AVALIAÇÃO DA IMDb
6,2/10
21 mil
SUA AVALIAÇÃO
Um jovem desajeitado cuida de uma planta e descobre que ela é carnívora, forçando-o a matar para alimentá-la.Um jovem desajeitado cuida de uma planta e descobre que ela é carnívora, forçando-o a matar para alimentá-la.Um jovem desajeitado cuida de uma planta e descobre que ela é carnívora, forçando-o a matar para alimentá-la.
- Direção
- Roteiristas
- Artistas
Karyn Kupcinet
- Shirley
- (as Tammy Windsor)
Meri Welles
- Leonora Clyde
- (as Merri Welles)
John Herman Shaner
- Dr. Phoebus Farb
- (as John Shaner)
Robert Coogan
- Tramp
- (não creditado)
Jack Griffin
- Drunk
- (não creditado)
Charles B. Griffith
- Kloy Haddock - Hold-up Man
- (narração)
- (não creditado)
- …
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If there is ONE movie that made Roger Corman THE king of low-budget quickies, it's The Little Shop of Horrors!! Practically no budget and shot in two days this movie still looks very decent now, almost 45 years later. That's quite an effort if you ask me and it's good to see that this movie finally received the status of immortal cult movie.
This is a very charming little movie, to say the least. The story is simple but it keeps you alert all the time ( originally, it was meant to be a sequel to Bucket of Blood ) but it's the characters that steal the show. Every character that walks through the screen is exceptional and hilarious. We've got a guy who feeds on flowers, an old lady who loses a family member every day, a mother with a fetish for diseases, a masochistic undertaker who visits the dentist and almost has an orgasm ( legendary appearance by Jack Nicholson in one of his first roles ) and a whole bunch of others...Too much to list, actually. Jonathan Haze is brilliant as the dumb florist assistant in love. He created a new type of plant and that causes a whole lot of trouble...and comedy.
Watch Little Shop of Horrors for it's value in cult cinema, maybe. Or because Roger Corman is an interesting director who deserves to be checked out. Or you could watch it to see where Jack Nicholson started his impressive career a long time ago. But - most of all - watch it because it's an adorable little movie with very funny sequences and a lot of low-budget charm. The 80's musical version by Frank Oz is also worth a look but it doesn't come close to this original version.
This is a very charming little movie, to say the least. The story is simple but it keeps you alert all the time ( originally, it was meant to be a sequel to Bucket of Blood ) but it's the characters that steal the show. Every character that walks through the screen is exceptional and hilarious. We've got a guy who feeds on flowers, an old lady who loses a family member every day, a mother with a fetish for diseases, a masochistic undertaker who visits the dentist and almost has an orgasm ( legendary appearance by Jack Nicholson in one of his first roles ) and a whole bunch of others...Too much to list, actually. Jonathan Haze is brilliant as the dumb florist assistant in love. He created a new type of plant and that causes a whole lot of trouble...and comedy.
Watch Little Shop of Horrors for it's value in cult cinema, maybe. Or because Roger Corman is an interesting director who deserves to be checked out. Or you could watch it to see where Jack Nicholson started his impressive career a long time ago. But - most of all - watch it because it's an adorable little movie with very funny sequences and a lot of low-budget charm. The 80's musical version by Frank Oz is also worth a look but it doesn't come close to this original version.
This charming little B-movie tells the story of Seymour (Jonathon Haze), a good hearted yet rather slow boy, who works at a flower shop owned by Gravis Mushnick (Mel Welles). During his spare time Seymour develops a new type of plant, which he names Audrey Junior after a woman he likes (Jackie Joseph). Unfortunately this particular plant feeds off human blood and when Seymour can no longer feed it on his blood, the plant itself forces him to look elsewhere for food.
This delightful horror-comedy was remarkably shot in just two days and was originally intended as a sequel to director Roger Corman's Bucket of Blood' (1959). However, The Little Shop of Horrors' stands out in its own right as a charming and inventive low-budget horror movie. Throughout the movie we meet a whole variety of weird and wonderful characters including a man who eats plants (played by Dick Miller who would also work with Jackie Joseph in Gremlins' (1984)), a sadistic dentist, a masochistic dental patient (an early performance from Jack Nicholson) and a woman who can't go a day without a family member passing on. Despite (or maybe because) of the overall absurdity of the movie, The Little Shop of Horrors' manages to be strangely captivating yet portray an air of darkness in the right places.
