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IMDbPro

Rio Violento

Título original: Wild River
  • 1960
  • Approved
  • 1 h 50 min
AVALIAÇÃO DA IMDb
7,5/10
6,5 mil
SUA AVALIAÇÃO
Rio Violento (1960)
A TVA bureaucrat comes to the river to do what none of his predecessors have been able to do - evict a stubborn octogenarian from her island before the rising waters engulf her.
Reproduzir trailer2:59
1 vídeo
23 fotos
DramaHistóriaRomance

Um burocrata da TVA chega ao rio para fazer o que nenhum de seus predecessores foi capaz de fazer - expulsar uma octogenária teimosa de sua ilha antes que as águas subindo a tragam.Um burocrata da TVA chega ao rio para fazer o que nenhum de seus predecessores foi capaz de fazer - expulsar uma octogenária teimosa de sua ilha antes que as águas subindo a tragam.Um burocrata da TVA chega ao rio para fazer o que nenhum de seus predecessores foi capaz de fazer - expulsar uma octogenária teimosa de sua ilha antes que as águas subindo a tragam.

  • Direção
    • Elia Kazan
  • Roteiristas
    • Paul Osborn
    • William Bradford Huie
    • Borden Deal
  • Artistas
    • Montgomery Clift
    • Lee Remick
    • Jo Van Fleet
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    6,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Elia Kazan
    • Roteiristas
      • Paul Osborn
      • William Bradford Huie
      • Borden Deal
    • Artistas
      • Montgomery Clift
      • Lee Remick
      • Jo Van Fleet
    • 63Avaliações de usuários
    • 45Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 2 indicações no total

    Vídeos1

    Trailer
    Trailer 2:59
    Trailer

    Fotos23

    Ver pôster
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    + 19
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    Elenco principal32

    Editar
    Montgomery Clift
    Montgomery Clift
    • Chuck Glover
    Lee Remick
    Lee Remick
    • Carol Garth Baldwin
    Jo Van Fleet
    Jo Van Fleet
    • Ella Garth
    Albert Salmi
    Albert Salmi
    • Hank Bailey
    Jay C. Flippen
    Jay C. Flippen
    • Hamilton Garth
    • (as J.C. Flippen)
    James Westerfield
    James Westerfield
    • Cal Garth
    Barbara Loden
    Barbara Loden
    • Betty Jackson
    Frank Overton
    Frank Overton
    • Walter Clark
    Malcolm Atterbury
    Malcolm Atterbury
    • Sy Moore
    Mark Anthony
    • Night Clerk
    • (não creditado)
    Ross Apperson
    • Attorney Armstrong
    • (não creditado)
    Big Jeff Bess
    • Joe John Garth
    • (não creditado)
    James Campbell
    • Small Role
    • (não creditado)
    Donna Carnegie
    • Small Role
    • (não creditado)
    Bruce Dern
    Bruce Dern
    • Jack Roper
    • (não creditado)
    Mike Dodd
    • Sheriff Hogue
    • (não creditado)
    John Dudley
    • Todd
    • (não creditado)
    David Ferrell
    • Small Role
    • (não creditado)
    • Direção
      • Elia Kazan
    • Roteiristas
      • Paul Osborn
      • William Bradford Huie
      • Borden Deal
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários63

    7,56.5K
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    10

    Avaliações em destaque

    8footsperry

    one of Kazan's greatest - if you can find it!

    When I first saw this movie (at age 13) I was frustrated with the inept, impotent bureaucrat portrayed by Clift. The when I next saw it (age 16), I was vexed by his girl, who seemed to be too patient and wise. The third time (age 18) had me trying to take sides on this complex question - does the good for the many always trump the good for the few, or the one? And I was hooked on this complex, multi-layered drama - I'll see it again whenever and wherever I can. See it if you can find it. Although it's one of Kazan's best, and one of his favorites, it's STILL not in public distribution.
    mrbentley2

    Jo Van Fleet - Underrated Genius

    This is a most remarkable film, chronicling a piece of Americana and presenting a compelling image of the tragedy of progress. And it is Jo Van Fleet whose utterly convincing and captivating portrayal of an 80-year old hillbilly woman (she herself was 45 years old) makes WILD RIVER a masterpiece. To reiterate what others have stated, the fact that her performance was not even nominated for an Oscar is an outrage! I tend to disagree with other reviewers in regards to the subplot between Monty Clift and Lee Remick; I feel their scene slow things down and I find myself fast-forwarding past them to get to the match of will between Clift and Van Fleet. I do, however, understand the necessity of the Chuck/Carol love affair - here you have a stubborn old woman who simply refuses to leave her lifelong home and a sensuous young woman who simply begs to get out! And Monty Clift becomes nemesis and savior. But their scenes together are a total yawn when the good stuff involves the reason Clift is there to begin with - not just his cat-and-mouse with Van Fleet, but all the other obstacles he faces from the rest of the populace of the rural south in the 1930's.

    Still, an incredible film and worth viewing over and over again.
    pocomarc

    Jo van Fleet is terrific as usual

    This movie features Jo van Fleet, a terrific actress who has been forgotten.

    As usual, her performance carries the movie.

    Some should remember her as the mother of the James Dean character in East of Eden, where her scenes with Dean are the most powerful in the film.

