O Misterioso Fim de Hitler

A fanciful & fictional account of an actor assassinating Hitler, assuming his identity and running war time Germany to ensure an Allied victory over the Third Reich.

A dry clinical approach to this production, interspersed with documentary style narrative, with added archival footage of the major moments in WW2, tends to aid in the attempt to pass this off as something more than just another war story.

Luther Adler's performance is the lynchpin binding a rather curious effort to create a different style of storytelling, all the while still entertaining in a way that the viewing audience was not accustomed.

Another old WW2 movie that is hard to find, but well worth the effort.

Luther Adler is a Viennese actor who imitates the leaders of the day: Mussolini, Hitler, Churchill, he does them all and the audiences roar. Then comes Anschluss and his wife, Patricia Knight walks out on him for, eventually, Hitler. So Adler learns to be a valet, becomes Hitler's valet and replaces him. Unfortunately, he can't just destroy the Third Reich, so he adopts a strategy of making bad decisions: declaring war on Russia instead of invading England and mopping up that front first; delaying the response to the Normandy landing and so forth, up to the Bunker and his disappearance. Plus there's William L. Shirer, speaking before and after about how this story was told to him and he sort of believes it.

I respected Shirer's writing until today. I hope they paid him a lot of money for spouting this nonsense, which is suitable fare for a PRC programmer nine years earlier. To see Frank Tuttle listed as director is astonishing. He had spent many years as a house director for Goldwyn and Paramount, making excellent thrillers. Now, however, he was working for Columbia, so the support network was not something he could manage. Good actors, wasted!

The worst part of it is this is largely the plot of Chaplin's THE GREAT DICTATOR, released a dozen years earlier, in which a Jewish barber takes the place of Hitler. Aren't you supposed to make the melodrama first and the burlesque after?

The first time I saw this movie was in 1952, I then forgot about it for a number of years, then I began to think of the story but I had forgotten the title and the actors.

For 40 odd years I tried in vain to find the name of movie. Several years ago I finally found the title name on IMDb, I was even able to buy a copy of the film.

This is one of those films that make you wonder if it really happened or not.

Enjoy the movie,

Hal

We are given an introduction that tells us we are about to see a film that may or may not be true. It's not true. So, just clearing that up from the start. There are so many inaccuracies in the set-up and in the final days of Hitler in the bunker. Who on earth is this Patricia Knight (Vera) character?! Anyway, what we get is a film that is ok to watch as we are given another theory as to what really happened to Hitler. It is, of course, complete nonsense.

I've never understood the whole butler thing. Why would anyone want to spend their life voluntarily in the servitude of somebody else!! Especially a member of the male species, who are innately programmed to assert dominance not encompass submissiveness. Unless they fancied them. In this film, Hitler's original valet Manfred Inger (Wagner) proves this homosexual theory as he looks adoringly at Hitler in one particular scene. It is an interesting point to note that nobody else has mentioned but everyone can see.

Check out the cast list on this film - there is someone called Rolf Wanka! Ha ha.

"The Magic Face" is a strange film that seems to have debuted a bit late. Had it come out during WWII, it would have worked better....and having a different leading man would have made it a bit more logical.

The film stars Luther Adler, a man from a famous acting family and who made a huge name for himself in Yiddish theater as well as on Broadway. Adler made films and TV appearances as well, but clearly he was more known for his stage work. As I mentioned above, he was an odd choice for the role...and I'll explain this.

The film is a 'what if' film about history. Early in WWII, an angry Austrian actor decides to insinuate himself into Hitler's inner circle as a valet. His plan is to one day kill the fuehrer and take on his identity...which he does early in the war. Then, as the faux Adolf, he deliberately makes decision after decision which ruins the German war effort.

The idea of such a substitution is smart and interesting. After all, up until about 1940-41, Hitler's decisions in running the war were pretty spot on and the Germans were highly successful. Substituting him for a man bent on destroying Germany made some sense, as his decisions in 1941 became completely irrational (such as attacking the USSR and declaring war on the USA). But, there is one HUGE problem. If this had happened, why wouldn't this substitute have stopped the Holocaust or just ended the war?? Having a Jewish actor play a fake Hitler and NOT stopping the persecution of Jews just seemed ultra-bizarro...especially since it got much worse around 1941! The only way this might have made sense was to have the actor be a complete anti-Semite himself...though believing Adler to be such a man was difficult back in 1951. Odd...to say the least.

Overall, a cheaply made and strange film...not always logical but never dull.