AVALIAÇÃO DA IMDb
7,5/10
47 mil
SUA AVALIAÇÃO
A visão de um homem de uma sociedade utópica fica desiludida quando ele viaja no tempo e lhe é revelada uma sociedade sombria e perigosa.A visão de um homem de uma sociedade utópica fica desiludida quando ele viaja no tempo e lhe é revelada uma sociedade sombria e perigosa.A visão de um homem de uma sociedade utópica fica desiludida quando ele viaja no tempo e lhe é revelada uma sociedade sombria e perigosa.
- Ganhou 1 Oscar
- 1 vitória e 1 indicação no total
Bob Barran
- Eloi Man
- (não creditado)
Paul Frees
- Talking Rings
- (narração)
- (não creditado)
Mike Hitlner
- Eloi Man
- (não creditado)
Josephine Powell
- Eloi Girl
- (não creditado)
James Skelly
- Second Eloi Man
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is a very well-done adaptation of the H. G. Wells novella, with an Oscar for the special effects that are still impressive more than 40 years later. Good performances by an ensemble cast and a good script also help. One interesting side note: character actor Whit Bissell was in both the 1960 version here and the version done for television in 1978, playing essentially the same part with two different character names! Recommended.
One of my favorite films back when I was a lad was George Pal's production of the H.G. Wells novel, The Time Machine. As I've gotten a lot older since the 13 I was when it came out, I can more appreciate the meticulous care that went into the making of this film.
Considering that we didn't have computer generated images back in the day, the special effects hold up remarkably well. The make up and costumes for the villainous Morlocks still have the power to frighten.
What I look at now though was the United Kingdom of the turn of the last century in which Wells wrote his book. As much as George Pal was able to capture the future, he did as well with the past, the recreation of the Victorian/Edwardian era from which our time traveler Rod Taylor goes to the future and back.
A lot of that has to do with the casting of the four men who are Taylor's friends and looked like they stepped from that era. Tom Helmore, Sebastian Cabot, Whit Bissell, and Alan Young all comport themselves as proper English gentlemen who are concerned and support their friend anyway in his theories and experiments.
Especially Alan Young's performance, it's my favorite in the film. Young plays a dual role as Taylor's friend and as his own son over several generations of the 20th century. He's the kind of true friend we should all in life be fortunate to have.
Also note that the mechanics of the Time Machine itself are never explained, just how the thing works and what powers it. It was probably beyond even the fertile imagination of H.G. Wells to conceive, our own best minds of science now debate whether it is even theoretically possible.
Rod Taylor after playing several good supporting roles in many films since arriving in America from his native Australia, got his first lead and real big break in The Time Machine. He's excellent as the time traveler who essentially saves the future for mankind and rescues it from the world that has developed.
The Time Machine was also ahead of it's time. no pun intended, in its depiction of the peaceful Eloi. During the sixties age of flower power, the gentle Eloi are like a bunch of hippies who seemingly have attained their version of paradise. No one is old and they live in a garden of Eden. Little do they know what the underground Morlocks are using them for.
Yvette Mimieux who as Weena of the Eloi got her break out role her. She's the quintessence of the flower power generation soon to come.
Even though new versions have been done, this version of The Time Machine still stirs the imagination and appeals to the scientifically curious in all of us.
Considering that we didn't have computer generated images back in the day, the special effects hold up remarkably well. The make up and costumes for the villainous Morlocks still have the power to frighten.
What I look at now though was the United Kingdom of the turn of the last century in which Wells wrote his book. As much as George Pal was able to capture the future, he did as well with the past, the recreation of the Victorian/Edwardian era from which our time traveler Rod Taylor goes to the future and back.
A lot of that has to do with the casting of the four men who are Taylor's friends and looked like they stepped from that era. Tom Helmore, Sebastian Cabot, Whit Bissell, and Alan Young all comport themselves as proper English gentlemen who are concerned and support their friend anyway in his theories and experiments.
Especially Alan Young's performance, it's my favorite in the film. Young plays a dual role as Taylor's friend and as his own son over several generations of the 20th century. He's the kind of true friend we should all in life be fortunate to have.
Also note that the mechanics of the Time Machine itself are never explained, just how the thing works and what powers it. It was probably beyond even the fertile imagination of H.G. Wells to conceive, our own best minds of science now debate whether it is even theoretically possible.
Rod Taylor after playing several good supporting roles in many films since arriving in America from his native Australia, got his first lead and real big break in The Time Machine. He's excellent as the time traveler who essentially saves the future for mankind and rescues it from the world that has developed.
The Time Machine was also ahead of it's time. no pun intended, in its depiction of the peaceful Eloi. During the sixties age of flower power, the gentle Eloi are like a bunch of hippies who seemingly have attained their version of paradise. No one is old and they live in a garden of Eden. Little do they know what the underground Morlocks are using them for.
Yvette Mimieux who as Weena of the Eloi got her break out role her. She's the quintessence of the flower power generation soon to come.
Even though new versions have been done, this version of The Time Machine still stirs the imagination and appeals to the scientifically curious in all of us.
