Seis Guerreiros

WWII is ending and now the Americans have occupied Italy. Dondi is an orphan, his home destroyed; little hope for the future. Dealy is a hard-boiled GI with no interest in kids, but for some reason, Dondi takes a liking to him and just won't go away, no matter what Dealy does. When Dealy is rotated Stateside, Dondi stows away.

This film is very sentimental, with the little boy, Dondi, reminiscent of Hamchunk, Jim Hutton's tag-along, in The Green Berets (David Janssen is in that film, too), or Mitsuo, the little boy who follows after Jerry Lewis, in The Geisha Boy.

As a kid, this movie was one of my favorites. I would love to view it, now, with my own children. While it is not one of the "Great Ones", it is well worth a watch.

After ruining the long-running comic strip "The Gumps," Gus Edson launched the gooey dreck known as "Dondi" to dozens of newspapers. He or his syndicate persuaded Al Zugsmith, best known for his potboilers with the pneumatic Mamie van Doren, to make this bucket of cinematic treacle.

One wishes Mamie could have appeared, but she had the good sense to stay out of this one - the closest we get is an appearance by a Jayne Mansfield hot water bottle, which displayed much more personality than Patti Page. The "singing rage" warbles several nauseous tunes that make "The Doggie in the Window" sound like "Highway to Hell." And I thought her theme to "Hush, Hush Sweet Charlotte" was bland! And let's not forget David Kory in the title role...but I certainly want to! He yells his lines in the tone of a kid who didn't get sprinkles on his sundae. After watching this overly sentimental excuse for a film, you'll be praying to the porcelain gods! Show this to your kids and they'll ask what they did wrong!

If you want a kids' movie from this era that's actually good, and sweet without being gooey, get a Philip Leacock film like "Hand in Hand" or "The Little Kidnappers."

Incidentally, I met Irwin Hasen, artist of the Dondi comic, at a convention 12 years ago. He was such a nice guy, I hadn't the heart to tell him how much this movie sucked...though I wonder if I DID tell him, he might have agreed?

The summary line is, of course, intended to parody David Kory's very strange use of language in this film, but I can't shake myself of the idea that the pinhead who first proposed this as a project spoke of it in like glowing words.

The comic strip was okay for what it was. But trying to make a movie out of it? Watching this is a stomach-turner to be sure. The whole syrupy lovableness bit is nauseating, and I've heard stories of kids who watched this when it first came out having squirmed with embarrassment at it, which is pretty painful when you consider how undemanding kids usually are when it comes to kid-friendly movies. Even worse are the stale, unfunny jokes.

A sequel was planned, but thankfully it went nowhere. David Kory couldn't act, but even worse is the fact that his director couldn't, evidently, do his own job either.

Like some of the other post-WW2 baby boomers who commented, I remember Dondi in our morning paper in the 1950s and 60s. The strip had some kind of visual appeal--even though I wasn't old enough to follow a story strip, I kept giving it a look. The movie came out when I was 9 or 10, and because I actually recognized its subject matter, I went to the Paramount or State theater in downtown Burlington NC and tried to watch it. But even at that tender age I was aware I was watching a dreadful turkey of a movie. My only pleasant association with the subject thereafter was when Mad Magazine ran a calendar that featured a "Kick Dondi in the Teeth Day."

Saw this picture ages ago. Leonard Maltin hit the nail on the head when he said "Watch this film and you'll know why Janssen became a fugitive"! The comic strip was never very good and this film is ten times worse. If it had even a shred of Sci-Fi in it MST3K could swoop down on it for some laughs but it doesn't. David Janssen did fine work in his career but this is certainly the worst he was ever in.