Tambores Distantes

This picture was made when directors sacrificed authenticity for rapid gunfire. The trapdoor rifles and the Colt Single Action revolver were not even invented until 30+ years after the Seminole Wars. The under water knife fight reminded me of the face-to-face shootouts of "classic westerns". It never happened. The practical lawman of the old west (if he wanted to see the sunrise next day) captured his quarry while asleep or shot him from ambush. No sane person would willingly stand face-to-face against another armed man and yell "DRAW"!! Would YOU? There are no recorded shootouts of this type in Western history.

United States Pictures which released Distant Drums through Warner Brothers was I think Gary Cooper's own production company. Looking at The Films of Gary Cooper book, I noticed about three others with same credits in the Fifties of which Distant Drums was the first.

The film was shot on actual location in the Everglades, I think Gary Cooper must have gotten some taste of what Bogey and Hepburn were enduring doing The African Queen. Too bad the story didn't rate the same as The African Queen.

Cooper is an American Army captain on duty with the army of General Zachary Taylor, played by Robert Barrat, who lives on his own island and doesn't dress in any army uniform. Zach Taylor had a reputation for informality, but that was carrying it a bit too far. The only other guy who had his own private island during war was Lt. Commander Quentin McHale and his PT Boat crew.

Anyway Barrat gives Cooper a mission and a Navy lieutenant played by Richard Webb to carry it out. To attack an old Spanish fort and go by boat across Lake Okechoobee. An early type of amphibious warfare. The attack goes off as planned and some civilian prisoners are rescued from the renegades using the fort. But the Seminoles are in hot pursuit of Cooper and the whole bunch through most of the film.

I can't believe by the way that a director like Raoul Walsh had the army and the Seminoles fighting with repeating rifles and six shooter revolving pistols. Stuff wasn't invented yet.

For the early years of the republic, Florida under Spanish rule and loose rule at that, was a thorn in our side. Pirates like the ones you see here used it as a haven for raiding purposes. But it was also a refuge for runaway slaves. Our southern states wanted Florida acquired to put an end to that. The indigenous tribes to Florida, the Seminoles did offer refuge for runaway slaves. So a war there was inevitable, especially when southern presidents like Andrew Jackson were in the White House.

Maybe one day someone will do a proper film on the early history of Florida, but this ain't it.

Distant Drums is directed by Raoul Walsh and stars Gary Cooper, Richard Webb, Mari Aldon & Arthur Hunnicutt. Known as a "Florida Western," the film is set during the Seminole Wars in the 1840s. It's written by Niven Busch and Martin Rackin, photographed predominantly on location in the Florida Everglades (in Technicolor) by Sidney Hickox and Max Steiner scores the music. Plot sees Cooper playing an Army captain who after destroying a fort held by the Seminole Indians retreats with his party into the Everglades where many of natures dangers lurk as the Seminole pursue them.

Not one for fans of Cooper, Walsh or Busch to get excited about. The story is as conventional as it gets, complete with a romantic angle, and the dialogue is boorish and lacking imagination. Were it not for the excellently constructed action sequences (check out the under water scenes) and the lush location photography, then this one would be consigned to the "please steer away from" pile. Busch is the main culprit since his writing is confused as to what it wants to achieve. The Seminole Indians are painted as savages, thus giving a one sided feel to a War not often seen in movies, yet other Native Americans are handled more sympathetically via the portrayal from Cooper. All in all we learn nothing about the War and the people involved as the film winds up as a jungle like adventure built around a number of set pieces.

Cooper is rugged and watchable as an Alligator Dundee type and Hunnicutt as always leaves a favourable impression as the scout. Mari Aldon is pretty but pretty one dimensional, while Richard Webb just seems out of place in the perilous locale and therefore unconvincing. But as previously mentioned, nobody here is helped by the tepid script. It's believed that this movie features the earliest known use of the Wilhelm Scream sound effect, a technique used to vocalise a character being torn to shreds by an alligator. A standard film it is then, one that really should have been a fine entry into a sadly untapped in to topic. It's like getting a beautifully wrapped birthday present that when opened reveals nothing but strips of mouldy old newspaper. 5/10

I love Gary Cooper, especially during the 1950's. He actually aged better and better. This western is somewhat different than what he usually chose to play. He is a distinct personality that his men and others under his care recognize as "leader". I bought it totally. He is distant, sexy and loving to a small son. He is brave and a heroic personality. Just the kind of movie I love with Gary Cooper. The Florida vistas are wild and beautiful. The whole thing just entertained me and I came back for more. I don't remember this one from T.V. reruns so it was brand new to me. I highly recommend to people who love westerns (especially with Gary Cooper).

I first saw this film while living in Port Huron, Mich. in the early '60s. What I remember most about it is Max Steiner's music. As overworked as Steiner was in those days he always turned out consistently beautiful, and in this film, thrilling scores.