O Nosso Homem em Havana

Although most Americans have little knowledge of his work other than Star Wars, Alec Guinness produced an amazing body of work--particularly in the 1940s-1950s--ranging from dramas to quirky comedies. I particularly love his comedies, as they are so well-done and seem so natural and real on the screen--far different from the usual fare from Hollywood.

This spy farce is about a man who is a paid spy in Cuba during the latter years of the Batista regime. The problem is, he has absolutely no idea what he is doing and is in way over his head because he is NOT a trained spy--just some guy dumped into the role despite his objections. So how do you think he should deal with this dilemma? Of course, make up EVERYTHING and pretend you are doing your job. The problem is, he is too good at it and the lies take on a life of their own! This comedy is a bit silly at times and unbelievable compared to some of his earlier work, but it is still an excellent film. Don't be put off by mediocre reviews that came out since its release--it's well worth your time.

This afternoon I chanced upon this terrific film on Channel 4.I had seen it years ago as a child,and couldn't understand why my father kept referring to the brilliant " Our Man in Havana" Now I know what he meant.Alec Guinness hit the perfect note in the part,as he invariably did.Havana is rendered almost tangible by director Carol Reed, a difficult feat to achieve.The rest of the cast shine too.Ernie Kovacs makes a human being out of his police-thug character.The script seems almost improvised,so fresh , pointed and witty.Compare this movie to the bulk of today's garbage,and prepare to feel very let-down by what you can see at your local Multiplex.This strange and sharp movie has re-affirmed my intention to spend some time in Havana.Buena Vista Social Club first whetted my curiosity.This movie is timeless and a great 2 hrs of entertainment/art.Enjoy! And look at Maureen O ' Hara, is she not quite splendid? !

"Our Man in Havana" has all of the elements of a sure-fire classic: a cast that includes Alec Guinness, Burl Ives, Noel Coward, a very lovely Maureen O'Hara and Ralph Richardson; a screenplay by Graham Greene adapted from his own novel; and direction by Carol Reed, who had tackled Greene before and made one of the best films in history ("The Third Man").

So why doesn't "Our Man in Havana" entirely work? I'm not sure, but I found myself wanting to like this movie far more than I actually did. Guinness plays a vacuum cleaner salesman living in Havana who gets recruited by the British secret service to do spy work for them. He doesn't want to be a spy but wants the fat paychecks that come with it, so he feeds them fake information to avoid having to do any actual work. But when very real consequences arise from his false information, he suffers a moral crisis.

And maybe that's where the movie stumbles. That moral crisis is never made explicit, and the movie gets sidetracked into a revenge storyline as Guinness plans the murder of another agent out to get him. The film isn't as playful as the book, so it's not very funny when it should be, but since it doesn't examine the more serious themes inherent in the story as thoroughly as it could, there's nothing to fill the gap where the humor used to be.

This film isn't exactly a misfire, but it's certainly no "Third Man."

Grade: B

This movie is a good example of how a story can be carried by the force of the actors' skill and director's art rather than relying the science of special effects. The absence of "action" means that the audience's attention has to be held by the sheer force of the story line, the actors' interpretations of it and the director's presentation of the product as a whole.

It deals honestly with what intelligence gathering is. A mundane craft open to manipulation not only by governments but also by lowly operatives. Sir Alec Guinness, as he later became, portrays the ordinariness of the seedy characters who carry on this trade. Ernie Kovacs gives a splendid presentation of the laid back but sinister not so secret policeman while Burl Ives is as powerful as ever.

The pre-Castro Cuban setting is well portrayed and one can almost feel the tropical heat as the cast of misfit characters go about there subterfuge business.

My idea of paradise would be sitting down with a DVD boxed set of Alec Guinness comedies from the 1950's. What will it be tonight? The Man in the White Suit, or The Ladykillers (both by Mackendrick)? Or Kind Hearts and Coronets, where he played eight parts to perfection? No, tonight will be Our Man in Havana, the blackest of black comedies, directed by Carol Reed from Graham Greene's novel. The tone of confusion and mounting panic, the sense of things sliding hopelessly out of control is perfectly caught by Reed, who had already given us the classic The Third Man.

The casting is very good. Noel Coward, Gregoire Aslan, Ferdy Mayne and especially Burl Ives as Hasselbacher, the most reluctant of spies are all impressive. Maureen O'Hara is a Rolls Royce when a Morris would have done for this story, but she plays well. I liked Ernie Kovacs as Segura, the brutal police chief; he had a nice vulgarity blended with sensitivity that worked for me.

Now my pleasure would be complete if this picture were available on DVD, and if IMDb would give us the memorable quotes this film abounds in. Like Segura: "one never tortures except by a kind of mutual agreement", or Beatrice's description of her estranged husband: "He was very beautiful; he had a face like a young fledgling looking out of the nest in one of those nature films..."