Hotel Sahara

A joy to watch the old hams act out so over the top and look like they really enjoyed this silly film so simple watch don't judge it's a film make believe

Uproarious World War II farce about the hotel of the title. Yvonne DeCarlo and Peter Ustinov as the proprietors, trying to survive the war but sitting in just the right place in the desert that the hotel changes sides depending on how the battle is going that week. The British move in, then out as the Germans move in, then out. Yvonne DeCarlo changes her personality, her wardrobe and her musical numbers to fit whoever the current occupiers happen to be. Hilarious ending has all sides occupying the hotel all at once. And you thought Yvonne DeCarlo was just Herman Munster's wife! Too bad this one isn't on video somewhere. Well worth a look if you happen to run across it.

This is a fairly frenetic farce which stars the marvellous Peter Ustinov.In this film each of the countries fighting in the desert occupies the hotel in turn and brings with it their own nationalistic quirks.There are some funny moments but unfortunately at 96 minutes it is just to long.Certainly by the time the French take over you are just wishing for it to come to a quick conclusion.The cast is first rate and does the best they can with the somewhat limited material.Ustinov is funny as the hotel proprietor.It was truly the world,s loss when he died .He was a uniquely gifted personality and there are not a lot of those around.

There must have been hotels etc. Which actually experienced this type of problem with towns and villages changing hands more than once. Peter Ustinov was perfect for this part as were all the others cast. It did not look any any footage was shot outside of a studio as mentioned elsewhere as it all looked very much studio shot with a few lorry loads of sand spread around a bit. An amusing tale with plenty of odd characters to keep an audience entertained for the running time, it did not seem to be too long at any point. Well worth watching and no wonder the leading lady attracted the attention of soldiers of various nationalities.

Peter Ustinov in a fez is of course hilarious in his first lead for a director other than himself, but who'd had thought Yvonne De Carlo could have been so funny? (Particularly the way she demonstrates what "a creature of infinite variety" she is by swiftly switching personalities to accommodate Albert Lieven.)

Blessed with appropriate music by Benjamin Frankel, the obvious phoniness of the desert set which the cute little vehicles trumble along only makes the whole thing even funnier.