Sinfonia Prateada

Great fun!

I just caught this on AMC and loved it immediately. A millionaire (Charles Coburn) gives $100,000 to the family of the woman who rejected him when he was young. Set in the 1920's when steak was 56 cents a pound, that's a lot of cash!

The money immediately goes to the family's head and Coburn has to step in anonymously to set things right.

A wonderful period piece, and Coburn doing the Charleston is an incredible sight!

Charles Coburn gives the family of the woman who rejected him $100,000 in "Has Anybody Seen My Gal," a delightful 1952 comedy set in the 1920s.

It's directed by Douglas Sirk and also stars Piper Laurie, Gigi Perreau, Lynn Bari, William Reynolds and Skip Homeier.

It seems that when Samuel Fulton was a young man, the young woman who turned him down spurned him on to great things. Now, with no heirs, he wants to leave her family his money. Despite his belief that he's dying, he heads to their hometown and moves in on them as a "Mr. Smith" in order to observe them when they are presented with a check for $100,000.

Rock Hudson has a supporting role in this film - he plays a soda jerk and the love interest of Piper Laurie. Dancing the Charleston, he is darn cute. And if you think the kid at the soda fountain giving old man Fulton a hard time is James Dean, you're right, it is. People often say that James Dean only made three films. Wrong. He only STARRED in three films.

Gigi Perreau is adorable without being cloying. Piper Laurie, in a Debbie Reynolds type of role, does a good job, though later on, she would shine more in drama. But at this point, she and Rock were just paying their dues along with William Reynolds, who became a TV actor.

This is Coburn's film all the way - he's a riot as an old codger who gets a dose of health and love from the family and gives some back in return.

"Has Anybody Seen My Gal" demonstrates the fine directing gifts of Douglas Sirk whose name would become synonymous with big budget soap operas. But in 1952, it was fun all the way with Coburn and Universal's stable of young players.

This is simply a pure delight of a comedy movie that runs on that ages-old premise - what would you do if you suddenly came into a fortune?

Everything about this film gels into an 89-minute delight; the story, script, sets, atmosphere, colour and, above all, the performances of a disparate group of actors who ensemble into a highly believable American 1920s small-town family.

Veteran screen actor Charles Coburn is outstanding as the irascible but soft-hearted Samuel Fulton and the 'Temple-esque' Gigi Perreau should have won an Oscar for her portrayal of Roberta. Yes, James Dean makes his first (and ultra-brief) appearance as a bit-parter in one of the drug-store scenes but don't let this incidental occurrence put you off.

Has Anybody Seen My Gal never outstays its welcome - indeed it seems to be over all too soon. It has yet (as of Dec. 2005) to be issued on DVD and I, for one, am eagerly awaiting its well-overdue release.

Yup, that's James Dean at the soda fountain in a blink-and-you-miss-him scene! That's just one of the treats in this intoxicatingly charming film. I've always thought Piper Laurie was every bit as gorgeous as the other 50s sirens and Rock Hudson, director Sirk's go-to guy, is perfect as the hunky soda jerk in love. Beautiful to look at, with plenty of period songs, costumes, and cars. And the hep dialogue is a scream as is the agony of the period's high prices: a dozen eggs for under 15 cents! A great double bill would be seeing this with that other 1952 classic set in the same period, Singin' in the Rain. One of Mancini's earliest films.

This is part one of a trilogy of "Americana" movies Sirk made for Universal which are set in the early part of the 20th Century, ("Meet Me At the Fair" and "Take Me To Town" would follow). While critical of different aspects of American society, in this case the power of greed, they are movies that exude much affection for their characters and the country itself. At this point Sirk was still very enamoured with America. His future films would reflect the change of his perception of American society coming to fruition in the big melodramas that lay ahead.

"Has Anybody Seen My Gal" signals the beginning of the star building process which took the almost unknown Rock Hudson and over a period of a few years turned him into America's top box office star. Much has been written of the subversive subtexts of Sirk's movies. It would seem his most subversive action was that out of a hunky, gay, not especially talented actor, he created and icon of the prototype fifties American male; a wonderful analogy for appearances and unrevealed truths that are much a part of the fifties psyche. Although Hudson receives top billing in "Has Anyone Seen My Gal", his role is decidedly secondary. This is very much Charles Coburn's movie. Hudson has little to do although his screen presence is already charged with the goodness and charm that were to be his trademarks.

"Has Anybody Seen My Gal" has the quality stamp of Douglas Sirk. His eye for good camera work, lighting and art direction are all evident. But like the other films of the trilogy it's a very light weight affair.