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IMDbPro

Homem Mau Dorme Bem

Título original: Warui yatsu hodo yoku nemuru
  • 1960
  • Not Rated
  • 2 h 31 min
AVALIAÇÃO DA IMDb
8,0/10
15 mil
SUA AVALIAÇÃO
Toshirô Mifune, Kyôko Kagawa, and Tatsuya Mihashi in Homem Mau Dorme Bem (1960)
A vengeful young man marries the daughter of a corrupt industrialist in order to seek justice for his father's suicide.
Reproduzir trailer3:03
1 vídeo
99+ fotos
TragedyCrimeDramaThriller

Um jovem tenta usar a sua posição no coração de uma empresa corrupta para expor os homens responsáveis pela morte de seu pai. Uma história de Kurosawa sobre os escândalos corporativos no Jap... Ler tudoUm jovem tenta usar a sua posição no coração de uma empresa corrupta para expor os homens responsáveis pela morte de seu pai. Uma história de Kurosawa sobre os escândalos corporativos no Japão do pós-guerra.Um jovem tenta usar a sua posição no coração de uma empresa corrupta para expor os homens responsáveis pela morte de seu pai. Uma história de Kurosawa sobre os escândalos corporativos no Japão do pós-guerra.

  • Direção
    • Akira Kurosawa
  • Roteiristas
    • Hideo Oguni
    • Eijirô Hisaita
    • Akira Kurosawa
  • Artistas
    • Toshirô Mifune
    • Masayuki Mori
    • Kyôko Kagawa
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Akira Kurosawa
    • Roteiristas
      • Hideo Oguni
      • Eijirô Hisaita
      • Akira Kurosawa
    • Artistas
      • Toshirô Mifune
      • Masayuki Mori
      • Kyôko Kagawa
    • 68Avaliações de usuários
    • 46Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 1 indicação no total

    Vídeos1

    Trailer
    Trailer 3:03
    Trailer

    Fotos165

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    Elenco principal37

    Editar
    Toshirô Mifune
    Toshirô Mifune
    • Kôichi Nishi
    Masayuki Mori
    Masayuki Mori
    • Public Corporation Vice President Iwabuchi
    Kyôko Kagawa
    Kyôko Kagawa
    • Yoshiko Nishi
    Tatsuya Mihashi
    Tatsuya Mihashi
    • Tatsuo Iwabuchi
    Takashi Shimura
    Takashi Shimura
    • Administrative Officer Moriyama
    Kô Nishimura
    Kô Nishimura
    • Contract Officer Shirai
    Takeshi Katô
    Takeshi Katô
    • Itakura
    Kamatari Fujiwara
    Kamatari Fujiwara
    • Assistant-to-the-Chief Wada
    Chishû Ryû
    Chishû Ryû
    • Public Prosecutor Nonaka
    Seiji Miyaguchi
    Seiji Miyaguchi
    • Prosecutor Okakura
    Kôji Mitsui
    Kôji Mitsui
    • Reporter A
    Ken Mitsuda
    Ken Mitsuda
    • Public Corporation President Arimura
    Nobuo Nakamura
    Nobuo Nakamura
    • Legal Adviser
    Susumu Fujita
    Susumu Fujita
    • Detective
    Kôji Nanbara
    Kôji Nanbara
    • Prosecutor Horiuchi
    Gen Shimizu
    Gen Shimizu
    • Managing Director Miura
    Yoshifumi Tajima
    Yoshifumi Tajima
    • Reporter B
    Someshô Matsumoto
    Someshô Matsumoto
    • Construction Company President Hatano
    • Direção
      • Akira Kurosawa
    • Roteiristas
      • Hideo Oguni
      • Eijirô Hisaita
      • Akira Kurosawa
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários68

    8,014.9K
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    Avaliações em destaque

    10Tequila-18

    Under appreciated Kurosawa masterpiece

    At the start of this film I didn't know what to expect. I thought it might be a mediocre Kurosawa film. By the end of the film I realized it was one of his best. This film about familial discord and corporate manipulation is breathtaking. Its filled with irony, double crosses, cynicism, manipulation and revenge. In short, its endlessly interesting and captivating. Definitly a must see.
    8ElMaruecan82

    A tale of executives, executions... and bureaucratic Omerta!

