Onze amigos que se conheceram durante a Segunda Guerra Mundial se reúnem para elaborar um plano além de arriscado, totalmente mirabolante: assaltar cinco dos mais famosos cassinos de Las Veg... Ler tudoOnze amigos que se conheceram durante a Segunda Guerra Mundial se reúnem para elaborar um plano além de arriscado, totalmente mirabolante: assaltar cinco dos mais famosos cassinos de Las Vegas numa mesma noite.Onze amigos que se conheceram durante a Segunda Guerra Mundial se reúnem para elaborar um plano além de arriscado, totalmente mirabolante: assaltar cinco dos mais famosos cassinos de Las Vegas numa mesma noite.
- Direção
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- 2 indicações no total
Avaliações em destaque
Sure it looks all 60's cool and has Sinatra, Martin, and Davis but honestly it was Cesar Romero who stole the show. Romero housed every member of the rat pack. This guy was on a different level from the rest of the cast and it showed. Sinatra was phoning it in as was Martin. The only guys even trying to act were Davis and Lawford. After the film was over I had a new found respect for Cesar Romero.
Okay now that I've crapped on the acting which was mediocre with the exception of Cesar R. I really have to crap on the writing, but this is more like something after eating five black bean burritos with chiles and a quart of Mexican tap water.
Who is the Greek guy? Why is he even in the film? It looks like Sinatra has the thing planned out what did this guy do? I guess he was there for comic relief but not only was he annoying but his purpose is never really explained. Why would the 11 cut him in, he didn't do anything.
Next, you mean to tell me that there is no security in the money room at a casino. I mean basically these guys turn off the lights and only have to subdue one or two money counters before getting to the safe at each casino. I can suspend my disbelief as much as the next guy but you'd have to be brain dead to buy into this part of the story.
Finally, the Ocean's 11 gang are spread out from Phoenix to Salt Lake, to San Francisco and Los Angeles. The gang descends on Vegas to pull the heist but then as a matter of coincidence everybody's mistress, mom and fiancé also decide to go to Vegas for the New Year's festivities, to throw a monkey wrench in the heist and put Cesar Romero on the case. The script is weak. Decent story but the execution is lame from the get go.
After seeing so many rave reviews for this flick I just had to chime in. Giving it a 9 out of 10 because this "isn't supposed to be a good movie" is a sorry excuse. So is the lame excuse "hey these guys are just being themselves and goofing off like they do when the cameras aren't rolling." To my eyes the Rat Pack weren't having fun. They looked bored and like they were all mailing it in. Looks more like they had a contractual obligation to make this flick and they didn't put any effort into it. Like I said the only guys trying were Sammy Davis Jr, and the scene stealing Cesar Romero.
As a heist film this movie stinks. Rating 1/10 Good premise, that's it. Acting stinks for the most part: 3/10 (Cesar gets an 11/10.) Script: 0/10 Style Points: 8/10 pretty cool display of 60's cool. Needed more exteriors and cars to bring it to 10/10 the sets were cheap too.
Overall a 4/10 for me. Sinatra and gang normally cool but are borderline lame in this movie and it's the script that should have been put in that casket with Richard Conte, not the mony.
From the beginning until the end the comedy and giggles along with moderated action are continuous . Besides , it has got an intelligent script and an extraordinary final surprise . Significant portions of the movie interactions between major characters were ad-libbed . The actors playing the leading roles all knew each other well and improvised dialogue as well as or better than the script . For comic relief in charge of the various relationships among several characters and their numerous jokes . Splendid songs by Dean Martin and Sammy Davis Jr and sensitive ending song by Frank Sinatra . Appears uncredited Shirley McLayne in an agreeable comic performance , Red Skelton and George Raft as invited actors . Superb and stunning musical score by Nelson Riddle (author of Batman TV music). Enjoyable and glossy cinematography by William H. Daniels (Greta Garbo's usual photographer). Director Lewis Milestone's masterpiece of the amusement and entertainment . The movie was remade by a funny and stylish remake with George Clooney and director Steven Soderbergh and several sequels . Rating : Good and nice . Worthwhile watching.
