Adicionar um enredo no seu idiomaAn assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.An assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.An assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.
- Direção
- Roteiristas
- Artistas
Pedro D'Aguillón
- Agente Vidal
- (as Pedro d'Aguillón)
José Chávez Abundiz
- Cantinero
- (não creditado)
Fernando Curiel
- Hombre pide lumbre
- (não creditado)
Diana Garí
- Esposa de Gabino
- (não creditado)
Armando Gutiérrez
- Director penal
- (não creditado)
Leonor Gómez
- Observadora
- (não creditado)
Velia Lupercio
- Mujer restaurante
- (não creditado)
Avaliações em destaque
Ehh, this is not exactly a movie. It's a four chapter t.v. mini series. Still, I watched it on a classic movie channel from Mexican cable and it was featured as a complete movie. You see, they didn't separate the chapters and made a single movie.
The dialogs are the best feature about this one. You see, according to the script, we are in front of a master evil mind that should terrorize Frankenstein!
Sadly, the lack of suspense and action makes this a forgettable effort. Joaquin Cordero was the best feature about it. The man is a great actor.
Still, I strongly recommend you not to seek after this title. It gets odd and boring pretty fast. Watch it only on cable or if your hunger for b-classical entertainment is ferox.
The dialogs are the best feature about this one. You see, according to the script, we are in front of a master evil mind that should terrorize Frankenstein!
Sadly, the lack of suspense and action makes this a forgettable effort. Joaquin Cordero was the best feature about it. The man is a great actor.
Still, I strongly recommend you not to seek after this title. It gets odd and boring pretty fast. Watch it only on cable or if your hunger for b-classical entertainment is ferox.
THE HELL OF FRANKENSTEIN (1960, original title Orlak, el infierno de Frankenstein) is a Mexican potboiler whose main character is Jaime, a criminal who is released from prison at the film's outset. He busts Dr. Frankenstein from the clink and aides him in the creation of a new man with the aide of a horrifically-scarred assistant desperate for a new face. Soon, the box-headed monstrosity has a metal skeleton a la Wolverine and is busy taking down rivals and committing acts of larceny and murder...
Like many low budget Mexican features of this era, this is a cheap and cheerful effort, and very slow for the most part which stops it being hugely entertaining. It turns into a doppelganger movie halfway through, giving the antagonist a perfect alibi for the many crimes that take place, and is more thriller than sci-fi or horror. Some of the staging and characters favourably recall the Universal greats, and it does pick up for a traditional rooftop chase climax that doesn't disappoint, but overall this is one for hardcore fans only.
Like many low budget Mexican features of this era, this is a cheap and cheerful effort, and very slow for the most part which stops it being hugely entertaining. It turns into a doppelganger movie halfway through, giving the antagonist a perfect alibi for the many crimes that take place, and is more thriller than sci-fi or horror. Some of the staging and characters favourably recall the Universal greats, and it does pick up for a traditional rooftop chase climax that doesn't disappoint, but overall this is one for hardcore fans only.
Você sabia?
- CuriosidadesTo avoid Mexican union regulations, title cards divide the film in four parts, as if it were a four part serial.
- ConexõesReferenced in Herschell Gordon Lewis: The Godfather of Gore (2010)
Principais escolhas
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Detalhes
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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