Britanny and Titanus , Appia studios , Roma, Italy. Shimmer and glimmer cinematography by Mario Bava. Spectacular and evocative musical score by Roberto Nicolisi. The picture is handsomely shot and directed with verve and muscle by Mario Bava . Rating : Good, fine battle scenes and wonderful cinematography and locations make the movie a standout . This throughly amusing historical epic stands up to teens and adults viewings . Don't miss for Bava aficionados.

This basic costume epic belongs to Viking genre such as : The classic ¨The Vikings(1958)¨ by Richard Fleischer with Kirk Douglas and Tony Curtis , ¨The long ships (1963)¨ by Jack Cardiff with Sidney Poitier and Richard Widmark ; ¨The Norseman(1978) ¨ by Charles B Pierce with Cornel Wilde and Mel Ferrer ; ¨The Viking queen(1967)¨ by Don Chaffey with Don Murray and Andrew Keir; ¨The Viking sagas(1995)¨ by Michael Chapman with Ralph Moeller , among others .

Mario Bava's first credited viking movie (after he worked as an uncredited director on LAST OF THE VIKINGS, made in the same year and also starring Mitchell and Ardisson), is an above average entry for the genre enlivened by stylish direction from Bava which makes it a cut above the rest. The plot is different and involving and the characters fleshed out enough to make you interested in their actions. Primarily noted as a horror director, Bava can't resist inserting a scene involving a girl chained in a dank dungeon being terrorised by a tarantula held over her face in a glass tank towards the end of the movie, a macabre treat for his loyal horror fans. Elsewhere, he shoots imaginative scenes involving men climbing up ladders made out of freshly-shot arrows and the like which make for entertaining and surprising viewing.

Cameron Mitchell stars as Aaron, a just and noble viking warrior. George Ardisson is his younger brother Erik (after having also played Mitchell's brother in LAST OF THE VIKINGS), the film's real hero character, and is surprisingly good in the role. Meanwhile Andrea Checchi makes for a convincing but underused villain and the addition of real-life twins Alice and Ellen Kessler to the cast makes for novelty value. Bits parts come from the muscular Joe Robinson (TAUR THE MIGHTY) as a viking rival of Aaron's, and Tony Kendall - later a Euro action man appearing in all kinds of genres - amusingly showing up before he was famous, acting and looking very odd.

The photography is as good as ever, the movie is ambitiously made on a low budget and often cuts back and forth between England and Norway, and the music effective. What makes this film work, though, is the inventive plot - as involved as you're going to get with this viking sub-genre - and the characterisation, which combined with the strong cast helps to make an intelligent, straightforward, and largely entertaining action-adventure yarn, offering up just about everything you could want from the genre without ever resorting to silliness. Bava's final viking movie was 1965's KNIVES OF THE AVENGER, which throws a unique spaghetti western slant on the genre.