Maciste no Vale dos Reis

Could be a good time to Maciste if the producers adjust some ridiculous scenes along the picture, the screenplay is terrible to start and the storyline is lack of creativity apart all this, the greatest sets ever done weren't enough this time, also my copy from VHS was dubbed to english version became worst the whole thing, l'm a great fan of those semi-gods of greek mitology, I have a lot of these good movies of the Hercules, Sansom, Goliah and Maciste, they are amazing characters who deserves an appropiate good productions to make those magnificents movies, further Chelo alonso overcame all this mess and share us your glorious beauty!!!

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First watch: 1987 / How many: 2 / Source: TV-DVD-R / Rating: 4.5.

Evil Queen Smedes (Chelo Alonso) controls Persian-occupied Egypt while keeping her stepson-rightful ruler Kenamun (Angelo Zanolli)-under the influence of a mind-numbing medallion. Now, it's up to the mighty Maciste (Mark Forest) to lead a daring revolt in order to overthrow Smedes and restore Kenamun to the throne

Son of Samson is quite an atmospheric peplum with the desolate scenery adding to the feeling of helplessness and oppression the Egyptians feel. You actually feel like you're there - the scenery is quite vivid. Surprisingly, it's a bit bloody and brutal, for its time anyway. It has a good story, however, and the narrative unravels leisurely. Maybe it's a little laborious in pace. But it's intriguing and involving enough.

Mark Forest stars as Samson (or Maciste), a strongman figure with a keen sense of justice, a vast contrast to Chelo Alonso, who plays the evil Queen and steals the scene with her wicked ways. Does she get her just dessert? You'll have to watch to find out!

Most peplums with a Yugoslavian partner in the international co-production tend to have interesting location photography and a different visual style, and this one is no exception. The setting is the 11th century BC Egypt, where the nation is controlled by Persian occupiers who have enslaved the people. A well-intentioned pharoah who tries to defend the people is killed and his evil, manipulative wife (well-played by Chelo Alonso, in the tradition of over-the-top female villains in old Republic serials!) takes over and sells out the nation. On his return home to straighten things out, the pharoah's son, Kenamun, runs into Mark Forest (as Maciste, the Son of Samson) and the plot kicks into action. The plot also includes a mystical necklace that makes the wearer a zombie ready to be ordered around (shades of old serials once again!), and of course there is some romance. Mark Forest is as handsome as, say, James Darren, his physique is well-used in a number of difficult "tasks", and he is believable in the romantic scenes as well as the fights. I've seen 11 of his 12 1960s films and enjoy all of them. Interesting visuals, a unique setting, a fine female antagonist, Mark Forest's exciting presence--definitely an above-average sword-and-sandal opus for fans of the genre. Director Carlo Campogalliani was involved with many excellent historical films with American stars: Ed Fury's first Ursus movie; Steve Reeves in Goliath and the Barbarians; Lex Barker in Captain

Falcon; Jack Palance and Guy Madison in Sword of the Conqueror (that's one crying out for a DVD transfer--the circulating copies are very splicey). Check some of them out. A copy of this film was shown at UCLA recently at a peplum festival-- if there's a copy good enough quality to be screened there, it needs to be transferred to DVD now!

Maciste was very useful for the Peplum genre since the Italian folk hero wasn't rooted in any particular mythological tradition. He could turn up anywhere, "born of the rock," as Maciste (Italian American bodybuilder Mark Forest, who also played Hercules this same year) explains in the first Maciste entry of the Peplum revival that began in the late 1950s. Here, he turns up in ancient Egypt, which is being overrun with Persian marauders aided by the evil Queen Smedes (Chelo Alonso), who in the first few minutes has her uncooperative Pharoah husband assassinated. A chance encounter has Maciste befriending the Pharoah's hapless son, who is eventually bewitched by the beguiling Alonso, but at least Maciste knows that the guy is basically okay.

There is the usual amount of double-crossing and mistaken ideas about various characters motivations, and most of the requite Peplum tropes, including the hero defeating lions and alligators and soldiers. Maciste gets several opportunities to perform feats of strength and Forest acquits himself well through all of it, flexing and looking strong. But this isn't one of the more engaging or entertaining entries in the genre, which was kicking into high gear. It's not as interesting as Forest's other 1960 Peplum, "Goliath and the Dragon" a.k.a. "The Revenge of Hercules." It largely wastes Alonso, who normally can be a dynamic presence in these films. She gets one decent dance number and has moderate fun trying to seduce Maciste, and of course she looks great and has good costumes. But the film could have done more with her, and suffers for not doing so.

The English-language version was retitled "Son of Samson," with some dialogue added about Maciste maybe being a son of Samson. It's unnecessary, doesn't make much sense, and doesn't really matter. Maciste was largely unfamiliar to non-Italian audiences, so most of the Maciste films were retitled with other heroes and often the character was called someone else. Here, at least, he gets to keep the name if not the title.

Well for the first half of this entry the acting is very wooden but somewhere down the line the cast start to look interested, I feared the worst when I bought this on DVD but was surprised just how good it is (in parts!), our hero saves a bunch of babes...sorry slaves from capture and unites with the people against the tyrants...well you should get the idea by now if you watch these kind of movies,as always Mark Forest looks superb as Machiste son of Samson and his muscular frame has the ladies in question in a spin, one word of warning though, some battle scenes are incredibly brutal and gory, this surprised me greatly as I don't think this would have been passed by British censors but as these epics come and go a good entry into the genre.