Dizem que é Pecado

I have watched this film tens of times over the years without ever getting bored and was delighted to recently find it on DVD in the United States. The film contains all the ingredients for the viewer's pleasure ....... romance humour suspense strangeness ......... I was especially taken aback by the Shundersson mystery. I also found that the film although over 50 years old as I write doesn't really seem dated in the attitudes and ideas it expresses. Clothes and cars may hark back to the beginning of the 50's but the dialogues are quite simply timeless. I don't wish to dwell on the story by let's say they are lots of twists and turns and a plentiful supply of humour. Of course I have always loved Cary Grant but I find that in this film he turns in a particularly interesting performance, a little above the usual level of the character he plays. It's also very intersting to watch Grant's reaction in embarassing situations and notably the "interrogation" carried out before the concert at the end. As for Jeanne Crain, his "wife" I find her every time stunningly beautiful. Professor Elwell's character must be one of the most obnoxious in the entire history of cinema ......... !!

When you get one of Hollywood's most powerful producers, Darryl F. Zanuck, working with a screenwriter/director, Joseph L. Mankiewicz, then you know you're in for a film that's a cut above the average.

In this story, Cary Grant is a hugely successful doctor (as Dr Noah Praetorious) with unusual healing practices; Jeanne Crain (as Deborah Higgins) is an aspiring medical student who falls in love with him; the almost legendary Finlay Currie is a mysterious assistant (as Shunderson) to the doctor; another great character actor, Hume Cronyn, plays the devious and deceitful Prof. Elwell; and there is Walter Slezak as Prof. Barker, who provides (with Grant) much of the comedy and witty lines.

This is an unusual story because it mixes genres: it's a comedy, it's a love story, it's a (double) mystery, and it's a drama. The first genre is provided largely by Cary Grant and Walter Slezak who bounce off each other with some of the best scenes and wittiest lines. The second, of course, is between Cary Grant and Jeanne Crain. The third is provided by Cary Grant and Finlay Currie, Grant being the doctor whose methods are suspect and his past under scrutiny by Prof. Elwell, while Currie is Grant's constant companion – aloof, quiet and almost robotic in his demeanour. But, who really is Shunderson? And the fourth is the drama between Dr Praetorious and Prof. Elwell, as the latter seeks to have the doctor expelled from the clinic and university for malpractice.

Weaving those four elements together into a cohesive plot is no mean feat, but Mankiewicz succeeds brilliantly. The acting is superb, and even Jeanne Crain – not one of my favorites at all – manages to almost overshadow Hume Cronyn in a key scene where there is a battle of wills and words. The real surprise, however, is Finlay Currie who usually appears in biblical and/or historical dramas and who usually is given a lot to say in any of his film appearances. But, not in this one: in fact, he says hardly a word until almost the end, but simply maintains a deceptive and mysterious quietude at the side of Cary Grant. The resolution to that mystery is a tour de force – and with a twist.

Even though I'm not a big comedy fan – it's the most difficult to portray on film – I'm very partial to Mankiewicz and his films. On that basis alone I'd recommend this film for you to see as another in the great tradition of Classic Hollywood Cinema. But, for anybody who likes the debonair Cary Grant, well, what are you waiting for…?

After winning two successive Oscars for A Letter To Three Wives and All About Eve, director Joseph Mankiewicz was on one big creative roll. His next film was this charming comedy/drama about a medical doctor with some interesting ideas and one of his patients, a girl with a bundle of joy on the way and a dead father, courtesy of the Korean War.

Those roles are played by Cary Grant and Jeanne Crain. Grant's a strange kind of doctor who believes that surgery and pills are only a last resort. Today he might be operating a very successful wellness center.

Grant would still be getting the a lot of criticism from jealous colleagues like Hume Cronyn. In fact that's how the film opens up with Cronyn getting a report from Margaret Hamilton who was from a place where Grant practiced his trade called Goose Creek. It was a report about Grant affected a lot of 'miracle' cures down in Goose Creek. Our boy Cronyn is looking for dirt with which he can discredit Cary.

Playing a most mysterious role in the proceedings is Finlay Currie who lives with Grant and is hardly ever not around him. At the faculty hearing that Cronyn has called to discuss the charges Cronyn has made because of his investigation, Currie's story is finally told and it is quite the tale indeed.

Cronyn has one of two roles that could be described as villainous. He's a nasty little Grinch like creature who thinks he can rise to the top by discrediting others. You find those in every profession, in every walk of life.

You also find people like Will Wright who is Jeanne Crain's uncle. She and her father, Sidney Blackmer, live on Wright's farm totally as his dependents. Blackmer is a cultured, cultivated man who unfortunately was never able to make a go of the various professions he tried, teacher, reporter, etc. Now with bad health he's come back to the family farm to live with Crain at the sufferance of Wright who proudly claims them as his dependents.

In defense of Wright he's no doubt a hard working individual, but he's as prosperous as he is because of government agricultural subsidies. In a scene very similar to one Elizabeth Taylor had in Giant, Grant rather firmly puts Wright down saying how unfortunate it is that brains and talent can't similarly be subsidized. Wright is such a philistine, the remark goes totally over him. It's my favorite scene in the film.

Besides those I've mentioned, look for a nice performance from Walter Slezak as Grant's friend and chief defender and Basil Ruysdael as the dean of the college conducting a hearing.

People Will Talk is a wonderful film about mostly some very nice people and the small contributions they make to make our planet a happy one. The only fault I have with it is I can't imagine Cary Grant coming from a place called Goose Creek.

PEOPLE WILL TALK may be my favorite film, if you can have such a thing. Loosely based on a German play, Doctor Praetorious, it tells of a Doctor with a unique philosophy. It was quite a step into some sort of cinematic adulthood when a young student who has found herself pregnant from an illicit romance becomes the sympathetic heroine of the movie, finding love with a charismatic doctor.

Some have said this movie was a comment on the McCarthy era, of personal investigations used by jealous men to destroy charismatic figures, and I thought of this movie quite a lot during the Clinton Impeachment proceedings. I kept saying to myself that the defense team could just run scenes from the movie with good effect, especially Shundersun's closing comment Hume Cronyn's character. And Slezak's comments to the same character that he could string together more unpleasant words than any little pipsqueak he had ever known.

And finally this movie offers some wonderful characters, Walter Slezak's loyal professor, Finley Curry's as the mysterious companion, and the dignified if defeated Sidney Blackmer.

I hope someday to read the German play upon which it was based, but as far as I know it was never translated.

How many movies had a score by Brahms? 'People Will Talk' features his Academic Festival Overture, which is the only example of cheerful grandeur I can think of in serious music. Mankewicz knew what he was doing, because this is a cheerfully grand movie. While his 'Letter to three wives' and 'All About Eve' are more famous, this one is my favorite.

For one thing, Cary Grant has never been more attractive, for Dr. Praetorious is a good and humane doctor. "I don't cure illness, I make sick people well." If the notion that a woman bearing a child out of wedlock is a disgrace has gone, the theme of the mediocre witch-hunting the brilliant is timeless.

The phrase 'beloved character actor' could have been invented for Finlay Currie, but you've got to be able to use it for Walter Slezak - at least in this movie. (See "Lifeboat")

If you spend two hours with these people, you'll hear some very splendid talk, and you'll feel both warmed and civilized. How many of today's movies do that?