Roger Corman directed this movie very well considering his resources and complimented the fairly tight screenplay written by Charles Griffith. The special effects were not of that high a standard but, considering the budget and shooting time one, can hardly have anything negative to say about that. The appearance of the plant as it grows throughout the movie may not be that great but overall it takes nothing away from the viewers enjoyment. Perhaps a little bit more could have been done to represent the plants movement more realistically but, even so, this is just a minor flaw of an otherwise great film. The performance from the three main stars was delightful. Though the acting was hammed up in places the movie never lost its comical charm and some slightly dramatic performances towards the end helped create an unsuspected eeriness in the dying moments.
Surprisingly The Little Shop of Horrors' was virtually ignored on its initial release but eventually attained a cult status due to continuous TV play. For those of you who doubt its classic status The Little Shop of Horrors' has now spawned a Broadway musical, a high-budget musical remake and even a Saturday morning children's TV programme. Short (around 68mins) but very entertaining, I recommend this to fans of quirky horror comedies and general horror fans alike! The movie features good direction, a well written story, interesting and likeable characters and some excellent one-liners. My rating for The Little Shop of Horrors' 8/10.
This delightful horror-comedy was remarkably shot in just two days and was originally intended as a sequel to director Roger Corman's Bucket of Blood' (1959). However, The Little Shop of Horrors' stands out in its own right as a charming and inventive low-budget horror movie. Throughout the movie we meet a whole variety of weird and wonderful characters including a man who eats plants (played by Dick Miller who would also work with Jackie Joseph in Gremlins' (1984)), a sadistic dentist, a masochistic dental patient (an early performance from Jack Nicholson) and a woman who can't go a day without a family member passing on. Despite (or maybe because) of the overall absurdity of the movie, The Little Shop of Horrors' manages to be strangely captivating yet portray an air of darkness in the right places.
Roger Corman directed this movie very well considering his resources and complimented the fairly tight screenplay written by Charles Griffith. The special effects were not of that high a standard but, considering the budget and shooting time one, can hardly have anything negative to say about that. The appearance of the plant as it grows throughout the movie may not be that great but overall it takes nothing away from the viewers enjoyment. Perhaps a little bit more could have been done to represent the plants movement more realistically but, even so, this is just a minor flaw of an otherwise great film. The performance from the three main stars was delightful. Though the acting was hammed up in places the movie never lost its comical charm and some slightly dramatic performances towards the end helped create an unsuspected eeriness in the dying moments.
Surprisingly The Little Shop of Horrors' was virtually ignored on its initial release but eventually attained a cult status due to continuous TV play. For those of you who doubt its classic status The Little Shop of Horrors' has now spawned a Broadway musical, a high-budget musical remake and even a Saturday morning children's TV programme. Short (around 68mins) but very entertaining, I recommend this to fans of quirky horror comedies and general horror fans alike! The movie features good direction, a well written story, interesting and likeable characters and some excellent one-liners. My rating for The Little Shop of Horrors' 8/10.
Mushnick's is a small florists in skid row a dead end part of town that everyone knows about but nobody wants to know about. Business is not great, in fact it is awful nobody wants to buy flowers when they can't be sure where their next meal is coming from. However the cleaning boy has nurtured a strange new plant up from seed and it seems to be getting interest. When he discovers it needs a few drops of blood to make it grow Seymour is the toast of the town with his employer very grateful for the increased revenue the visitors bring. However as it grows it begins to need more than a few drops and soon he is heading down a terrible, dark road.
