AVALIAÇÃO DA IMDb
6,3/10
1,2 mil
SUA AVALIAÇÃO
Acusado injustamente de roubar o trem para casa, Bill Doolin volta para sua antiga gangue, participa de outros roubos e se torna um fora-da-lei procurado.Acusado injustamente de roubar o trem para casa, Bill Doolin volta para sua antiga gangue, participa de outros roubos e se torna um fora-da-lei procurado.Acusado injustamente de roubar o trem para casa, Bill Doolin volta para sua antiga gangue, participa de outros roubos e se torna um fora-da-lei procurado.
Yvette Duguay
- Cimarron Rose
- (as Yvette Dugay)
David Bauer
- Sam Swanson
- (as David Wolfe)
Noah Beery Jr.
- Bob Dalton
- (as Noah Beery)
Carl Andre
- Posse Member
- (não creditado)
Emile Avery
- Posse Member
- (não creditado)
Joe Bailey
- Jed
- (não creditado)
Eugene Baxter
- Tilden
- (não creditado)
Stanley Blystone
- Train Passenger
- (não creditado)
John Bromfield
- Tulsa Jack
- (não creditado)
Avaliações em destaque
This emerges as a pretty good example of the typical Audie Murphy Western vehicle though of lesser quality to the only one I had previously watched, NO NAME ON THE BULLET (1959) and, being Budd Boetticher's first Western, clearly a minor effort in his canon. Many films of this era treated (in a heavily romanticized manner) the exploits of famous outlaws of the Old West: Murphy appears as Bill Doolin and, at one point, he is told by the leader of The Dalton Gang that "They'll be writing ballads about us" and, sure enough, their exploits were later immortalized in music by the Country Rock band Eagles in "Doolin-Dalton", a song off of their second album "Desperado" (1973). Typically, Murphy is seen forced into a life of crime by circumstances or, more precisely, the persecution of a law-enforcement officer (while another, played by Leif Erickson, is more sympathetic to his plight). As ever, the gang is an eclectic assortment of characters: affable Noah Beery Jr. is their leader, Hugh O'Brian the red-headed hot-tempered challenger, James Best the ladies' man, Frank Silvera the half-breed, etc.; interestingly, we get a couple of romances going on (Murphy with the daughter of a man who shelters them and Best with a fiery Mexican girl) and the female characters are surprisingly strong for this type of film. Reassembling themselves in the wake of a bank hold-up gone awry (the film's best action sequence, climaxing in Beery's memorable come-uppance with the spilling coins a graphic substitution for blood), the gang is subsequently betrayed by the 'inside man' in a train robbery they try to pull off. Murphy is eventually persuaded to give himself up, with Erickson promising him a fair trial this time around. Shot in pleasant Technicolor, the generically-titled THE CIMARRON KID serves up compact, pacy and unpretentious entertainment perfect viewing after a hard day's work.
THE CIMARRON KID (1951) was one of about two dozen westerns Audie Murphy starred in at Universal Pictures in the period from 1950-1966. In brief, it tells the story of outlaw Bill Doolin who rode with the infamous Dalton gang in the disastrous raid on Coffeyville, Kansas, and went on to lead the gang's survivors in a subsequent robbery spree. A WWII hero-turned-movie star, Murphy plays Doolin as a misunderstood youth who gets forced into a life of crime through guilt by association and persecution by an overzealous railroad detective. Further complications ensue when Doolin falls in love with a rancher's daughter who wants him to go straight.
The film was directed by western specialist Budd Boetticher who provides quite a number of interesting touches. One of the gang members, played by James Best, has a Mexican girlfriend, known as Cimarron Rose (Yvette Dugay), who is an equal participant in the action and is used to acquire information about payroll shipments and assorted robbery targets. The other major woman character, rancher's daughter Carrie Roberts (Beverly Tyler), is pretty strong and forthright on her own and makes no attempt to play coy in her meetings with Doolin. She even comes up with a plan to help him leave the outlaw life, but one which he rejects.
Also, there is a significant black character, a man named Stacy (Frank Silvera) who provides support services for the gang, and who, while not actually a participant in their crimes, is dealt an equal share of the proceeds. There is a scene of him at home with his family--a wife and three children--that indicates his choice of a domestic life over an outlaw one, yet he is always treated with respect by the other men.