    "The Bad Sleep Well" is Akira Kurosawa's second handling of the film noir genre after "Stray Dog" in 1949 and three years before "High and Low" in 1963. These two films were gripping documentary-like police procedurals. In contrast, "The Bad Sleep Well", with its intriguing title and loosely Hamletian undertones, shows the way these procedurals can be made useless by the sheer power of bureaucratic Omerta... and I'm not using the word in vain.

    The film is perhaps the most noirish of the three in its vitriolic depiction of corporate corruption, showing us the other side of modern Japan's coin where hierarchy governs not most but all of its institutions, family included. In fact, what the film accomplishes through the precise and uncompromising eye of Kurosawa's camera and a tight (if not somewhat tedious) script, reminds me of a classic among the classics: "The Godfather" and Coppola must have loved "The Bad Sleep Well".

    The film is about a bunch of corporate executives in the Construction and Land Development business using their influence, wealth and occasionally disguised threats to hide a kickback scheme that occurred seven years ago. There's the Vice President Iwabushi, the Administrative Officer Moriyama, the Assistant-to-the-Chief Wada, the Contract Officer Shirai, each man representing a stratus protecting the upper layer from collapsing the higher you are, the safer you get, which plays exactly like the Mafia vertical organization with soldiers and "buffers" ... some execute and some are executed. The bad indeed sleep well.

    "Ikiru", which is certainly Kurosawa's most acclaimed modern movie, hid behind its existential message an assertive comment against public bureaucracy. "The Bad Sleep Well" goes even further by subverting the clichés about Japanese's discipline with some employees going as far as sacrificing their lives. There's a moment where the accountant receives a message that says grossly "we'll take care of you, everything will be all right", and then he ultimately throws himself under a passing bus.

    It's not often that you have two "Godfather" references in one, the message reminded me of the last talk between Tom Hagen and Frank Pentangeli in "Part II" and the sound of the truck coming with the close-up on the ma n's" face echoed the climax of the restaurant scene. And if the "Godfather" trilogy was about gangsters posing as respectable men, "The Bad Sleep Well" is about respectable men acting like gangsters. And I'm not done with the comparisons, the most notable one is the opening sequence with a wedding that makes the exposition elements flow without feeling too forced.

    Snarky reporters are covering the wedding between the daughter of Iwabushi, played by Masayuki Mori (I couldn't believe it was 9 years after his youthful appearance in "The Idiot") and Nishi, a quiet and discreet secretary played by Toshiro Mifune. The girl has a lump and rumor has it that Nishi married her out of interests (they're half right actually). And so the wedding allows us to place names in face and a few incidents set up the action: an untimely arrest, Ibawushi's son Tatsuo (Tatsuya Mihashi) makes a speech where he threatens to kill Nishi if he ruins his sister's life but the icing of a cake is the wedding cake itself. In place of the real one, a cake representing the company's building is served, a rose placed in the seventh floor from which an employee jumped to his death, ending an investigation for corruption. "This marks the end of a one-act play," says a reporter "are you kidding?", retorts his colleague, "this is only a prologue".

    And so the prologue ends and the action takes off through a series of incidents suggesting that there's a mole in the company who know about the events that occurred seven year ago, who ordered the cake to send a message and who's up to something. The film features one of the most elaborate schemes, a strategy of destruction whose many tactics include the disguise of Wada's disappearance into suicide. In a later scene, the man is allowed to assist his own funeral and hear his employees gloating at his death. Shirai is then gaslighted to the point that you almost feel sorry for him. Finally, Moyamari (Takashi Shimura) is forced to reveal where the dirty money by simply being starved. I had often wondered why no one thought of extorting money with a simple glass of water, glad a film thought of it.

    Of course, it doesn't take long to reveal the perpetrator of all these actions, but more importantly his motive. It's obviously Nishi, the central protagonist, and it's easy to make the parallel with the seventh floor's death and his thirst for revenge but the best thing about the film is how conflicted Nishi is. He has obviously married the daughter to approach a man who is his enemy and with time, his sentiments grow. Moreover, even Wada starts to empathize with his actions and advise him against not becoming like the men he fight. The problem of Nishi is that his actions destroy the father of a person he cares for and ironically turns him into a character who, if not morally bad, uses the same tools than his enemies. It doesn't make him worse but his own morality is put in the film's equation.

    Nishi's playful whistling is the film's musical leitmotif, suggesting that he's "enjoying" what he does to a limit. We do "enjoy" the way he toys with these serious men's sanity and sense of immunity and the film while two hours and half long, finds a way to draw us in Nishi's action. But the game stops near the third act, when his intentions are revealed, and the enemies fight back.