Like many viewers I suspect, I came to this film after seeing the musical remake; as such I assumed that this would be a straight film in the b-movie genre that Corman is famous for. However I was taken by how amusing this film was because really this is as much a horror comedy as the musical is. From Seymour's alcoholic mother to the cop so hard that even the death of his son is met with a shrug, the whole film is full of darkly comic touches that drew some nice laughs from me. This comic approach helps the film because really it is a silly plot and the fact that the script was tongue-in-cheek meant it was easier to swallow, if you pardon the choice of words. As a horror it doesn't really work but it does have a slocky property that Corman films tend to have not high quality but low budget, b-movie fun.
The cast match the material and all buy into the joke, watching them also shows that the cast in the musical are really pretty much just impersonate the actors here. Haze is enjoyably geeky and convinces throughout. Welles is funny and plays up to his ethnic caricature well. Corman regular Miller hasn't really got much to do but his face is always a ruggedly familiar and welcome sight. Joseph is not great but her performance suits the b-movie genre likewise Campo and Warford (who are very funny as Dragnet style cops). Nicholson is pretty funny and was a curious find in a small cameo.
Overall this is not a great film but it is a great b-movie horror. Never taking itself seriously means that it can be darkly funny and take the audience along for the ride. To me it is just as funny as the musical even it is a different type of humour and it is worth checking out.
Like many viewers I suspect, I came to this film after seeing the musical remake; as such I assumed that this would be a straight film in the b-movie genre that Corman is famous for. However I was taken by how amusing this film was because really this is as much a horror comedy as the musical is. From Seymour's alcoholic mother to the cop so hard that even the death of his son is met with a shrug, the whole film is full of darkly comic touches that drew some nice laughs from me. This comic approach helps the film because really it is a silly plot and the fact that the script was tongue-in-cheek meant it was easier to swallow, if you pardon the choice of words. As a horror it doesn't really work but it does have a slocky property that Corman films tend to have not high quality but low budget, b-movie fun.
The cast match the material and all buy into the joke, watching them also shows that the cast in the musical are really pretty much just impersonate the actors here. Haze is enjoyably geeky and convinces throughout. Welles is funny and plays up to his ethnic caricature well. Corman regular Miller hasn't really got much to do but his face is always a ruggedly familiar and welcome sight. Joseph is not great but her performance suits the b-movie genre likewise Campo and Warford (who are very funny as Dragnet style cops). Nicholson is pretty funny and was a curious find in a small cameo.
Overall this is not a great film but it is a great b-movie horror. Never taking itself seriously means that it can be darkly funny and take the audience along for the ride. To me it is just as funny as the musical even it is a different type of humour and it is worth checking out.
Funny, sexy black comedy shot by "King of the B's" Roger Corman on a landmark budget of 27 000 and in landmark time of only 2 days! Its the funniest movie i've seen from 1960 or before, and between this fact, the fact that it is black comedy, and the fact that it has the charm and lack of pretension of a cheaply made horror movie, its no wonder it has such a huge cult following.
It has the incredibly sexy Jackie Joseph, one of the most buxom lasses i've ever seen, and many risque scenes, which, along with the jazzy soundtrack and black humour, give this a much freer feel than any studio picture of the era, or any picture before. Its humour hasn't aged a bit - and feels quite modern compared to most humour of the day.
As an added curio, this features Jack Nicholson in his first ever appearance in a feature film (he was in one short film before it), as the nerdy, masochistic patient who squeals with delight when the dentist is drilling holes in his mouth and pulling teeth. Though its only a five minute part, its a great part.
The movie is filled with an edgy humour that the remakes (including the broadway musical, which the 1986 film was based on) are too conservative for. I thoroughly recommend it to you.
Corman went on to become one of the most important producers of the century, since he provided opportunities to many young filmmakers in the 70's, whose projects the major studios would never have invested in, and so we would have been deprived of the talents of Peter Bogdanovich, Francis Ford Coppola (The Godfather, Apocalypse Now), Martin Scorcese (Taxi Driver, Raging Bull), Jonathan Demme (Silence of the Lambs) and many others. Corman taught them how to just go out and make a good movie, and make it cheaply - and his major qualification to be able to teach them this, in my opinion, is that he made Little Shop of Horrors.
