O Herdeiro de Satanás

A young singer/dancer has a car accident and loses her good looks to several large scars on one side of her face. She is soon visited by a lady with a solution to her facial problem just as she contemplates suicide with a revolver. The lady takes her to a doctor working out of a lab in his basement that has come up with a drug/serum that will make her face all better and supposedly cause the young, beautiful girl to fall in love with him. Nothing real special here at all. The film is very Italian and cheaply-made, but it does have some nice camera work here and there. The acting leads are all hams(prosciutto)and way over the top in terms of believability. The fellow playing the policeman does do a fine job amidst the bacon around him! The film has a somewhat grainy quality and some poorly lit scenes, but atmosphere is created through the lens. Although the serum must have some component from a living-turned-recently-dead woman, the scientific premises used in the film are very big flights of fancy. I laughed quite a bit at the serious turn the film tries to make explaining that the doctor's work sprung from his experiences in Hiroshima/Nagasaki. The lines are uttered with little conviction and carry virtually no plausibility in them. Though a bad movie in many ways, one could do far worse as a means of entertaining oneself on a cold evening.

"An exotic dancer has a terrible automobile accident and, as a result, is horribly scarred, on her face. Hoping for a miracle treatment, the dancer visits a scientist who has had marvelous results in restoring patient's (sic) appearances, and is cured of her scars. Unfortunately, there are some terrible side-effects from the procedure … the scientist must use unethical methods to try and make the cure permanent. With suspicions (growing, and) the dancer's boyfriend and the authorities closing in…" according to the DVD sleeve's synopsis.

Inappropriately re-produced as "Atom Age Vampire"; this is actually an adaptation of "The Strange Case of Dr. Jekyll and Mr. Hyde", with some other horrific clichés, quite neatly layered into the mix. Mad scientist Alberto Lupo (as Alberto Levin), unappreciated Franca Parisi (as Monique), and lackey Roberto Bertea (as Sacha) are an intriguing set-up. Horribly dubbed (although, the voices are good), and painfully predictable; it very obviously wouldn't be a completely awful film, in its unaltered Italian version.

**** Atom Age Vampire (1960) Anton Giulio Majano ~ Alberto Lupo, Susanne Loret, Sergio Fantoni

A crazed Professor Levin goes to rather bizarre and extreme lengths to ensure his formerly disfigured young girlfriend remains beautiful, desirable and under his control.

This Italian Science Fiction/Horror epic is really quite silly thanks in large part due to the English dubbing and likely editing. But the film does work somewhat on a soap opera level and has some better than average transformation sequences. Actually it's quite entertaining but not always for good reasons. Still it was better than I was expecting.

A brilliant but overly obsessive scientist has to kill young woman in order to constantly supply his own beloved female patient with fresh facial cell structures, since hers was incurably damaged in a nearly fatal car crash. Nothing really new or innovating here, as this was quite a popular premise the in late 50's/early 60's European exploitation-cinema industry. The downright brilliant French milestone "Les Yeux Sans Visage" launched the trend and also Jess Franco's "The Awful Dr. Orloff" and Ferroni's "Mill of the Stone Women" revolve on a similar theme. This dark and mean-spirited Italian production comes out as very weak compared to any of the previous titles, mainly because of its cheapness and lack of credibility. The other titles had convincing and naturally evil-looking mad doctors in the lead roles, while Albert Lupo in "Atom Age Vampire" more looks like an amateurish clown, completely incapable of developing breakthrough medical treatments. The fact that he spontaneously transforms into a hideous monster himself doesn't really help, neither…In fact, that was rather awkward… Still, there are some redeeming elements that Euro-horror fans might enjoy: the atmosphere is sinister, there's some nice camera-work here and there AND quite a lot of gore and icky make-up art to admire (especially considering the time it was made and the non-existent budget!). Too bad these positive aspects can't nearly make up for the slow pacing and the total lack of tension. The dialogs are sometimes hilarious although I'm quite sure they weren't intended to be. For example, can you imagine a doctor saying encouraging words to his desperate patient like: "Oh my God, your case is worse than leprosy!!" Overall, I wouldn't recommend this film unless you're well trained in seeing trashy exploitation junk.

Having read comparisons between this movie and Mario Bava's films, I'd looked forward to seeing it for sometime. It's the story of a horribly disfigured woman who goes to a doctor for some unconventional treatments. It seems he has developed a serum that will restore the woman's beauty. But, the serum must be applied regularly and the supply soon runs out. As the doctor has fallen in love with the woman, he must do whatever it takes to get the ingredients to make more serum - even if that means killing other women.

Let's see, comparisons with Bava. 1. Black & white - so is Bava's Black Sunday. 2. Well, there really isn't a 2 as far as I'm concerned. Atom Age Vampire makes most other "slow" movies seem like roller coaster rides. I actually had to wake myself twice and rewind the movie. Also, while I'm generally one of those people that will defend dubbing in Italian movies, I can't do that here. This is one of the first times I can actually say that the dubbing got in the way of my enjoyment of a movie.