Uma Aventura na África

The African Queen is a significant historical film in two respects. Along with King Solomon's Mines it was the first American film to show the real Africa to the American public. Previously our ideas about Africa were gleaned from studio backlot jungles created for Tarzan films and the like. The African Queen changed all that, no cheap studio sets would do any more.

But also, The African Queen dealt with romance among mature adults in their forties. A ne'er do well river pilot on a ramshackle boat and the spinster sister of a missionary, thrown together by the circumstance of war.

Humphrey Bogart, our intrepid river pilot, makes a scheduled stop to deliver mail to the mission run by Robert Morley and Katharine Hepburn. And he breaks the news to them that World War I has started. Almost as soon as he leaves them, German troops from East Africa come to call. Bogie comes back and he finds Kate with her dead brother. They bury him and skedaddle. And while skedaddling they conceive of a cockeyed plan to help in the war effort.

To say what it is and what happens would spoil the story, but let me say this. The original opening of the film with Bogart coming in as church services are being conducted for a few hundred uncomprehending native Africans is Director John Huston's comment on the usefulness of the lives Morley and Hepburn have led up to that point. What Hepburn and Bogart accomplish by the end of the film makes up for the waste that was Hepburn's life.

But The African Queen is a great romance as well. Bogart became a great romantic star in Casablanca and he upholds the tradition here, winning an Academy Award for Best Actor. Katie Hepburn doesn't seem to miss her usual partner Spencer Tracy not a bit, the part of Rose Sayer is a perfect fit. As was remarked, they're going to have stories to tell their grandkids.

When I watch The African Queen I'm reminded of what Bogart's friend Frank Sinatra sang in one of his best ballads about how Love Isn't Just For the Young. Kate and Bogie sure prove it here.

To face a script in which most of the plot revolves around the dialogue of only two people in one location must be terrifying. Thank goodness for Katharine Hepburn and Humphrey Bogart. John Huston's adaptation of C.S. Forester's The African Queen was solid. And the decision to film on location in Africa helped develop the concept of nature as a viable character within the plot helps solidify the film. But without Katharine Hepburn, and Humphry Bogart, this film could have been reduced to a nice little travelog on the beauty and terror of African and the pretty animals living there. Within The African Queen each character undergoes metamorphosis. Charlie Alnutt grows from an apathetic man who enjoys the inside of a bottle, to a courageous man. Rosie in turn allows herself to be human, and vulnerable perhaps for the first time in her life. With lesser actors these changes would have appeared rushed, unexplained,and a dull beginning to an inexplicable romance. But it isn't. It's a captivating film. Rosie's brittle smile, Charlie's face as his vices are destroyed, these are moments of brilliance in an incredible film. I highly recommend it.

It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.

Charlie Allnut is the Captain of The Queen, quite dishevelled and bedraggled but he ain't mean, keeps two missionaries informed, of how the world has been transformed, it's not too long before just one will leave the scene. As they escape along the river plans are hatched, to send torpedoes to a gunboat and dispatch, on their journey gin is taken, buckled shafts are warmed then straightened, it's not long before they make the perfect match. A short sojourn into the reeds causes distraction, but not long after heavy rain causes abstraction, as the enemy is spotted, the pair remain fully besotted, just goes to show that opposites, create attraction.

Great performances, great dialogue, great film.

John Huston directed this classic WWI romantic adventure that stars Humphrey Bogart as Riverboat Captain Charlie Allnut, an alcoholic and aging veteran of the river who is persuaded to lead pious Rose Sayer(played by Katharine Hepburn) by her missionary brother(played by Robert Morley) who is later beaten and left to die of fever by the German occupiers. Rose buries her brother, then sets out on the river journey, determined to avenge her brother's death(and do God's work) by tracking down and destroying a German submarine with a torpedo. Along the way, the mismatched couple connect and fall in love... Fine adventure with two perfectly cast stars at their best. Bogart won an overdue best actor Academy Award for his wonderful performance, with superb direction making this an authentic and memorable journey indeed, overcoming the predictable(yet believable) inevitability of the romance.

To me this film will always be the validation of Humphrey Bogart's long and distinguished career. His portrayal of the hard drinking Charlie was what made this film what it was. Also, he showed just how great an actor he was when he was able to match up against the woman who is generally considered to be the greatest actress in film history, Katherine Hepburn. Also, this film will always be recognized for having the perfect mix of action, romance and comedy and it will always be a classic.