AVALIAÇÃO DA IMDb
6,3/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter destroying a Seminole fort, American soldiers and their rescued companions must face the dangerous Everglades and hostile Indians in order to reach safety.After destroying a Seminole fort, American soldiers and their rescued companions must face the dangerous Everglades and hostile Indians in order to reach safety.After destroying a Seminole fort, American soldiers and their rescued companions must face the dangerous Everglades and hostile Indians in order to reach safety.
Dany Aldon
- Bit part
- (não creditado)
Carl Andre
- Trooper
- (não creditado)
Mel Archer
- Pvt. Jeremiah Hiff
- (não creditado)
Gregg Barton
- Pvt. James W. Tasher
- (não creditado)
Jere Beery Sr.
- Dead Indian
- (não creditado)
George Bell
- Trooper
- (não creditado)
Jimmie Booth
- Trooper
- (não creditado)
Rudy Bowman
- Trooper
- (não creditado)
Beverly Brandon
- Mme. Duprez
- (não creditado)
Bob Burns
- Indian Boy
- (não creditado)
Sidney Capo
- Indian Boy
- (não creditado)
Larry Chance
- Chief Ocala
- (não creditado)
Avaliações em destaque
Distant Drums is directed by Raoul Walsh and stars Gary Cooper, Richard Webb, Mari Aldon & Arthur Hunnicutt. Known as a "Florida Western," the film is set during the Seminole Wars in the 1840s. It's written by Niven Busch and Martin Rackin, photographed predominantly on location in the Florida Everglades (in Technicolor) by Sidney Hickox and Max Steiner scores the music. Plot sees Cooper playing an Army captain who after destroying a fort held by the Seminole Indians retreats with his party into the Everglades where many of natures dangers lurk as the Seminole pursue them.
Not one for fans of Cooper, Walsh or Busch to get excited about. The story is as conventional as it gets, complete with a romantic angle, and the dialogue is boorish and lacking imagination. Were it not for the excellently constructed action sequences (check out the under water scenes) and the lush location photography, then this one would be consigned to the "please steer away from" pile. Busch is the main culprit since his writing is confused as to what it wants to achieve. The Seminole Indians are painted as savages, thus giving a one sided feel to a War not often seen in movies, yet other Native Americans are handled more sympathetically via the portrayal from Cooper. All in all we learn nothing about the War and the people involved as the film winds up as a jungle like adventure built around a number of set pieces.
Cooper is rugged and watchable as an Alligator Dundee type and Hunnicutt as always leaves a favourable impression as the scout. Mari Aldon is pretty but pretty one dimensional, while Richard Webb just seems out of place in the perilous locale and therefore unconvincing. But as previously mentioned, nobody here is helped by the tepid script. It's believed that this movie features the earliest known use of the Wilhelm Scream sound effect, a technique used to vocalise a character being torn to shreds by an alligator. A standard film it is then, one that really should have been a fine entry into a sadly untapped in to topic. It's like getting a beautifully wrapped birthday present that when opened reveals nothing but strips of mouldy old newspaper. 5/10
Not one for fans of Cooper, Walsh or Busch to get excited about. The story is as conventional as it gets, complete with a romantic angle, and the dialogue is boorish and lacking imagination. Were it not for the excellently constructed action sequences (check out the under water scenes) and the lush location photography, then this one would be consigned to the "please steer away from" pile. Busch is the main culprit since his writing is confused as to what it wants to achieve. The Seminole Indians are painted as savages, thus giving a one sided feel to a War not often seen in movies, yet other Native Americans are handled more sympathetically via the portrayal from Cooper. All in all we learn nothing about the War and the people involved as the film winds up as a jungle like adventure built around a number of set pieces.
