Gunga Jumna

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The best film ever of Dilip and Vyjantimala.These two took acting to unprecedented realms in this great movie.Script,music,photography,editing....all the aspects that make a movie are near perfect.Only weak point would be Nasir Khan who is badly mis-casted as the younger brother but it seems that his presence brings such impact from Dilip Kumar that one is left awe-strucked.The story is perhaps not new but it is the realism of the film that attracts the mind.Who will forget the scene of the dying Dhano with Gunga imploring her not to leave him alone in the world.You feel how much she means to him as if the drama was being played right in front of you instead of on the screen.Magnificent!Similarly the scene where Gunga see off his brother at the railway station is too good to be true.The supporting cast is marvelous.Anwar Hussain gives an excellent performance as well as Kaniyalal and Sohrab Modi in a cameo role.And what to say of the music? You have to see the film to really enjoy it because it is made for it.A milestone in the Indian film history.

Circumstances leading two brothers on the different sides of law has been a much contrived plot in Indian Movies, "Deewar," among the names to list. Well, "Gunga Jumna" is the predecessor in this theme. Given a rustic rural backdrop and Bhojpuri dialect, the film sparks in terms of art, storytelling, or performances. DIlip Kumar, Vaijyantimala, and Kanhaiyalal all make bravura performances. There are emotions and wit spread along, nuanced through the mesmerising cinematic frames the film creates. Abundance of songs and dances stretches the film a bit, but doesn't reduce the pleasure the film overall imparts. After "Mother India," it's a film which deserves to be archived for the pure Indianism the film tries to canvass.

Rating: 3 stars out of 4

Gunga Jumna (1961) : Brief Review -

Easily, the greatest rooted mass blockbuster after Mother India and Naya Daur. What do you need to make a rooted mass blockbuster that can appeal to every section of the masses? 1) Good story. Gunga Jumna has one of the best. 2) Actors. Gunga Jumna has the best-Dilip Kumar and Vyjayanthimala. 3) Rooted issues with dramatic elements. Gunga Jumna has probably the best dramatic plot after Mother India and Naya Daur. This rooted village drama (sometimes masala) has always been a major reason for the big blockbusters. The top four must be Sholay, Mother India, Gunga Jumna, and Naya Daur. What sets Gunga Jumna apart from those 3 films is the language. The use of Bhojpuri language makes it better because then it feels like one of our films. In the other three films, you see a regular Hindi language, which appeals to a larger section of the audience, including city audiences. Gunga Jumna went against it and managed to create its own benchmark. The same goes for the songs, because then they feel more grounded. If a viewer in Mumbai is enjoying Bhojpuri lyrics because he sees good music and Dilip Kumar and Vyjayanthimala dancing to it, then I think your film has broken the barrier of local language. With its influential formula of a good man turning into a bad man and his own blood having to go against it just because he was the one who taught him so, this has been one of the most loved and dramatic conflicts ever in Indian cinema. If you can hype Salim-Javed's post-70s blockbusters for the same reason, then please remind yourself that most of it came from the likes of Mother India, Naya Daur, and Gunga Jumna. The storyline is powerful, and the screenplay keeps you hooked for 3 hours. That's insane. What's more, you get fantastic music, brilliant performances, and superb direction to enjoy one of the greatest rooted mass blockbusters ever made in Bollywood history.

RATING - 8/10*

By - #samthebestest.

This movie was a block buster when it got released in 1961. Dilip and Vyjanthi reached dizzy heights . This movie came in quick succession after "Madhumati" another mega hit starring the same pair Dilip - Vyjanthi.

Curiously and interestingly , I , a movie buff, missed out on watching this movie for so long, though I have a heard a lot about it. Somehow that did not happen so far. Thus in my mind a kind of mysterious aura got built around this movie , and this movie was high on my list of to be watched movies. This is the first time I watched this movie and my expectations were not totally belied. This movie is a trend setter of sorts because in my opinion it has the right amount of masala, melodrama and whatever else that defines a Bollywood masala. This trend continued well into seventies and eighties , and ensured a fail-safe formula for hits. For instance movies like Deewaar, Amar Akbar Anthony etc that defined Amitabh had essentially the same theme of two brothers on the opposite sides of law. One driven by circumstance takes to crime and the other again driven by similar circumstances takes the side of law and a clash becomes inevitable.

The movie is made very well, considering the fact that the resources available for making such movies in those days were very limited . The technical stuff of this movie is quite beyond it's times like photography , lighting effect etc.

The movie's background score by the legendary Naushad, absolutely blows your mind and adds to the thrill. Now coming to the acting part, Dilip is too good and plays the role of Ganga very realistically, sometimes though he tends to overact. The role of Jamuna is played fairly OK by Nasir Khan as I find his face lacking in expression sometimes. But somehow Nasir manages to lend a quiet dignity to his role. Vyjanthi scores , throughout the movie as her role as Dhanno also is tailor-made for histrionics. The pair Dilip- Vyjanthi really hit it off together. Direction by Nitin Bose is commendable.

One disconcerting aspect of the movie though are the songs. They pop up when least expected and least wanted. The songs are one too many and very distracting to the main plot. But others may have a different view altogether about this. The songs are by themselves are OK but bursting into the movie in the most unwelcome moments and junctures. Iam compelled to deduct a star on this count alone.

Well in one word : This movie defined the phrase " time pass masala " in Bollywood's context.