The rest of the cast consists of a mixed bag of character actors like Noah Beery Jr., Leif Erickson, Roy Roberts, John Hubbard, and Rand Brooks, and up-and-coming Universal contract players: James Best, Hugh O'Brian, John Bromfield, John Hudson, William Reynolds, Palmer Lee (Greg Palmer). At times they threaten to crowd the soft-spoken, unassuming Murphy off the screen, but Audie ultimately manages to hold his own. Boetticher and Murphy would work together one more time on Murphy's last film, A TIME FOR DYING (1971), in which the actor has a cameo as Jesse James.
The film was directed by western specialist Budd Boetticher who provides quite a number of interesting touches. One of the gang members, played by James Best, has a Mexican girlfriend, known as Cimarron Rose (Yvette Dugay), who is an equal participant in the action and is used to acquire information about payroll shipments and assorted robbery targets. The other major woman character, rancher's daughter Carrie Roberts (Beverly Tyler), is pretty strong and forthright on her own and makes no attempt to play coy in her meetings with Doolin. She even comes up with a plan to help him leave the outlaw life, but one which he rejects.
Also, there is a significant black character, a man named Stacy (Frank Silvera) who provides support services for the gang, and who, while not actually a participant in their crimes, is dealt an equal share of the proceeds. There is a scene of him at home with his family--a wife and three children--that indicates his choice of a domestic life over an outlaw one, yet he is always treated with respect by the other men.
The rest of the cast consists of a mixed bag of character actors like Noah Beery Jr., Leif Erickson, Roy Roberts, John Hubbard, and Rand Brooks, and up-and-coming Universal contract players: James Best, Hugh O'Brian, John Bromfield, John Hudson, William Reynolds, Palmer Lee (Greg Palmer). At times they threaten to crowd the soft-spoken, unassuming Murphy off the screen, but Audie ultimately manages to hold his own. Boetticher and Murphy would work together one more time on Murphy's last film, A TIME FOR DYING (1971), in which the actor has a cameo as Jesse James.
It's a pretty effective Audie Murphy's film that we talk about, one of his earliest western role, not his best however, nor the Budd Boetticher's stuff, who will be far better several years later for Columbia Pictures and Harry Joe Brown, helped more than enough by the likes of Randolph Scott and Burt Kennedy as screenwriter. THis is just a Universal Studios film, well done, I repeat, where Murphy could ba an ambivalent character, but not as much as in NO NAME ON THE BULLET of course, his best role ever for me. This one is action packed, very professionally made, so pleasant to watch. Supporting characters are also excellent.
I never saw an Audie Murphy film I didn't like & this one is no exception. It is a real action packed shoot-em-up, but it also has a better than average plot to hold your attention between the action sequences that were Audie's trademarks. I knew Audie quite well, we used to shoot together at the various "fast draw" contests in CA that were popular back in the '60's. I can tell you this, anything you saw Audie do on film, he could do for real. He was one of the fastest guns in the movies, & he could do it with real bullets, not just blanks or wax bullets! He became a fine horseman, even riding some of his own horses in his films. Watch for Flying John, his horse that he rode in "Night Passage". Audie was a much better actor than he was ever given credit for, or allowed to be in Universal's films.
Since in the early 80' when a local TV had scheduled the Audie Murphy's week always at 8.00 pm l was there watching those magnificent movies from this great actor who became one of my fav ones, in this picture Audie has an ambigous character between right and wrong, the second choice is more appropriate for such behavior, great action on banks robbery and the last one on a train pay the picture itself, the surprise come from two suporting cast, firstly Yvette Duguay as mexican girl could be easily Cimarron Kidd's lover and finally not least important Leif Erickson as marshall who tried by any means help the upcoming outlaw!!
Resume:
First watch: 2011 / How many: 2 / Source: DVD / Rating: 7
Resume:
First watch: 2011 / How many: 2 / Source: DVD / Rating: 7
Você sabia?
- CuriosidadesFilm debut of William Reynolds.
- Erros de gravaçãoBill Doolin walked out of the house and took a double load of double-ought buckshot to the chest. He was killed 24 Aug 1896 in Quay, OK. He is buried in the Boot Hill section of Summit View Cemetery, Guthrie, OK. He was killed by the famous lawman, Deputy U.S. Marshall Heck Thomas.
- Citações
Bill Doolin: I've got a rule of my own that might do you good to remember: there will be no killing unless it's forced upon us.
- Cenas durante ou pós-créditosJames Best and Hugh O'Brian, who performed in this movie, were set to perform in Old Soldiers, but both passed away while the movie was in development.
- ConexõesFeatured in Biografias: Audie Murphy: Great American Hero (1996)
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- How long is The Cimarron Kid?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 24 minutos
- Proporção
- 1.33 : 1
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