Cooper is rugged and watchable as an Alligator Dundee type and Hunnicutt as always leaves a favourable impression as the scout. Mari Aldon is pretty but pretty one dimensional, while Richard Webb just seems out of place in the perilous locale and therefore unconvincing. But as previously mentioned, nobody here is helped by the tepid script. It's believed that this movie features the earliest known use of the Wilhelm Scream sound effect, a technique used to vocalise a character being torn to shreds by an alligator. A standard film it is then, one that really should have been a fine entry into a sadly untapped in to topic. It's like getting a beautifully wrapped birthday present that when opened reveals nothing but strips of mouldy old newspaper. 5/10
There are not very many films depicting the 2nd Seminole War of 1835-1842, in Florida. This is unfortunate as this was not only America's longest, but its bloodiest Indian war as well. Other films relating to this conflict include Seminole, and Naked in the Sun. Due to the sparsity of Seminole War films I will admit a bias for this film despite its ridiculous plot, bargain basement Hollywood surplus wardrobe (The soldiers are in a mix of fanciful fringed pants and ca. 1898 Spanish-American War hats and shirts etc.), and anachronistic armaments(the soldiers are using M-1873 Trapdoor carbines, the Seminoles the full length M-1873 rifle-both sides used flintlock weapons in 1840). A large chunk of the plot surrounds Cuban gun runners supporting the Warriors. In truth, despite 7 years of naval blockade of the Florida Coast, the US Navy never proved the fears of such a trade from Cuba...I could go on and on... True, this is nothing more than a transplanted "western" in the Swamps of Florida, although I detect a great deal of Director Walsh's previous Objective Burma in this flick (compare the gator pit in the Seminole village with the similar scene in the Japanese held village in Objective Burma) The true star of this one is the scenery, as, almost alone amongst the few Seminole War films, this one takes full advantage of the wildly beautiful Florida Wilderness. Other comments note the great underwater battle scene, but I am spellbound by the cypress swamp and saw-grass settings as well. You won't learn much about the War from this movie, but it does have some basis in fact. By 1840 the army was relying on small patrols like Cooper's in the film to track down hostile Seminoles for removal to the west. Thats about as close as it comes to the history books, but it is still an exciting action film with an O.K. musical score.
I saw "Distant Drums" for the first time when I was 10 or 11 years old and I recall it was a great film for me. Then I saw it as an adult and though it was not the great film I remembered it was still very good as an action and adventure sort of western. Since I'm not from the USA I didn't notice some historical mistakes -mainly the use of guns and rifles not yet invented by the time of the action- I learned about after reading some reviews here; I think those are major flaws in a movie.
However, I think my little knowledge about the Seminole wars in Florida give me the possibility of judging the film just at what it is: an adventure film. That established, "Distant Drums" appears to me as a highly entertaining and well done movie as well as a very original film mainly because of where the action is located. Is has great color, beautiful photography and incredible open wide sceneries in the Everglades. The plot -although kind of standard (a bunch of soldiers chased by savage Indians through the swamps- is however very well handled by director Roul Walsh and he keeps action going all along without major bumps. The sequence at the Seminole village is most impressive and tense as it is the final underwater knife duel between Captain Wyatt and chief Okala.
Gary Cooper (Wyatt) is very good as the leader of the escaping troop and shows the presence and self confidence a leader should. The rest of the cast brings a good support too, mainly Arthur Hunnicutt (Coooper's sidekick) and Ray Teal (one of the troopers), and Mari Aldon does a credible work as Cooper's romantic interest. Seminole chief Okala looks mean enough and a proper match for Cooper. Perhaps the less impressive performance is that of Richard Webb kind of dull as a navy officer involved in the mission.
In all this a decent action/adventure film, most entertaining and worth seeing for those who enjoy the genre.
However, I think my little knowledge about the Seminole wars in Florida give me the possibility of judging the film just at what it is: an adventure film. That established, "Distant Drums" appears to me as a highly entertaining and well done movie as well as a very original film mainly because of where the action is located. Is has great color, beautiful photography and incredible open wide sceneries in the Everglades. The plot -although kind of standard (a bunch of soldiers chased by savage Indians through the swamps- is however very well handled by director Roul Walsh and he keeps action going all along without major bumps. The sequence at the Seminole village is most impressive and tense as it is the final underwater knife duel between Captain Wyatt and chief Okala.
Gary Cooper (Wyatt) is very good as the leader of the escaping troop and shows the presence and self confidence a leader should. The rest of the cast brings a good support too, mainly Arthur Hunnicutt (Coooper's sidekick) and Ray Teal (one of the troopers), and Mari Aldon does a credible work as Cooper's romantic interest. Seminole chief Okala looks mean enough and a proper match for Cooper. Perhaps the less impressive performance is that of Richard Webb kind of dull as a navy officer involved in the mission.
In all this a decent action/adventure film, most entertaining and worth seeing for those who enjoy the genre.
I first saw this film while living in Port Huron, Mich. in the early '60s. What I remember most about it is Max Steiner's music. As overworked as Steiner was in those days he always turned out consistently beautiful, and in this film, thrilling scores.
Army Lieutenant Tufts (Richard Webb) is assigned a dangerous mission by General Zachary Taylor (Robert Barrat). He must accompany captain Quincy Wyatt (Gary Cooper) along with a scout named Monk (Arthur Hunnicutt with his usual raccoon skin hat ) into the Everglades to rout the Seminole Indians who are threatening the early settlers in Florida. After destroying a Seminole fort , people is rescued from Redskin captivity , then the command is forced to get away . The small band of American soldiers and their rescued companions ( Mari Aldon among others )tries to stop and must face the dangerous Everglades and hostile Indians in order to reach safety and battle against risks.