    Now, I'm still puzzled by the ending, to the point I wondered whether it's the best or the worst thing about the film. One thing for sure, when it ended with that head being bowed and the title appeared, I was nodding mine.
    RussyPelican

    Kurosawa in top form

    The Bad Sleep Well is one of the best revenge movies of all time. It stars the great Toshiro Mifune as a man seeking revenge against the people who forced his father into committing suicide. Unlike many revenge movies, The Bad Sleep Well doesn't glamorize its subject. Instead it shows how in trying to get retribution for a man who is now dead, Mifune ends up injuring himself and other people he loves who are still alive. There are a lot of beautiful and haunting images, like when we see a desperate man struggling to climb a volcano so he can throw himself in, or a number of scenes that are shot at the bombed out wreckage of an old WWII munitions plant. The bleak landscape mirrors the damaged lives of the movie's characters. Powerful and haunting, this is a movie that will follow you for days.
    9Hanichi

    Kurosawa does Nippon Noir with style

    The Bad Sleep Well is a great film, with excellent acting from all the actors, especially my favorite Japanese actor, Takashi Shimura as Moriyama. Kurosawa shows in this film that no one can or will ever top his skill at doing tableau shots. The wedding scene in the beginning of the film, where the reporters are standing just outside the doors of the reception hall, commenting on the goings on within, is fantastic. The ending seems very abrupt, almost as if they ran out of time while making the film, keeping this one out of the same league as other Kurosawa classics (7 Samurai, Stray Dog, Yojinbo).
    CinemaClown

    Possibly The Darkest, Bleakest & Most Cynical Of All Akira Kurosawa's Films

    Arguably the darkest, bleakest & most cynical of all Akira Kurosawa films, The Bad Sleep Well is an impressive amalgamation of assured direction, excellent writing & solid performances that not only works as an effective & engaging revenge drama but also serves as a sharp critique of corporate corruption.

    The story begins with a masterly curated wedding sequence that aptly introduces all the relevant characters, and paves its foundation by letting the news reporters provide background details about each through their gossips. The revenge plan is already in motion when the film starts, and that scene does well to bring us up to date.

    The set pieces are refined, detailed & beautifully lit while the fluid camerawork & crisp greyscale photography provide the imagery its rich intensity & timeless flair. Editing is carried out well for the most part but pacing does slip a little before the third act. All the actors play their roles responsibly, plus it's got Takashi Shimura in a rare villainous role.

    Overall, The Bad Sleep Well finds Akira Kurosawa in complete control of his craft, and is yet another quality addition to the legendary auteur's oeuvre. Maintaining its firm grip on audience, the film is tense, captivating & thrilling for the majority of its 151 mins runtime before culminating with an ending that hits close to real-life. In short, an underrated & underseen gem.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The ideas for the film came from Akira Kurosawa's nephew, Mike Y. Inoue, who wanted to be a scriptwriter and was giving his scripts to his uncle. Kurosawa liked it and made suggestions, to which Inoue spent six months rewriting the script under the title "Bad Men's Prosperity." Kurosawa, along with several others, reworked it even more into the final version, though Inoue did not receive screen credit.
    • Erros de gravação
      When Nishi is trying to push Shirai out of the window, the brick wall outside of the window moves around - a lot.
    • Citações

      Koichi Nishi: It's not easy hating evil. You have to stoke your own fury until you become evil yourself.

    • Versões alternativas
      Originally released at 151 in Japan; USA version removes 16 minutes of footage.
    • Conexões
      Featured in WatchMojo: Top 10 Movies You Didn't Know Borrowed from Shakespeare (2016)
    • Trilhas sonoras
      Bridal Chorus
      (uncredited)

      from "Lohengrin"

      Music by Richard Wagner

      Played at the end of the wedding ceremony

    Principais escolhas

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    Perguntas frequentes16

    • How long is The Bad Sleep Well?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de outubro de 1960 (Japão)
    • País de origem
      • Japão
    • Idioma
      • Japonês
    • Também conhecido como
      • The Bad Sleep Well
    • Locações de filme
      • Aso Kuju National Park, Kyushu, Japão(volcanic area)
    • Empresas de produção
      • Toho
      • Kurosawa Production Co.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • JP¥ 82.540.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 46.808
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 15.942
      • 28 de jul. de 2002
    • Faturamento bruto mundial
      • US$ 47.023
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 31 minutos
    • Cor
      • Black and White
    • Proporção
      • 2.35 : 1

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