AVALIAÇÃO DA IMDb
8,1/10
41 mil
SUA AVALIAÇÃO
Um ex-jornalista frustrado que agora trabalha para um jornal de Albuquerque aproveita uma história sobre um homem preso em uma caverna para reavivar sua carreira, mas a situação rapidamente ... Ler tudoUm ex-jornalista frustrado que agora trabalha para um jornal de Albuquerque aproveita uma história sobre um homem preso em uma caverna para reavivar sua carreira, mas a situação rapidamente se transforma em um circo descontrolado.Um ex-jornalista frustrado que agora trabalha para um jornal de Albuquerque aproveita uma história sobre um homem preso em uma caverna para reavivar sua carreira, mas a situação rapidamente se transforma em um circo descontrolado.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 5 vitórias e 3 indicações no total
Robert Arthur
- Herbie Cook
- (as Bob Arthur)
Roy Regnier
- Nagel - New York Editor (replaced by Richard Gaines)
- (cenas deletadas)
Oscar Belinda
- Barker
- (não creditado)
Avaliações em destaque
"Ace In the Hole," which used to turn up on local TV as "The Big carnival," was far head of its time. It wasn't very successful and its cynicism shocked people.
Along comes Andy Warhol almost two decades later with his notion of "fifteen minutes of fame" and everyone buys that concept. It's not quite the same as the concept of this. Nor is that of the very popular "Network," which came even later. But the premise here is that reporter Kirk Douglas will literally jeopardize a man's life in order to get a series of big newspaper stories. And does anyone today doubt that such things happen? Wilder was often cynical, though here it is to the most meaningful end. "the Fortune Cookie" and "Kiss Me, Stupid" are cynical also and they are both fun but this one makes a very trenchant point and they do not.
The acting is superb. Kirk Douglas gave many brilliant performances. This is one of them. The trailer included in the DVD I just saw crows that with this Jan Sterling will be immediately elevated to the top rank of female stars. That never happened but she is excellent here, as generally elsewhere.
The interviews of Wilder by Cameron Crowe tell a funny story about the genesis of one of her lines. I'd better not quote it; so get that book. It's very entertaining, informative, and touching.
Wilder was one of =this country's great directors. This will probably never be one of his most popular movies but I'd certainly rank it as one of his best.
Along comes Andy Warhol almost two decades later with his notion of "fifteen minutes of fame" and everyone buys that concept. It's not quite the same as the concept of this. Nor is that of the very popular "Network," which came even later. But the premise here is that reporter Kirk Douglas will literally jeopardize a man's life in order to get a series of big newspaper stories. And does anyone today doubt that such things happen? Wilder was often cynical, though here it is to the most meaningful end. "the Fortune Cookie" and "Kiss Me, Stupid" are cynical also and they are both fun but this one makes a very trenchant point and they do not.
The acting is superb. Kirk Douglas gave many brilliant performances. This is one of them. The trailer included in the DVD I just saw crows that with this Jan Sterling will be immediately elevated to the top rank of female stars. That never happened but she is excellent here, as generally elsewhere.
The interviews of Wilder by Cameron Crowe tell a funny story about the genesis of one of her lines. I'd better not quote it; so get that book. It's very entertaining, informative, and touching.
Wilder was one of =this country's great directors. This will probably never be one of his most popular movies but I'd certainly rank it as one of his best.
Saw this films years ago and it's still gripping.Mr.Wilder seldom did films that gripped the human condition like this one.After this movie flopped he stuck to screen adaptions of stage hits through most of the fifties.Both director and star,Kirk Douglas really delivered a stinging expose of media hype and manipulation of the newspaper business.Herein,burned out reporter Douglas chances on a man trapped in a cave and ruthlessly exploits it for his own gain.There's no softness here,even the leading lady (played wonderfully by Jan Sterling)is as hard as Douglas.The scenes of all the gawkers showing up,complete with carnival,are outright creepy.There's even a cheesy country western singer plunking a guitar and singing about poor Leo,(the trapped man.) The only sympathetic person is poor Leo's mom who continually prays for his release.Definitely a film for lovers of great movie drama.
