Tarzan na Terra Selvagem

This is a good Tarzan action movie. Featuring such notable supporting actors as Alan Napier and Walter Kingsford, you get the impression that the studio wanted to make a quality film here- its not just another b-movie throw away. Talented director Byron Haskins (who directed many notable movies of the 40's, 50's and 60's as well as a career in cinematography) is in charge with a sure and steady hand.

Lex Barker is a big strong hunk and he does a fine job as Tarzan, who faces some serious perils. Bad tribal chief King Bulam very nearly kills Tarzan with his bare hands and a knife in an exciting fight sequence. George Macready is at his meanest as he murders several people and almost kills everybody else. Macready is really a nasty baddie in this one. Virginia Huston is an athletic and poised Jane who contributes her usual lovely and capable movie effort in an underwritten role.

Dorothy Dandridge steals this movie with terrific screen presence. She is ravishing as Good Queen Melmendi. The director wisely showcases Ms. Dandridge, who ignites every scene she is in and makes it special. She is a powerhouse obviously destined for future star potential.

"Tarzan's Peril" is a worthwhile, vigorous and fast-moving adventure movie. You will be satisfied if this is what you are expecting from a film outing with a classic adventure hero.

Third Tarzan film starring Lex Barker is still good, directed by Byron Haskin, who had made "I Walk Alone" and "Treasure Island" and who would go on to make the science-fiction classic "The War of the Worlds" and the adventure films "The Naked Jungle" and "Captain Sindbad". Labeled as the first Tarzan film made in Africa, the material mostly consists of establishment shots and good sequences of dances and tribe life, aptly directed by Philip Brandon and photographed by cinematographer Jack Whitehead. It matches only moderately well with the studio shooting, but still gives add some distinction to the product. As it happened before with Charlie Chan, Mr. Moto and Sherlock Holmes, Tarzan is affected by the United States foreign policy, so he is part of a Cold War intrigue. Thankfully it is not openly exposed, but suggested: the villain (George Macready) is called Radijek, he probably comes from Poland or any other country behind the Iron Curtain, and he is providing guns to the Africans, although not under the Soviet aegis: he is a ruthless, egotistical, murderous dealer, who wants to sell his weapons and collect . His first opponent is a retiring British commissioner (Alan Napier), who defends the colonialist regime of the Crown, and wants to leave the natives under control and evangelized by Protestant missionaries, a work that took him 30 years. But things get violent soon in this entry, quickly increasing the body count and including women abuse, as Queen Melmendi (Dorothy Dandridge) is subject to the whims of the feisty but mean ruler of another tribe, King Bulam (Frederick O'Neal). As usual Cheetah keeps stealing things and getting scared even by rubber snakes.

TARZAN'S PERIL (RKO Radio, 1951) directed by Byron Haskin, the third of five installments starring Lex Barker as Edgar Rice Burrough's most celebrated jungle hero, is, by far, the most prestigious project to date. An improvement over the previous two entries, thanks to some authentic location filming in Africa where much of the Tarzan stories takes place, and the casting of George Macready as the most sinister villain thus far, ranking this possibly the best in the Barker series. Aside from location sequences mixed with the studio jungle sets, TARZAN'S PERIL was reportedly intended to become the first in the series to be lensed in color, something that never happened, at least for now anyway.

Rather than the traditional opening focusing on Tarzan, Jane and/ or Cheta's daily activities, which turns up 16 plus minutes into the story, TARZAN'S PERIL opens with a native celebration in British East Africa as Melmendi (Dorothy Dandridge) is made queen of the Ashuba tribe. Commissioner Peters (Alan Napier), about to retire after thirty years of service, witnesses the event with his soon-to-be replacement, Connors (Edward Ashley). King Bulam (Frederick O'Neal), a brutal chief of the Yorango tribe, comes to propose marriage to Melmendi, but is refused. Later, the pounding of drums brings forth a message that Radijack (George Macready), a ruthless slaver and gunrunner, has escaped prison and somewhere in the jungle. Assisted by Doctor Herbert Trask (Douglas Fowley) and Andrews (Glenn Anders) as his henchmen, Radijack intends on bringing in a load of illegal rifles to the natives. As Peters and Connors approach Trask to inspect their hidden items, Radijack makes his surprise attack by shooting them. During their journey climbing a cliff, Radijack arranges for Andrews to meet with an accident that handicaps him with a broken leg. Being left there to die, Andrews crawls through dangerous territory before grabbing gold onto a log and floating down the river. While canoing with Jane (Virginia Huston), Tarzan (Lex Barker) foresees danger and rescues Andrews from a crocodile attack. Taking the injured hunter to a doctor, Tarzan, having learned from Andrews of the killing of his friend, Peters, and Radijack's evil intentions, Tarzan swings into action to stop Radijack from supplying the Yorango tribe with guns to attack the peaceful Ashuba tribe. By doing so, Tarzan faces some perils of his own almost in the manner of a weekly chaptered serial.