This exciting Western packs thrills , noisy action , spectacular struggles and lots of gutsy adventure . Brawling , sprawling , almost primitive action, teeming across the screen . Impressive images when Wyatt and Seminole Chief Oscala square off in a breathtaking climax . Raoul Walsh demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . Gorgeous Mari Aldon as a ballerina from Savannah who bears a dark past , she does an enjoyable and prominent debut though didn't have a notorious career . Good secondary cast with familiar hearted features as Richard Webb, Robert Barrat , Arthur Hunnicutt , Ray Teal and uncredited Darren McGavin as Navy Lt. The picture was photographed by Sidney Hickox in the heart of the Florida everglades , at Silver Sprags and at Castillo of San Marcos in the Southeastern nation , monuments through the courtesy of the United States Department of Interior National Park Service. Thrilling as well as emotive musical score by the classic Alfred Newman .
The motion picture produced by Milton Sperling is well directed by Raoul Walsh . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant in Western as ¨Colorado territory¨ , ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨The sheriff of fractured jaw¨, ¨A distant trumpet¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. Rating : Fairly straightforward movie and above average . This interesting Western and action film makes it of the finest of Raoul Walsh genre entries.
This exciting Western packs thrills , noisy action , spectacular struggles and lots of gutsy adventure . Brawling , sprawling , almost primitive action, teeming across the screen . Impressive images when Wyatt and Seminole Chief Oscala square off in a breathtaking climax . Raoul Walsh demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . Gorgeous Mari Aldon as a ballerina from Savannah who bears a dark past , she does an enjoyable and prominent debut though didn't have a notorious career . Good secondary cast with familiar hearted features as Richard Webb, Robert Barrat , Arthur Hunnicutt , Ray Teal and uncredited Darren McGavin as Navy Lt. The picture was photographed by Sidney Hickox in the heart of the Florida everglades , at Silver Sprags and at Castillo of San Marcos in the Southeastern nation , monuments through the courtesy of the United States Department of Interior National Park Service. Thrilling as well as emotive musical score by the classic Alfred Newman .
The motion picture produced by Milton Sperling is well directed by Raoul Walsh . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant in Western as ¨Colorado territory¨ , ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨The sheriff of fractured jaw¨, ¨A distant trumpet¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. Rating : Fairly straightforward movie and above average . This interesting Western and action film makes it of the finest of Raoul Walsh genre entries.
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- CuriosidadesWILHELM SCREAM: This film contains the first known instance of "The Wilhelm Scream" (a sound effect of a man screaming, since used in over 400 other movies, at least 433). different variations of the sound effect are heard throughout the movie, heard two or three times during a fortress battle sequence when two soldiers are killed and let out Wilhelms. it's again during a scene in which the soldiers are wading through a swamp in the everglades, one of them is bitten and dragged underwater by an alligator and lets out a Wilhelm. six takes of this scream were recorded originally for the alligator scene by Sheb Wooley (actor of Private Jessup), the fifth take was used for the alligator scene though the fourth take became most popular. The scream for that character was recorded later. Six short pained screams were recorded in a single take, which was slated "man getting bit by an alligator, and he screams." The fifth scream was used for the soldier - but the 4th, 5th, and 6th screams recorded in the session were also used earlier in the film when three Indians are shot, one after another, during a raid on a fort. Although the "signature" or "classic" screams, takes 4 through 6 on the original recording, are the most recognizable, all of the screams are referred to as "Wilhelm" by those in the sound community. Ben Burtt, sound effects designer on Star Wars: Episódio IV - Uma Nova Esperança (1977), named it "Wilhelm" after the character that let out the scream in Investida de Bárbaros (1953). He discovered a file at Warner Bros. for this movie, which contained paperwork that was left over from the picture editor after the film was completed. One of the papers was a short list of names of actors who were scheduled to come in to perform various lines of dialogue for miscellaneous roles in the movie. After reviewing the names and even listening to their voices, one person seemed to be the most likely suspect: Sheb Wooley who had played the uncredited role of Private Jessup in "Distant Drums", and was one of the few actors assembled for the recording of additional vocal elements for the film. It is very likely he was asked on the spot to perform other things for the film, including the screams for a man being bitten by an alligator.
- Erros de gravaçãoWhilst in the 'swamp' the soundscape includes the 'laugh' of the kookaburra, indigenous only to Australia and New Guinea.
- Citações
[repeated line]
Screaming Voice: AAH!
- Cenas durante ou pós-créditosOpening credits are followed immediately by Lt. Richard Tufts (Richard Webb) writing in his LOG "I, Lieutenant Richard Tufts, United States Navy, do make this account of my perilous journey in the Territory of Florida in the year 1840."
- ConexõesFeatured in WatchMojo: Top 10 Greatest Sound Effects in Movies (2013)
- Trilhas sonorasDistant Drums Theme
Written by Max Steiner
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