Veio, Viu e Venceu

In the summary I say that Huntz Hall is more annoying than usual. Well, you expect him to be annoying...but here in "Crazy Over Horses" he's worse than usual. I've seen most of the Bowery Boys' films...and here he's even more grating than you'd expect!

A man owes Louie some money and Louie gets Slip and the guys to go collect. Well, the guy has no money to give but gives them a horse instead...one that had been abandoned long ago. So, they take the horse to Louie...who is NOT pleased to have a race horse in his shop in New York!

It turns out this horse belonged to a group of crooks who were planning on using it to make a killing at the race track. After all, a lousy horse they own is a spitting image of the abandoned one...and the abandoned one has the makings of a champion. So why would they just leave the horse and forget to pay for boarding it? Well, that is a huge hole in the story! What's next? See the film.

The story is watchable but as I've already said, Sach (Huntz Hall) seems to be at his most annoying throughout the film. This combined with a hole-ridden plot, and a tasteless blackface scene (with Hall, of course) make this subpar even for a Bowery Boys outing.

Crazy Over Horses (1951)

** (out of 4)

Rather bland entry in the series has the Louie being owed money by an old friend so he sends the boys out to collect but instead of cash they come back with a horse. It turns out this is a very special horse as gangsters plan on replacing it with a lookalike so that they can have the odds go up on a bad horse and then they'll race the quick one. Number twenty-four (if you're still counting) isn't all that memorable as we get a rather familiar story of the boys getting involved with a crooked scam and nothing here is one bit original or and we've seen it countless times before. The entire movie just had a very lazy feel to it as if everyone involved knew they weren't doing anything overly special and they just mailed everything in. The only sequence that comes off mildly entertaining is one where the boys charge into Louie's restaurant thinking that he has turned the horse into hamburger and what happens to the customer inside the store is pretty funny. Outside of that this is pretty weak all around. The most surprising thing is that the cast pretty much just sleepwalks through things. Leo Gorcey is once again back as Slip but he appears to be bored and many of his mixed up words simply aren't funny or too cleaver here. Huntz Hall continues to grow dumber and dumber but the screenplay really doesn't do him any favors. There's one interesting scene where Gorcey pretty much sends him packing but nothing ever really comes of it. The horse racing scenes are all boring as the supporting cast doesn't help much either and that includes Allen Jenkins in his supporting role. Heck, even Bernard Gorcey comes off rather tame this time out.

In this Bowery Boys comedy we have little Louie Dumbrowsky (Bernard Gorcey) looking to collect an outstanding debt from a down-on-his-luck stable owner, so Slip and Sach (Leo Gorcey/Huntz Hall) arrange a meeting to make the pickup for him. When the boys meet the man, he makes them an offer to take "My Girl" as settlement instead of cash. At first the boys think My Girl is the man's attractive daughter, but quickly realize it's a horse. Louie is none too pleased when they return, but it turns out that this animal is a class A race horse, and it isn't long before a group of crooked gamblers try to get their greedy hands on her. The plot is typical silly comedy fodder, and a lot of running time milks the same gag of mistaking one horse for another, but it's zany enough to make this a moderate pleaser for Bowery Boys fans. **1/2 out of ****

Slip (Leo Gorcey), Sach (Huntz Hall), Chuck (David Gorcey as David Condon), Butch (Bennie Bartlett) and Whitey (Billy Benedict) suddenly become the Mahoney Collection Agency when they learn that Flynn (Tim Ryan), stable and second-hand store owner, has owed $250 to Louie (Bernard Gorcey), Sweet Shop proprietor, for over two years.

Flynn, who has a daughter named Terry (Gloria Saunders) persuades Slip to accept "My Girl," a horse, in payment for the debt. Flynn has been boarding the horse for months but has not been paid. "My Girl" is a really good race horse that is actually owned by racketeer Big Al (Ted de Corsia), who with Weepin' Willie (Allen Jenkins) and Swifty (Michael Ross), are planning to run the horse in a future race as a ringer for their long-odds and very-slow horse, Tarzana. The Bowery boys learn of this and switch horses. Big Al, Willie and Swifty swath back. This goes on until finally the Boys have "My Girl,", the good horse and Big Al and company have Tarzan, the nag, but think they have "My Girl." Tim Ryan could write one like this in his sleep, as could most of the fans of the series from this point on...beginning with...let's make a jockey out of Sach.

CRAZY OVER HORSES is actually a reworking of BLONDIE IN SOCIETY (1941), where Dagwood brings home a Great Dane to Blondie in exchange for a debt. Here, Louie (Bernard Gorcey) is owed money and the gang brings home a horse, called MY GIRL!

The trick of it is that the horse is a champion dark horse winner, worthy of a small fortune. Off to the races we go with Sach now as a jockey! Lots of crazy fun, and with an appearance of Tim Ryan (playing Mr. Flynn), who was the head writer for the Bowery Boys (and in real life married to Irene Ryan who played Granny on the BEVERLY HILLBILLIES). Ryan knew comedy and kept the Bowery Boys going and going. This episode obviously had a slightly bigger budget, and with the casting of veterans Allen Jenkins (always a treat to watch) and Ted de Corsia, as the gravel voiced bad guy. This was also the last appearance for Billy Benedict (as Whitey), who said he had had enough and went the way of Gabe Dell and Bobby Jordan, although Billy would never be forgotten.

Bennie Bartlett, a child prodigy pianist, returned as Butch for the rest of the series, later to retire and sell insurance in real life. CRAZY OVER HORSES also introduced the artful comic book drawings of Leo Gorcey and Huntz Hall in the opening credits, similar to what 20th Century Fox did for Laurel and Hardy in the 1940s. It worked well. This was one of the first episodes to be included in a box set release via Warner Brothers.

Good stuff.