Boy, did a nice DVD transfer of this not only mak me appreciate the visuals in here more but made the story seem better, too, for some reason. I only acquired the DVD as a memento, so to speak. I had to have at least one movie which had the woman I had a crush on back in the early '60s: Yvettte Mimieux. She still looks great, too. The main thing, however, is how I now viewed this story and how much more I wound up liking it than in the past. This was my fourth look at this movie over a 45-year span and I enjoyed it the most this last time.
Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)
Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.
The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.
Overall, an entertaining and thought-provoking film.
Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)
Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.
The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.
Overall, an entertaining and thought-provoking film.
This is one of the best science fiction movie from the '60s. Based on H G Wells' novel, Time Machine is probably the first movie dealing with time travel.
When time travel was not mainstream topic of science fiction, this movie paved the way for interest in time travel, and also sort of gave permission for people to think about time travel, and not be considered a crack pot. Now mainstream physicist write about how real time machines can be constructed without violating the laws of physics. In this sense this movie had seminal influence in the way we think about time.
All this probably wouldn't have happened if this movie had shoddy workmanship, but the production of this movie was impeccable. Everything about this movie is beautifully made. Story is intriguing, and also presents an interesting scenario about the future of man kind.
Not only is this a historically important film, it's an excellently made movie. If you're a science fiction fan, this is one movie you need to watch.
When time travel was not mainstream topic of science fiction, this movie paved the way for interest in time travel, and also sort of gave permission for people to think about time travel, and not be considered a crack pot. Now mainstream physicist write about how real time machines can be constructed without violating the laws of physics. In this sense this movie had seminal influence in the way we think about time.
All this probably wouldn't have happened if this movie had shoddy workmanship, but the production of this movie was impeccable. Everything about this movie is beautifully made. Story is intriguing, and also presents an interesting scenario about the future of man kind.
Not only is this a historically important film, it's an excellently made movie. If you're a science fiction fan, this is one movie you need to watch.
I recently saw the 2002 film "The Time Machine" and liked it a great deal, so I thought that it was probably in my best interest to see the 1960 version of "The Time Machine". So, I went ahead and rented it and watched it. I knew that this film was made in 1960, so I wasn't expecting anything spectacular, but I still hoped that it would be good. I must say that I was REALLY impressed with the film! I thought it was great!
The story is brilliantly told, smartly done, and quite interesting. I noticed a great deal of similarities (and differences) between this film and the 2002 version. There was virtually nothing I didn't like about the film, as far as story goes. I'm really interested in reading the H.G. Wells story now, so hopefully in the near future I'll bust out my copy and read it.
I thought the actors in the film did a fantastic job as well! Sadly, I'd never even heard of any of the actors in the film. I thought Rod Taylor, Alan Young and Yvette Mimieux all did a great job. The rest of the cast was good, but these three really struck me as great. Also, I have to say that Yvette is one beautiful woman!
The special effects in this film were surprisingly good, especially for a movie made in 1960! I must admit that I was really impressed with the sets and the special effects in the film.
The only thing that I would complain about, if I had to, is some little things. For instance, the classic "monster about to grab the guy, but then doesn't" sort of thing. Little things like that kind of bothered me, but I realize that it was just the style back then, so I can't really complain about it. Also, I wasn't too terribly impressed with the mouth and face of the Morlocks, but again, given that it was made back in 1960, I can let it slide.
Overall, I really enjoyed the film, and would definitely recommend it to anyone that liked the 2002 version of the film or just enjoys films about time-travel or science fiction. I truly hope that you enjoy the film as much as I do. Thank you for reading,
-Chris
The story is brilliantly told, smartly done, and quite interesting. I noticed a great deal of similarities (and differences) between this film and the 2002 version. There was virtually nothing I didn't like about the film, as far as story goes. I'm really interested in reading the H.G. Wells story now, so hopefully in the near future I'll bust out my copy and read it.
I thought the actors in the film did a fantastic job as well! Sadly, I'd never even heard of any of the actors in the film. I thought Rod Taylor, Alan Young and Yvette Mimieux all did a great job. The rest of the cast was good, but these three really struck me as great. Also, I have to say that Yvette is one beautiful woman!
The special effects in this film were surprisingly good, especially for a movie made in 1960! I must admit that I was really impressed with the sets and the special effects in the film.
The only thing that I would complain about, if I had to, is some little things. For instance, the classic "monster about to grab the guy, but then doesn't" sort of thing. Little things like that kind of bothered me, but I realize that it was just the style back then, so I can't really complain about it. Also, I wasn't too terribly impressed with the mouth and face of the Morlocks, but again, given that it was made back in 1960, I can let it slide.
Overall, I really enjoyed the film, and would definitely recommend it to anyone that liked the 2002 version of the film or just enjoys films about time-travel or science fiction. I truly hope that you enjoy the film as much as I do. Thank you for reading,
-Chris
Você sabia?
- CuriosidadesYvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
- Erros de gravaçãoIn the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
- ConexõesEdited into O Agente da UNCLE.: The Project Deephole Affair (1966)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La máquina del tiempo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 750.000 (estimativa)
- Faturamento bruto mundial
- US$ 5.902
- Tempo de duração1 hora 43 minutos
- Proporção
- 1.85 : 1
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