Journey Into Light

This independent production could easily be taken for one of those semi-professional cinematic Sunday school sermons intended for church halls were it not for the menacing presence of Sterling Hayden in the lead and the contradictory visual stimuli of Elwood Bredell's crisp, unsparing documentary-style photography of skid row (Weegee, no less, was a technical consultant on the film), yet populated by an extraordinary collection of familiar Hollywood faces ranging from H.B.Warner to former Keystone Kop Hank Mann. (John Berkes, who is a standout as the piano-playing Racky, died shortly after the production wrapped.)

After feeling that both God and his congregation have forsaken him by abandoning his alcoholic wife to a miserable fate, the Reverend Hayden angrily rejects both, tears off his dog collar and spends a remarkable amount of the film's relatively short running time scraping ignominiously along the lower depths of Los Angeles while vehemently badmouthing God at every opportunity. This being Hollywood during the early fifties, surely he's eventually going to regain his faith and it will all end upliftingly? It sure takes him a long time, and comes suspiciously abruptly!

Yes if I had closed my eyes I could almost swear it was Ingrid Bergman speaking the female lead as the minister's blind daughter.Sterling Hayden usually played unsmiling granite face parts and this was no exception but I did see him smile once on the fairground ride as he accompanied Viveca.Thomas Mitchell crops up in many Hollywood films most notably as Gerald O'Hara in "Gone with the Wind" (1939) and "It's Wonderful Life" (1946), the year of my birth.I believe one of the "bums" also was in the latter film as this actor made a speciality of playing these drunks/down and out parts.The film is about spiritual redemption for an ordained minister who loses his faith and has to come to terms with the death of his drunken wife, (who incidentally had a passing resemblance to the late Jennifer Jones in some scenes).

I found some scenes rather mawkish and over sentimental and found it hard to believe that an intelligent man could stoop so low as to reach the lowest rung on the social ladder.Tonight was my first viewing of this film courtesy of Youtube.com and I rated it 6/10.

When the film begins, John (Sterling Hayden) is a preacher in the middle of his Sunday morning service when into the church struggles his wife...drunk our of her skull! Not surprisingly, this causes problems with the elders and they push John to send her away for treatment. But he's a proud and foolish man and soon, without help, the wife is dead...from a suicide. Now John's bitter...so bitter he leaves the ministry and does so angrily. In fact, he's so angry that he's soon living on Skid Row...just another angry bum. So how can John reclaim his life and do something to turn around his awful life? See the film and find out for yourself.

Hayden is, as usual, excellent--which comes as no surprise. As far as the plot goes, it's one that worked well back in the less jaded early 1950s. Today, some might see the whole thing as a bit hokey...which is due, in part, to how jaded we've become over the years. I am NOT trying to be preachy myself here...just pointing out how attitudes have changed over the decades. Overall, I found it to be an interesting and earnest film...one worth seeing if you get a chance.

Journey into Light was the best movie I have ever seen. The title fits perfectly. This is as good a movie as I have ever seen. The story of a minister and his fall and rise from grace. I can think of no more to say. The actor, Sterling Hayden, played the part as it should be played.

I have been searching since the late 50's for it. If it is on tape who do I contact to get it made. I > will appreciate any help you can give me

A shabby story from skid row about bums and fallen women and sanctimonious slum missions where Sterling Hayden repeatedly falls down into the gutter and stays there, turns out to be a universally interesting and overwhelmingly good story. There are moments in this film that you will remember forever.

He is not a fallen priest. It's not his fault that his wife after two stillborns turns alcoholic and ruins his life and position to crown it all with a bloody suicide, which turns him naturally enough not only away from God but against God, so that he associates with the bottom layer of society, with Thomas Mitchell in a perfect role for him as an honest con man, as the desperate man has nothing else to do.

The most touching and human scene of all, among the many in this deeply human film, is when the preacher can't lead the service as Viveca Lindfors, his daughter who saves the show, is in coma at the hospital, so Sterling has no choice but to stand up as leading preacher himself for the first time since his wife committed suicide. He does it reluctantly and with great hesitation, he almost stumbles up at the pulpet, but then something happens in the congregation. Dirty old men, beggars, loafers and what not are all touched by the moment of crisis at the critical condition of the girl they all love, so they all, in various ways, fall down to prayer, one bum leading the heart-rending reaction.

But there are many moments like this. Some moods in this film remind you of Chaplin's "City Lights" and other such extremely poetical films, for this is cinematic poetry caught and set in realism. Vittorio de Sica couldn't have done it better. You will never forget this film.