Estranho Assalto

Quentin Lawrence directed this good crime thriller that stars Peter Cushing as Harry Fordyce, a bank manager who is introduced to an insurance investigator named Hepburn(played by Andre Morel) on the 23 of December. Ostensibly there to check security, he is really a ruthless and cunning thief who has an elaborate plan to rob the bank, and needs Fordyce's cooperation to pull it off, so convinces him that he holds his family hostage, and will have them murdered by his associates if he doesn't signal to them his agreeing to help. Fordyce decides to cooperate, all the while trying to find a way out... Fine film with two stellar performances, especially Cushing, who proves that he can act quite well outside the horror genre he was best known for.

If you think of Peter Cushing in a Hammer production, it will be his roles in the colourful and camp horror films that will spring to mind first, and for good reason as it's those performances that defined the great actor; but Cushing and Hammer also combined on some non-horror films, and Cash on Demand is surely one of the very best of them; both in terms of the film itself and the performance from the great Peter Cushing. This is an absolutely brilliant thriller that works thanks to its simplicity, commanding and intriguing performances and well written script. The film focuses on a bank in a small town which is managed by the dedicated Mr Fordyce. His bank is disturbed one day by a caller who introduces himself as a man from the bank's insurance company, who has come to test the security. However, it transpires that the man is actually a bank robber, who has come to rob the bank, and he's got an associate in Fordyce's house ready to kill his wife and kid if he does not allow the robbery to take place!

Peter Cushing's performance in this film is absolutely immense and undoubtedly one of the best of his career. He gets his character spot on and is completely believable throughout the film and this is one of the main reasons Cash on Demand is such a success. He is joined by André Morell who is equally brilliant in his role as the debonair bank robber. Every scene in the film takes place either in the bank or just outside of it, and most of it takes place in Forsyce's office where we get to watch Cushing and Morell play a game of cat and mouse, which is always fascinating to watch. The film remains simple throughout and director Quentin Lawrence keeps his audience interested through the various elements of the plot. The film does have a few twists and turns, and of course the best of these is saved right up until the end. Overall, this is an absolutely great thriller that is well worth seeing and comes highly recommended! Unfortunately, the copy I saw was rather poor, which makes this a prime candidate for a pristine release on DVD!

Well written and tight little film with a fine performance from Peter Cushing and an even better one from Andre Morell. The former plays a Scrooge like, petty minded Bank Manager (very reminiscent of many that I encountered in my banking career!) and the latter the smooth talking and rather endearing robber. It is snowing outside and by the door is a Santa ringing his bell. With the mean natured manager, the gentleman thief and the allusions to Christmas, it is clear the shadow of Dickens hovers. As well as the crisp and effective dialogue there are just enough little incidents to maintain a certain level of tension and keep this afloat despite the absence of any sensational moments. Clever and measured with excellent performances from all the support actors, this just lacks a bit of spark.

Harry Fordyce is an exacting and priggish man, the manager of the City & Colonial Bank. He holds himself to a high standard, and demands the same of his staff. One day, a fellow by the name of Colonel Gore Hepburn arrives, claiming he is an insurance investigator who needs to survey the bank. However, it transpires Hepburn is in fact a cunning thief, who plots to manipulate Fordyce into helping him rob the safe. So begins a tense ordeal for Fordyce, the results of which are as unexpected as they are thrilling, in Quentin Lawrence's 'Cash on Demand.'

Based on 'The Gold Inside,' written by Jacques Gillies and featured on Theatre 70 in 1960, 'Cash on Demand' is a taut thriller that will keep you on the edge of your seat throughout its' run. David T. Chantler and Lewis Greifer's screenplay is terrific, featuring thoroughly believable characters, strong dialogue and much suspense. The initially aloof Fordyce is a particularly well-written creation, the character arc of whom is most understated and realistic. The terrifying journey Hepburn takes him on is one of high anxiety that will change him forever; and one which makes for an exciting experience for the viewer.

The film is produced by Hammer Film Productions, and was clearly a low-budget effort- the few, sparsely decorated sets being the clearest indication of this. However, it's a lovely looking flick nevertheless. Arthur Grant's black and white cinematography is striking, adding to the proceedings an atmosphere of film-noir. Grant primarily worked on horror films, and his work was always assured, stylish and memorable. 'Cash on Demand' may not be what he is best remembered for, but his efforts resulted in a distinct and beautiful looking movie that is a highlight of his filmography all the same.

The film also benefits from an evocative Wilfred Josephs' score, which adds supplementary tension to the already taut goings-on. Often, Hammer films suffered from overblown musical scores that robbed scenes of natural impact and drama. Josephs' is understated and effective in all the right measures. Additionally, editor Eric Boyd-Perkins' work is admirable, keeping the film's pace brisk, but not hectically so.

The late, great Peter Cushing stars as Fordyce, giving a performance of sagacity, vulnerability and depth. The heist situation forces the character to go on a journey of self-discovery, and he plays that out faultlessly. Like his dear friend Christopher Lee, Cushing was often pigeon-holed as "just a horror film actor" (particularly in the 60's and 70's) despite his great range. Though perhaps best remembered nowadays for his role in 'Star Wars' and as Van Helsing- and maybe by a few for his turn as Sherlock Holmes- in 'Cash on Demand' he gives a performance that is nothing less than a masterclass in acting; one which deserves to be lauded and more widely known.

Opposite Cushing stars André Morell as Hepburn, the villain of the piece. Morell also played the role in 'The Gold Inside,' and makes Hepburn a charming rogue that you can't help but feel a certain fondness towards. He and Cushing work together wonderfully, and the supporting cast deliver equally impressive performances- Richard Vernon in particular. Vernon plays Pearson, the head clerk of the bank, and is most natural, performing with an unpretentious ease.

'Cash on Demand' is a suspenseful thriller that borders on the film noir and will surely delight any who watch it. Featuring a fine screenplay and story, the film is unpredictable and tense. Benefitting from two excellent performances from Peter Cushing and André Morell, as well as an atmospheric Wilfred Josephs' score; it's a very memorable experience. It may be a low-budget affair, but 'Cash on Demand' is utterly grand.

When I was a teenager, Peter Cushing was my favorite actor; I simply loved his commanding performances in Hammer Studios' horror films. But when I eventually became more interested in dramas and foreign flicks, my appreciation for both Cushing and Hammer waned. I started to wish that Cushing had taken meatier roles in less lurid movies.

Thankfully, I just had the chance to see "Cash on Demand," a film that stretches Cushing's acting ability farther than most of his horror efforts. It's still a genre film – you could label it a crime/film noir movie – but nevertheless, it's got far more dramatic content and character development than the average Hammer film. Cushing is really superb as the cantankerous bank manager; his character is initially quite unpleasant, but as the plot unfolds he becomes gradually, genuinely more sympathetic.

It would be remiss of me to praise Cushing and forget to mention Andre Morell, who plays the debonair bank robber. His performance is wonderfully smug and, for lack of a better word, cool. The two actors have a great rapport throughout the movie, and together they hold the viewer's attention without the aid of any flashy sets or action sequences.

Clearly a modest movie, made for less money than it takes to film a TV show today, "Cash on Demand" is nevertheless a solid caper flick that deserves the attention of movie fans – particularly those who, like me, are interested in seeing Cushing flex his acting muscles outside the realm of vampires and other forms of animated corpses.