Making every attempt on bettering this long running series to a point of recalling some highly entertaining adventure made famous by Johnny Weissmuller during his days at MGM, the strength to TARZAN'S PERIL rests on well developed screenplay by Samuel Newman and Francis Swann with enough action to hold one's interest. Although routinely made, much of it is presented in the manner with some originality. George Macready, as mentioned earlier, gives a standout performance as the villain. Aside from putting other characters to permanent rest, his intention on doing the same to Tarzan finds the jungle hero subdued by his native followers, only to somewhat finish him off by having him thrown into water rapids to plunge down from a high waterfall. Other dangers faced by Tarzan is one where he's entrapped inside spider-like arms of man-eating plants, a similar situation earlier used in Weissmuller's TARZAN'S DESERT MYSTERY (1943), plus his encounter with a giant poisonous snake that nearly takes Cheta. There's also interesting casting of Dorothy Dandridge as the African tribal queen, shortly before achieving immortality for her leading roles as her Academy Award nomination in CARMEN JONES (20th Century-Fox, 1954), and PORGY AND BESS (Samuel Goldwyn, 1959) opposite Sidney Poitier. As with her screen career, Dandridge's role comes short yet essential to the plot.

The weakness to TARZAN'S PERIL once again falls upon the Jane character, this time enacted by the blondish but average acting Virginia Huston. Aside from her short 1950s style haircut and noticeable facial makeup in the Virginia Mayo mode, her Jane character isn't dressed in traditional jungle dress tog but white animal skins resembling that of an Esther Williams bathing suit. Unlike previous efforts where Jane takes part in Tarzan's adventures, this time Tarzan says, "Jane, go home," leaving Tarzan to fulfill his mission alone with Cheta, his chimpanzee, along for the ride. Jane, being off screen for a long stretch, does reappear, doing housework in her tree house before being face to face with a deadly visitor.

While no masterpiece, TARZAN'S PERIL comes close to becoming 79 minutes of non-stop action, making whatever weaknesses that take place to be overlooked or forgiven. Never distributed to video cassette, TARZAN'S PERIL, formerly broadcast on American Movie Classics prior to 2000, and finally Turner Classic Movies (TCM premiere: July 16, 2011), has become available on DVD through Turner Home Entertainment. With more "Tarzan" adventures in the horizon, and the slow faze out of Jane before the end of the decade, the next installment in the series is TARZAN'S SAVAGE FURY (1952). (*** drums).

Strangely the RKO's producers provide a new Jane in an each Lex Barker's Tarzan, I really want to know such discrepancy, Virginia Huston is redhead, thus unable for the role, due all previous were black hair, but speaking the truth who cares anyway, she is sexy, the summarized plot is about a smugglers who intent selling fire guns to an ambitious native's King, the strong presence of George Macready spoke for himself, he fits prefect as evil man, the nearest Ashuba tribe's Queen played by the gorgeous Dorothy Dandridge is another high point, the King Bulam wants marry Queen Melmendi to rules the whole territory, shot in Africa many sequences blended later with the soundstage studio is easily noticed and improve the production, a slight accent of humor from the usual Cheetah, fine Sunday matinee!!!

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First watch: 1978 / How many: 4 / Source: TV-VHS-DVD / Rating: 6.5

Tarzan's Peril (1951)

** (out of 4)

Third film in RKO's Lex Barker-Tarzan series has the ape man trying to stop a bunch of gunrunners who are selling weapons to a tribe planning to use them by attacking other tribes. With the jungle at such an unrest, it's up to Tarzan to try and rescue one of the main tribe's leaders (Dorothy Dandridge). Quite a few reviews called this the best of the Barker Tarzan movies and while it's certainly an improvement over the last entry I'd say it still falls a little short of the first one. There's quite a bit of stuff to enjoy here but sadly we're once again treated with a familiar story that just becomes more and more cliché as it goes along. I will admit that I thought the film started off with an interesting idea as Tarzan doesn't appear for the first fifteen-minutes. Instead of the ape man getting all the screen time the film tries to shine the spotlight on the bad guys who are obviously more interesting the more you can hate them. For the most part I thought the villains were quite evil enough but the screenplay never really made them very fun, which was a letdown. The supporting tribes are finally being played by black actors, which is a plus but sadly the screenplay doesn't given them too much to do. Once Tarzan, Jane (Virginia Huston) and Cheetah enter the picture it's pretty much all action from this point. Once again Barker is good in the role and I think it's fair to say that he finally gotten comfortable in it. Huston makes for an interesting Jane as she's certainly got the sex appeal but her chemistry with Barker isn't the greatest. George MacReady, Douglas Fowley and Glenn Anders all do a nice job in their villain roles. Dandridge is the one who easily steals the film though. Her beauty, charm and charisma jump right off the screen but sadly she isn't given too much to do. She certainly makes the most of the part and she makes it more memorable than any other actress would have but at the same time it's pretty sad to see her having to do a film like this. People always want to put THE BIRTH OF A NATION down but that was 1915 and here this film is 1951 and Hollywood still wasn't doing anything for one of the brightest black stars. The other highlight in the film happens when Tarzan must battle a man-eating plant. The scene actually manages a few nice, tense sequences. The lowlight of the film has to be a hilarious scene where Cheetah is about to be attacked by a huge snake but thankfully Tarzan comes to the rescue. What's so funny is the fake snake that they use and just wait until you get a look at its funny face!