Bandido Romântico

Dick Turpin in the person of Louis Hayward is grown tired of being a highwayman. He retires to become a gentleman, despite having no idea of how to do so. But money talks, and he gets to marry Patricia Medina. But when mother-in-law Barbara Brown discovers who he really is, she is aghast. But money is money.

Still, Hayward has some ambitions, like vengeance on Alan Mowbray, so he rides 200 miles.

Nominally based on Alfred Noyes' long poem "Dick Turpin's Ride" this falls into the category of those movies that will make sense to people who already know the story, but be a boring mass of shots for those who do not. Hayward is still dashing, and Miss Medina is startling in her beauty. Otherwise it's pseud-historical piffle with a couple of decent sword fights and a self-important score by George Duning.

Not a bad B-movie starring Louis Hayward as the famous highwayman. Hayward is perfectly fine and the script is decent, but the film loses it's way storywise at halfway mark. Not enough action and the story slides to an anticlimatic ending. Nice period sets and good cast keep film interesting even when story has run it's course. Plenty of horse riding shots (mostly in the dark) and robberies but film needed a better story. Maybe other aspects of Turpin story could have been used? I enjoyed it though, not bad little movie😊 Question: why does Turpin wear a mask when everybody seems to know who he is😂 Oh and Black Beds fell down twice, needs to change her hooves me thinks🤔

After one of his hold-ups, Dick Turpin (Louis Hayward) meets and falls in love with "Joyce" (Patricia Medina), settles down to inn-keeping for a while before going back to his old ways. That's when he robs "Lord Willoughby" (Alan Mowbray) and relieves him of a document proving the existence of treason afoot - the price on his head rockets and his jealous friend "Cecile" (Suzanne Dalbert) sets about betraying him too.

Louis Hayward is my favourite swashbuckler, the most aristocratic one with a glint in the eye and an abundance of style and wit and nifty movement with an epee, however he looks tired here and there's not so much a glint in the eye- perhaps because he's playing a highwayman and not a "hero". Still he's performs well enough as the man who is trapped in the life of crime and can't come out of it and the plot keeps thing boiling along. There's some moments of excitement- shootouts, galloping horses and coaches - before lapsing into melodrama and chatter. Patricia Medina gets the heart palpitating.

That's about all I can say. It was an okay film, entertaining and not badly acted, but in a lowkey kind of way. I can't say I was all that impressed with either the lady or the bandit, but since it was based on the life of an actual highwayman, Dick Turpin, I thought I'd check it out.

Louis Hayward (any relation to Susan?) was okay as Turpin, and Patricia Medina was okay as Joyce, the woman he loves and marries, and wants to lead a better life with, but fate is against them. I think the best performance was by Suzanne Dalbert, as Cecile, Turpin's wannabee partner in crime, and whom he had more chemistry with than his "true love".

I understand this movie was based on a poem about the legendary highwayman. I'm going to check it out and see how it compares.

Dick Turpin's is one of those legends that should have fitted nicely with Louis Hayward's style of swashbuckling heroics. Plenty of opportunity to rob the wealthy that travel the as yet un-policed roads of 1730s England. Sadly, though, Ralph Murphy chooses to focus more on the romantic elements of his roguish subject and we are left with a rather slow moving melodrama. After one of his hold-ups, he meets and falls in love with "Joyce" (Patricia Medina), settles down to middle-class inn-keeping for a while before he goes back to his old ways with friend Tom King (Tom Tully). That's when he robs "Lord Willoughby" (Alan Mowbray) and relieves him of a document proving the existence of treason afoot - the price on his head rockets and his jealous friend "Cecile" (Suzanne Dalbert) sets about betraying him too. At times it is quite exciting - his break-neck race to York on "Black Bess", for example - but otherwise this just plods along with neither of the leading ladies having much on-screen charisma, nor dialogue to work with. Mowbray features sparingly as his foe and the direction is just, well, lacking... Hayward does try, but he has lost the glint from his eye and can't carry this all by himself as entertainingly he once could. I hadn't heard of this film before today, but after watching I'm afraid I am not really surprised.