Um padre crocante e excêntrico recruta três condenados relutantes para ajudá-lo a resgatar uma colônia de leprosos infantis de uma ilha do Pacífico ameaçada por um vulcão latente.Um padre crocante e excêntrico recruta três condenados relutantes para ajudá-lo a resgatar uma colônia de leprosos infantis de uma ilha do Pacífico ameaçada por um vulcão latente.Um padre crocante e excêntrico recruta três condenados relutantes para ajudá-lo a resgatar uma colônia de leprosos infantis de uma ilha do Pacífico ameaçada por um vulcão latente.
- Prêmios
- 1 indicação no total
- Jacques
- (as Jean Pierre Aumont)
- Marcel
- (as Gregoire Aslan)
- Camille
- (as Barbara Luna)
- Aristide Giraud
- (as Lou Merrill)
- Margot
- (as Michele Montau)
- Citizen
- (não creditado)
- Radio Operator
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Pleasantly old fashioned film making, a disaster movie from the early 60s that boasts star appeal and nifty effects for the era. Plot finds Tracy as Father Doonan, a cleric who has lost his faith and likes a tipple or two. Ensconsed on a pacific island that houses a children's leper hospital, Father Doonan is to be relieved of his duties by Father Joseph Perreau (Mathews).
Enter three convicts who have to stop by the island, fronted by angry agnostic Harry (Sinatra), the cons are put to work in the leper hospital just as the island volcano decides it is time to erupt and level the island post haste.
What transpires sees a race against time formula adhered to, with added slices of sacrifice and redemption unfurled for our emotionally tickled enjoyment. It's undeniably too long at over two hours, really stretching the premise to breaking point, but such is the fine work of cast, photographer and director, it rounds out as spiffing entertainment. Great ending as well! 7/10
One of the most interesting things about DEVIL is the cast. Frank Sinatra headlines as another likable rogue of the kind he did so well. Old-timer Spencer Tracy is a delight as the hard-headed priest who essentially runs the island while the French bores in charge look on. Sinbad star Kerwin Mathews is here too as the young priest sent to replace a retiring Tracy. The supporting cast includes Barbara Luna, a truly exotic-looking beauty, and Bernie Hamilton as one of Sinatra's fellow cons. Hamilton would later go on to TV stardom in STARSKY & HUTCH.
I think it's fair to say that THE DEVIL AT 4 O'CLOCK is a dated film and the special effects haven't held up particularly well, the back projection being a stand out. The first hour is a little slow too. However, once the disaster scenario kicks in, it becomes exciting and often gripping entertainment, and the ending is unexpectedly emotional. Solid Hollywood entertainment, in other words.
Today, the film would be saddled with an obligatory happy ending, so the realism, per se, of this script is welcomed. The heroism is earned, not dictated.
All in all, worth the two hours. And since IMDb now requires ten lines in order for a comment to post, I will continue typing. If ONLY most "posters" could LIMIT themselves to ten lines.
Yet the greatness of the film is not about the missionary zeal of Catholic priests but more about faith in God--the loss of faith and the process of regaining it. It is not an action film, it is a spiritual journey where convicts turn religious by observing selfless actions of others. It brings to mind Pearl S. Buck's "Satan never sleeps". The choice of the title "Devil at 4 O'clock" is unfortunate as the film is not about any devil--there is only a volcanic eruption at that time.
Even if you choose to discount the story, the film is admirable for its earthquake and volcano/lava flow sequences. I wonder how they were able to splice in realistic lava scenes as well as scenes of a small plane flying in close proximity to a volcano in full fury.
Along with "The Seventh Cross" and "Bad Day at Black Rock" this film ranks high as a Spencer Tracy film. He carries the film on his shoulders with good support from Frank Sinatra and Gregoire Aslan. Joseph Biroc's camerawork and Mervyl Leroy's decision to direct this film are commendable. If you have not seen the film see it, it will uplift your spirits and your faith in human values.
Você sabia?
- CuriosidadesThe volcano in this film was built from scratch on farmland outside Fallbrook, California. Each shot required packing with hundreds of pounds of explosives and a carefully-orchestrated "eruption" to be filmed by the cameraman seated on the front skids of a helicopter. One eruption went off a little early and nearly took out the chopper, burning off the cameraman's eyebrows and some of his hair. Because the eruptions looked so good, this ersatz volcano provided stock footage for other films, commercials, etc., for decades.
- Erros de gravaçãoAfter the island explodes, the sea is perfectly calm. A huge eruption like that would have produced a huge tsunami.
- Citações
Charlie: I was a pretty good thief in my time.
Father Matthew Doonan: I believe that.
Charlie: It's too late. Can't you get out now?
Father Matthew Doonan: It's never too late to change.
Charlie: My mother, that's what she used to say, "It's never too late."
Father Matthew Doonan: She was right.
Charlie: She kept after me - kept tellin' me - there was another thief once dyin' on the cross right next to Christ.
Father Matthew Doonan: The Good Thief.
Charlie: That's what she called him.
Father Matthew Doonan: He didn't chicken out. He just got smart and at the very last moment, he stole Heaven.
Charlie: That's pretty good stealin', huh?
- ConexõesEdited from O Fim do Mundo (1951)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El diablo a las cuatro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.721.786 (estimativa)
- Tempo de duração
- 2 h 6 min(126 min)
- Proporção
- 1.85 : 1