This is a second rate heist story with a few gangsters thrown in. But after all, we have Sinatra and company. You can see that the excellent film, The Rat Pack, was very right on. Sinatra is his arrogant self. Martin is relaxed, Lawford is suave and the singing by Sammy Davis Jr. is great.
Ocean's 11 is a snap shot of what was "cool" in the ultimate era of coolness. It's all here, the clubs, the Marilyn Monroe look a likes, the flashy clothes and lots of money. It's better than imitations such as Swingers since Ocean's 11 is the source. Of course it includes the legendary bad treatment of women and African Americans. The actresses are either add-ons or pathetic martyrs (Angie Dickinson). As for Sammy, he puts up with the garbage man part, a racial slur (all in good fun of course!) and the self centeredness of these guys. I just admire him because he had to do it, so he could perform.
Back to the "fun". The boys get to be clever, then there's a surprise ending and finally we see them shuffle hung over in front of a casino. Every few years I check out Ocean's 11 not just to watch this silly movie but also to see the rats (or brats?) and chuckle (and wince) at an amazing time in the USA, baby.
I'm not going to explain the plot, as I'm sure that 50 other people already have. It's been a while since I've watched an older movie, so I found the loose-yet-confident chemistry and acting of the brat pack members to be very refreshing. They seemed so natural around each other, which is no surprise considering that they were buddies in real life. Sammy Davis Jr. was his usual charismatic self (why didn't he take off with the money??), Dean Martin seemed to be playing himself, a bit tipsy and sweaty with a drink in one hand and a smoke in the other, as he does in most of his films, and Frank Sinatra was also good as the understated womanizing organizer. However, I thought that Cesar Romero (known for his manic portayal of the Joker in the 60's Batman tv series) really stole the show right out from under the overly confident brat pack...I found his performance to be very commanding and impressive. A nice surprise to see comedian Red Skelton and Norm Fell (Three's Company's Mr. Roper!) in there as well!
A few things hilariously go unexplained, like how they all managed to get casino jobs virtually overnnight, but it hardly seemed to matter. You know this movie is basically just a vehicle for the brat pack, and it's pure entertainment to just watch all these legends hamming it up, especially during the couple of musical interludes where you get to hear Dean Martin and Sammy Davis Jr. croon a few really catchy songs, like E-O Eleven!
At the same time it's also a window into another era, a time of larger than life Hollywood stars. Another thing that really jumped out at me was how unabashedly politically incorrect this movie is, showcasing a dramatically different mentality than what we see in movies today. Ocean's Eleven is a pure guy flick, where all the women are no more than window dressing and are treated as such by the male characters. As dated as the macho attitude of the film may seem nowadays (and even already by late 60's standards), I found it to be a fascinating glimpse into the past when guys were guys and women were umm, dames! As ironic as it is, I found seeing this old movie without the typical modern day contrived politically correct preaching to be very refreshing, and somehow strangely rebellious!
Você sabia?
- CuriosidadesAccording to Frank Sinatra Jr. on the DVD commentary, Sammy Davis Jr. was forced to stay at a "colored only" hotel during the filming because Las Vegas would not allow blacks to stay at the major hotels despite his appearing with Frank Sinatra, Dean Martin, and the others at the Sands Hotel. He was only allowed to stay at the major hotels after Frank Sinatra confronted the casino owners on his behalf, therefore breaking Vegas' unofficial color barrier. That hotel was Mrs. Harrison's Boarding House, located in the historic Westside district. The establishment hosted a stellar array of African American entertainers in its day and is now a listed historic building.
- Erros de gravaçãoThe chest x-ray seen as Bergdorf is talking to the doctor is upside-down.
- Citações
Danny Ocean: [Answering the phone] Hello, this is a recording. You've dialed the right number; now hang up and don't do it again.
- Cenas durante ou pós-créditosThe opening credits list George Raft and Red Skelton as "guest stars." The term "guest stars" is a misnomer for the film industry because guest stars are actors who are not part of the regular cast, but unlike television and radio programs, films don't have a regular cast. Several films from the 1960s used "guest stars" in place of "special appearance" or "featuring."
- ConexõesEdited into A Noite do Terror Rastejante (1976)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- 11 a la media noche
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.800.000 (estimativa)
- Tempo de duração2 horas 7 minutos
- Proporção
- 2.39 : 1