It has the incredibly sexy Jackie Joseph, one of the most buxom lasses i've ever seen, and many risque scenes, which, along with the jazzy soundtrack and black humour, give this a much freer feel than any studio picture of the era, or any picture before. Its humour hasn't aged a bit - and feels quite modern compared to most humour of the day.
As an added curio, this features Jack Nicholson in his first ever appearance in a feature film (he was in one short film before it), as the nerdy, masochistic patient who squeals with delight when the dentist is drilling holes in his mouth and pulling teeth. Though its only a five minute part, its a great part.
The movie is filled with an edgy humour that the remakes (including the broadway musical, which the 1986 film was based on) are too conservative for. I thoroughly recommend it to you.
Corman went on to become one of the most important producers of the century, since he provided opportunities to many young filmmakers in the 70's, whose projects the major studios would never have invested in, and so we would have been deprived of the talents of Peter Bogdanovich, Francis Ford Coppola (The Godfather, Apocalypse Now), Martin Scorcese (Taxi Driver, Raging Bull), Jonathan Demme (Silence of the Lambs) and many others. Corman taught them how to just go out and make a good movie, and make it cheaply - and his major qualification to be able to teach them this, in my opinion, is that he made Little Shop of Horrors.
The first version of The Little Shop of Horrors, long before the Broadway musical and Frank Oz's musical/horror/comedy, is one of the primary examples of shoe-string movie-making. Shoe-string, of course, refers mostly to the budget, and this possibly ranks above others like Clerks, Slacker, Night of the Living Dead and Blair Witch in order to put it together so quickly. And yet for all of its little slip-ups and deranged moments of comedy, it does work for what its worth. Not that it doesn't show that the film was made in two days, but on those terms of extremely low-budget, go-for-broke B-movie-making, Roger Corman as a director has quite a nifty effort here. The story is similar to a fairy-tale (a darkly comic one to be sure, like one of the Fractures Fairy tales from the old Rocky & Bullwinkle show), in how Seymour (Jonathan Haze, perfect as an awkward, easily shockable little guy) tries to nurture a plant to earn the affections of Audrey (Jackie Joseph). But then the plant turns into a meat-eater, to put it that way, and from there Charles Griffith's script goes into wild comic turns where he now has to figure out how to take care of the plant before it 'takes care' of him. Some scenes are less notable than others, and sometimes the cheesiness of it all (just look at the plant itself for proof enough) can be wearisome. But Corman keeps the atmosphere with a giddy amount of late 50s 'shlock', and some scenes stand the test of time as the best of their B-movie status. Tops go to the 2nd film appearance from Nicholson as the most psychotic of the bunch, as a 'chipper' fetishist who gets off on getting his wretched teeth worked on- it's a masterpiece of a scene with cartoonish action, innuendo and crazy looks from a 23 year old Nicholson. Worth checking out, maybe more than once, and you're likely to find it (appropriately) in the cheapest lot of DVDs and videos at your local store.
Você sabia?
- CuriosidadesHoward R. Cohen learned from Charles B. Griffith that when the film was being edited, "there was a point where two scenes would not cut together. It was just a visual jolt, and it didn't work. And they needed something to bridge that moment. They found, in the editing room, a nice shot of the moon, they cut it in, and it worked. Twenty years go by. I'm at the studio one day. Chuck comes running up to me and says, 'You've got to see this!' It was a magazine article--eight pages on the symbolism of the moon in A Loja dos Horrores (1960)."
- Erros de gravaçãoMel Welles's character name is spelled as "Mushnik" in the end credits, but appears as "Mushnick" on the sign outside his shop.
Discrepancies between a character's name in the film and the credits are classified as "Unacceptable Goofs" per IMDb guidelines.
- Versões alternativasThe Filmgroup Inc. opening logo is cut from some prints.
- ConexõesEdited into Depois de Sexta 13 (1981)
- Trilhas sonorasAuld Lang Syne
(1788) (uncredited)
Traditional Scottish ballad
Words by Robert Burns
Sung off-screen and a cappella by Jonathan Haze
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Pequena Loja dos Horrores
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 27.000 (estimativa)
- Tempo de duração1 hora 13 minutos
- Cor
- Mixagem de som
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