Billy Wilder's first commercial failure, but one of his best films, almost up there with "Sunset Blvd." Ambitious reporter Chuck Tatum (Kirk Douglas) finds out a man is trapped in a collapsed mine. By spewing out bogus engineering, he manages the rescue of the poor man to become more complicated, and time consuming then needed. Meanwhile, it becomes an amazing news item, something that makes Tatum the best known reporter in the country. However, everybody's luck runs out at the end. Perhaps the cause of failure of this film is that there are no sympathetic characters here. Douglas plays a total creep, the trapped man's wife is a floozy "I'm not going to pray for him! Praying ruins my nylons!" in the film. Even the trapped man is somebody who was poking around Indian graves. The screenplay, and the lead performances are top class. The extensive location photography, and somewhat documentary look of the film makes the film feel more modern than most 1951 films. Billy Wilder calls this film "the runt of his litter" Don't be so harsh, Billy, it's an excellent picture!
Of the many movies I viewed in the early 50's, so many ,like now, were here today, forgotten tomorrow. However some movies that became memorable and that were able to make a dramatic impact on this young guy include, Duel in the Sun and Gone with the Wind. Strangely enough, Ace in the Hole is the most memorable of all movies viewed. It is one that invades the mind and leaves one sad.
Few films I remember as vividly as this dark movie, the images linger to haunt me still. 'Why?' one might ask 'would a sombre movie like this made over 50 years ago remain so memorable, when so many others have vanished. Was it the surreal inhumanity of the plot, the repugnant newsman devoid of ethics, the exploitation of the trapped victim, the purposeful prolonging of the victim's entrapment to create a media frenzy, the ultimate commercial creation of an 'event' style attraction complete with a circus like atmosphere surrounding the cave while the victim remained entrapped and close to death.'
Supposedly based on a real incident, it's a tough movie to watch and more so if one is prepared to accept the premise that such inhumanity displayed in the movie has an element of truth.
I echo the desires of others to have the availability of this movie on VHS or DVD. In the interim my memory will continue to keep the images intact. See it if you can.
Few films I remember as vividly as this dark movie, the images linger to haunt me still. 'Why?' one might ask 'would a sombre movie like this made over 50 years ago remain so memorable, when so many others have vanished. Was it the surreal inhumanity of the plot, the repugnant newsman devoid of ethics, the exploitation of the trapped victim, the purposeful prolonging of the victim's entrapment to create a media frenzy, the ultimate commercial creation of an 'event' style attraction complete with a circus like atmosphere surrounding the cave while the victim remained entrapped and close to death.'
Supposedly based on a real incident, it's a tough movie to watch and more so if one is prepared to accept the premise that such inhumanity displayed in the movie has an element of truth.
I echo the desires of others to have the availability of this movie on VHS or DVD. In the interim my memory will continue to keep the images intact. See it if you can.
A powerful toasting of the media of the day. Imagine what this would have been like in the age of television. Kirk Douglas plays a self-centered heel, and does so very well. I also liked Jan Sterling as Lorraine. It's true that there is no really sympathetic character in this film, except maybe Leo, the man trapped in the cave. Someone wrote that he too, wasn't a sympathetic character, because he was trapped while collecting Indian artifacts for sale, but I don't think that would have bothered anyone in 1951. The tone of the film throughout was one of total cynicism, that seems a bit out of place for the times. Maybe that's why this movie was not a commercial success. It fits much better now, though, since everyone has seen the media behaving in such disgraceful fashion. However, that may rob it of some of its (probably intended) shock value. Grade: A
Você sabia?
- CuriosidadesAfter the film was released, it got bad reviews and lost money. The studio, without Billy Wilder's permission, changed the title to "The Big Carnival" to increase the box office take of the film. It didn't work. On top of that, Wilder's next picture, O Inferno Nº 17 (1953), was a hit and he expected a share of the picture's profits. Paramount's accountants told him that since this picture lost money, the money it lost would be subtracted from the profits of "Stalag 17".
- Erros de gravaçãoWhen Lorraine and Chuck are talking out in front of Minosa's store by the gas pumps, reflections of the crew moving around behind the camera can be seen in the store windows.
- Citações
Charles Tatum: Bad news sells best. Cause good news is no news.
- ConexõesFeatured in AFI Life Achievement Award: A Tribute to Billy Wilder (1986)
- Trilhas sonorasThe Hut-Sut Song
(uncredited)
Written by Leo Killion, Ted McMichael and Jack Owens
Sung by Richard Benedict and Kirk Douglas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- A Montanha dos Sete Abutres
- Locações de filme
- Laguna Pueblo, Novo México, EUA(church exteriors)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.800.000 (estimativa)
- Faturamento bruto mundial
- US$ 2.300.087
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Proporção
- 1.37 : 1
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