    Elia Kazan, who directed Wild River, also directed East of Eden.

    Kazan said in an interview he considered van Fleet a "great" actress, and expressed irritation that she had been "forgotten."

    In Wild River the character she plays so believably is decades older than she actually was.

    One previous reviewer here is so fixated on politics that he really uses his pretense of reviewing this movie to give his own personal political views, which are of no interest to me, and which do not belong in a forum of this type.
    stephen-357

    The traditionalist. . . the modernist. . . and a river between them.

    On May 18, 1933 the Federal Government under FDR's "progressive agenda", created the Tennessee Valley Authority, a vast scheme of regional development that involved, in part, the diverting of masses of water into valleys thus protecting large populations of people from the ravages of flooding rivers. Dams were created to assist in this enterprise and to harness the vast energy of the raging waters through turbines which in turn created electricity for communities that still lived in the "dark ages." WILD RIVER begins with stock news footage of the damage ravaged upon a community by a flood, in particular a heart rending first hand account of a man who has suffered a great loss. In comes the Tennessee Valley Authority (TVA) to save the day, a bastion of progress with Chuck Glover (Montgomery Clift) as its representative. The TVA, in order to complete its mission, must relocate all the residents within a particular area slated for water relocation but Mrs Ella Garth, an old hard-as-nails woman living on a small island in the middle of the valley, refuses to leave her land for any price. This is the context of WILD RIVER, but for director Elia Kazan, the TVA and its surrounding controversy are a microcosm for America's growing pains and the divisions between North and South that have persisted since the Civil War brought them to a head. Kazan contrasts rugged individualism, so much a part of the Nation's heritage, with an activist Federal Government citing the best interests of the community. The traditional attachment that the South has to "the land", where "the elements" are an accepted part of life is contrasted with the North's reliance on technology to tame the elements. The sophisticated Montgomery, full of enthusiasm and conviction for his mission, is immediately jolted into reality first by the steadfast conviction of the old landowner (in a towering display of acting by Jo Van Fleet), then by overt Racism "for a minute I forgot where I was.", and finally by his own mixed emotions. His passions are aroused by Carol (Lee Remick), Mrs Garth's stepdaughter, who is suffering from under stimulation, both physically and mentally. Widowed for over two years, she lives with her two children and the old woman on the island. When the handsome, educated Chuck arrives on the scene, she finds in him a source of combustion to feed a very deep well of passion. Once ignited, the fire threatens to envelope Chuck's controlled existence and intensify Carol's feelings of displacement. Rarely has confusion, vulnerability and molten sexuality been rendered more effective by an actress. Remick completely dispenses with any pretense about her sexual and emotional hunger and sets the screen on fire! While still smoldering, she manages to convey her separate, but equally passionate emotions for man and child during a tender scene between Clift and her daughter.
    8marcslope

    A flop, and I can't imagine why

    Lee Remick's own favorite among her movies, and fine late Elia Kazan, this historic romance of the TVA and progress vs. tradition is beautifully crafted, gorgeous to look at, exquisitely acted, and quite frightening in its depiction of potential mob violence. Cleverly adapted from two books by Paul Osborn, it takes its time spinning out a gripping tale of a government agent (a restrained Montgomery Clift, his private life a wreck, but none of it shows on screen) trying to evict a stubborn, proud old woman (Jo Van Fleet, magnificent; Shirley Jones won over this? Really?) from her island so it can be flooded and power brought to all those poor Tennesseeans. He enlists the aid of her widowed-mom granddaughter, Remick, and the relationship between her and Clift is wonderfully ambiguous and rich. It's intelligent, moving, and convincing, and nobody went to see it in 1960. Very worth seeking out.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Lee Remick picked out two local Charleston kids to play her children. She chose the little girl because she looked like Lee at age 7. She chose the little boy because he loved hugging and kissing Lee.
    • Erros de gravação
      When Chuck and Carol stop for gas, a torn movie poster is displayed prominently on the wall of the station. Although the title and the name of the players have been ripped off, it's quite obviously O Amanhã é Eterno (1946) with the images of its three stars, Claudette Colbert, George Brent, and Orson Welles, easily identifiable; this film was not actually produced until 12 years later, in 1945, and released in 1946.
    • Citações

      Carol Garth Baldwin: [to Chuck] I'm leaving here, with you or without you, but I want you to know something... I'd be a good wife for you. A DAMN good wife. I'm smarter than you in some ways and I know what's good about you and I know what's bad and I'm not afraid to tell you... I have two children who love you. They love you and I love you... and you're not easy to love, but you do need someone... and I love you. I love you, I love you.

    • Conexões
      Featured in Mirror for Our Dreams: The Director: A Matter of Viewpoint (1968)
    • Trilhas sonoras
      In the Garden
      (uncredited)

      Written by Austin Miles

      Sung by Lee Remick

    Principais escolhas

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    Perguntas frequentes17

    • How long is Wild River?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 25 de maio de 1960 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Río salvaje
    • Locações de filme
      • Hiawassee River, Tennessee, EUA
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.595.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 50 min(110 min)
    • Cor
      • Color
    • Mixagem de som
      • 4-Track Stereo
    • Proporção
      • 2.35 : 1

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