AVALIAÇÃO DA IMDb
6,3/10
730
SUA AVALIAÇÃO
No tempo das noites árabes, a cidade de Bagdá é governada pelo sultão Ali Bajazeth, mas na verdade controlada pelo intrigante Ghamal. Os pobres de Bagdá são auxiliados por Karim, o Ladrão de... Ler tudoNo tempo das noites árabes, a cidade de Bagdá é governada pelo sultão Ali Bajazeth, mas na verdade controlada pelo intrigante Ghamal. Os pobres de Bagdá são auxiliados por Karim, o Ladrão de Bagdá.No tempo das noites árabes, a cidade de Bagdá é governada pelo sultão Ali Bajazeth, mas na verdade controlada pelo intrigante Ghamal. Os pobres de Bagdá são auxiliados por Karim, o Ladrão de Bagdá.
- Direção
- Roteiristas
- Artistas
Giorgia Moll
- Princess Amina
- (as Georgia Moll)
Gail Pearl
- First Ballerina
- (as Gay Pearl)
Avaliações em destaque
Although not as impressive as the Powell/Berger/Whelan/Korda version (1940),this might be the only movie in which Steve Reeves is not relegated to muscle man routine,rather recalling some parts of Errol Flynn .His thief is actually almost a romantic hero ,half Arabian Nights half fairy tale in which the man of common birth has to suffer great hardships before marrying a princess.And the princess ,the gorgeous Georgia Moll,makes Karim's task worthwhile.The genie of the lamp (of the bottle) is present.My favorite sequence is that of the treacherous lady who tries to make Karim turn to stone,which proves that Steve Reeves' characters can be smart too.
Many reviewers have expressed a quiet affection for this film. And rightly so.
Steve Reeves does well and seems to be enjoying himself.
I liked the quest for the blue rose: the seven gates with the strangler trees, the cloak of invisibility, the dangerous lady in white, etc.
The special effects were credible considering that the film is more than fifty years old
I enjoyed the pearls-from-shooting-stars ruse.
Carlo Rustichelli's score supported the action without resorting to Arabian Nights clichés.
A colourful, entertaining film reminiscent of those Saturday matinees.
Steve Reeves does well and seems to be enjoying himself.
I liked the quest for the blue rose: the seven gates with the strangler trees, the cloak of invisibility, the dangerous lady in white, etc.
The special effects were credible considering that the film is more than fifty years old
I enjoyed the pearls-from-shooting-stars ruse.
Carlo Rustichelli's score supported the action without resorting to Arabian Nights clichés.
A colourful, entertaining film reminiscent of those Saturday matinees.
I don't often beg but please release it on DVD. Make an old man happy. This is another of the marvellous range of Steve Reeves movies that came out in the 60s. I think this is my favourite because it is almost a comedy. It simply has an air of cheerfulness, joy and happiness about it, which you can't really say about any other of his films. The supporting cast is also excellent with a soundtrack that I remember fondly. Reading these comments, if anyone does, you may realise that I am padding to get in the 10 lines of text that are the minimum. The point of the comment is to try to get someone to release it so to reiterate - some company release it - it's better than some of the dross that comes out.
This film has something in it that everyone would enjoy if they just allow themselves to be taken by it. If you have the chance to see it, simply sit there with a snack & beverage and let the film bring you into the land of 1001 Arabian Nights. The music is almost hypnotic, as the theme plays all through the background. The colors and scenery are breathtakingly beautiful. I enjoyed this film when I was a boy. It took me 20 years to find it on a video cassette and expected to be a little disappointed. I wasn't. It was all that I had remembered and more. See this one with your kids!
I don't really remember much about this movie except that as a child I really liked the quest for the blue rose.
When I went to rent from Netflix I discovered the versions they had were from 1924 and 1940 which are different story lines.
It was a movie that made the matinée circuit where kids could plunk down part of their own allowance and go see it on Saturday afternoon, so I expect a lot of us boomers went to see it when we were children.
The thing is this movie probably still has a pretty big demographic given the fact that many boomers have delayed having children, but MGM (which has the distribution rights) hasn't made a DVD out of it. They probably should.
When I went to rent from Netflix I discovered the versions they had were from 1924 and 1940 which are different story lines.
It was a movie that made the matinée circuit where kids could plunk down part of their own allowance and go see it on Saturday afternoon, so I expect a lot of us boomers went to see it when we were children.
The thing is this movie probably still has a pretty big demographic given the fact that many boomers have delayed having children, but MGM (which has the distribution rights) hasn't made a DVD out of it. They probably should.
Você sabia?
- CuriosidadesThe best Saturday-matinee type movies are filled with "set pieces" to make them more entertaining and memorable. This film has many of them in the form of the challenges and clever escapes: the first gate "which can be seen but isn't there", the creeping tree roots, the ring of fire, the deadly sorceress, the invisible wrestler, the faceless warriors, the flying horse, the blue rose riddle, and the blue army from the magic jewel. These scenarios and effects inspired kids to retell them to their friends, which produced a must-see aura about the movie.
- ConexõesFeatured in Kolossal - i magnifici Macisti (1977)
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- How long is The Thief of Baghdad?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- A Rosa Azul
- Locações de filme
- Tunísia(Exteriors scenes of Mosque Ez-Zeitouna, street market, traditional street manufactures of bread and clothing, desert, mountain and coastal grottos.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 40 minutos
- Proporção
- 2.35 : 1
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