Paixão de Toureiro

Before he took up working with Randolph Scott and making some classic westerns, Budd Boetticher wrote and directed this remarkable film for Republic Pictures about bullfighting. Bullfighter And The Lady is distinguished for its graphic depiction about life in the circled arena, what the bullfighters do to attain greatness in the sport and their adulation in Latin in this case specifically Mexican culture.

Robert Stack who in real life was a skeet shooting champion is in Mexico on holiday and meets up with the number one in bullfighting Gilbert Roland who is about to retire at the top. Stack offers to teach Roland shooting and he wants to learn bullfighting at least enough of it to impress senorita Joy Page who he's pursuing.

In the end Stack's pursuit of a little conquest leads to tragedy.

As Mexico's number one Torrero, Gilbert Roland has some of his finest moments on the big screen. He really dominates this film as the fatalistic bullfighter who knows you can go in just once too often. Katy Jurado gives a dignified and restrained performance of his wife.

Although Stack is fine as the Yankee playboy the role would have been perfect for Tyrone Power who had those hero/heel parts down pat over at 20th Century Fox. I can't believe that this was not offered to Power, but perhaps Darryl Zanuck demanded too much for his services.

Herbert J. Yates over at Republic was a pinch penny businessman and the version usually seen of Bullfighter And The Lady is at least a half hour shorter than the director's cut I saw. I have to say though the film did run over long for me.

Still it's a fine bit of film making with big kudos to Gilbert Roland and Budd Boetticher going out.

I was surprised by this one. It is an excellent introduction to La Fiesta Brava, showing, for example, many versions of the Veronica as performed by the best Mexican matadors of the late 40s. Luis Procuna, Alfredo Leal, Silverio Perez and the great Carlos Arruza are absentees. Stack, apparently, mastered enough of the technique to perform ably with a heifer -- and that itself is not easy. The background of the corrida -- particularly the tienta (or testing) -- is well documented and the vast Plaza Mexico appears with dramatic effect -- both filled and totally empty. Some of the b/w sequences in the bullring are breathtaking. The problem with the film is Stack's character, who behaves very badly very consistently and really does not seem to learn from his vivid errors. Furthermore, he makes no effort to master even the rudiments of Spanish. Otherwise, the film is compelling. I also recommend the Azteca film of about the same period, "Torero," a documentary about Luis Procuna, starring Procuna. He does not need a stand-in. As an introduction to bullfighting that does not show much of the picing or the actual kill, I recommend "Bullfighter/Lady."

I enjoyed this film at a screening in LA a few years ago. I went because I had just been to a number of bullfights after first reading Hemingway's Death In The Afternoon--the ultimate primer on the sport.

Stack was great with more subtlety then I expected. The bulls were magnificent, specially picked for their size at a time when the breeders were trying to size them down. It was said the film brought "real" (i.e. large, brave bulls) back to Mexico for a while. They wanted the size because of the wide shots, and those boys were BIG.

Stack was a champion skeet shooter too, and in one of the stranger scenes in the film, he is shown in shooting form blowin 'em away. Wierd to work such an obscure sport into the movie.

Robert Stack with blonde hair? Could that really be "Elliot Ness?" Well, it was the early '50s, before Stack made a name for himself with the TV hit, "The Untouchables. For those looking back at this film for the first time, as I did in the 1990s, this was a weird sight.

Blonde or not, the main question which might answer if you will enjoy this film is, "Does bullfighting interest you?" If it does, you'll like this; if it doesn't, you're going to be bored.

II saw the two-hour "restored" version and it looked nicely-photographed in black-and-white and very detailed about the sport of bullfighting. There were a number of scenes where I started to get bored, to be honest, and I hard time sticking with it but I have no interest in bullfighting, either. It leaves me cold. If I had interest, well, I would have a totally different outlook on the film.

Kudos to Stack for doing - at least in some spots - his own bullfighting. That was impressive and shows me the man had guts. The skeet-shooting scene also was real as he was a pretty good marksman.

The romantic scenes, as expected, were so-so as "Chuck Regan" (Stack) pursues his bullfighting coach's daughter, "Anita de la Vega" (Joy Page)

If you love bullfighting, this film would be a "must-have" because it goes into the "sport" in some detail and even mixes in some live footage (in the long version). I would suggest the longer version, anyway, because that's the way the filmmaker intended the audience to see his work. Given a choice, always see the longer version and then make up your own mind whether it should have been cut or not.

This is a beautiful, compelling and honest film. It is imbued with the good kind of machismo--notions of honor, sacrifice, and the nobility of effort. Instead of cluttering up the film with lots of story and complications, Boetticher has delved inside the heart and mind of this (to us gringos) strange sport.

My only addition to the other comments is the photography is remarkable for its era, almost an outdoor film noir, a romantic realism in black and white. (And note that in a number of shots it is clearly Robert Stack doing his own bullfighting!) I note that the film was produced by John Wayne for Republic, obviously mostly in Mexico; just one year later Republic permitted John Ford to make THE QUIET MAN in Ireland; early examples of American filmmaking in an international context.

Don't hesitate to see this extraordinary film.