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IMDbPro

Êxito Fugaz

Título original: Young Man with a Horn
  • 1950
  • Approved
  • 1 h 52 min
AVALIAÇÃO DA IMDb
7,2/10
4,1 mil
SUA AVALIAÇÃO
Lauren Bacall, Doris Day, Kirk Douglas, and Hoagy Carmichael in Êxito Fugaz (1950)
Assistir a Trailer [OV]
Reproduzir trailer2:21
2 vídeos
56 fotos
BiografiaDramaMúsicaRomance

Um jovem trompetista é dividido entre uma cantora honesta e uma herdeira manipuladora.Um jovem trompetista é dividido entre uma cantora honesta e uma herdeira manipuladora.Um jovem trompetista é dividido entre uma cantora honesta e uma herdeira manipuladora.

  • Direção
    • Michael Curtiz
  • Roteiristas
    • Carl Foreman
    • Edmund H. North
    • Dorothy Baker
  • Artistas
    • Kirk Douglas
    • Lauren Bacall
    • Doris Day
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    4,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Curtiz
    • Roteiristas
      • Carl Foreman
      • Edmund H. North
      • Dorothy Baker
    • Artistas
      • Kirk Douglas
      • Lauren Bacall
      • Doris Day
    • 72Avaliações de usuários
    • 29Avaliações da crítica
    • 69Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos2

    Trailer [OV]
    Trailer 2:21
    Trailer [OV]
    Young Man with a Horn
    Trailer 2:21
    Young Man with a Horn
    Young Man with a Horn
    Trailer 2:21
    Young Man with a Horn

    Fotos56

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    Elenco principal69

    Editar
    Kirk Douglas
    Kirk Douglas
    • Rick Martin
    Lauren Bacall
    Lauren Bacall
    • Amy North
    Doris Day
    Doris Day
    • Jo Jordan
    Hoagy Carmichael
    Hoagy Carmichael
    • Willie 'Smoke' Willoughby
    Juano Hernandez
    Juano Hernandez
    • Art Hazzard
    Jerome Cowan
    Jerome Cowan
    • Phil Morrison
    Mary Beth Hughes
    Mary Beth Hughes
    • Marge Martin
    Nestor Paiva
    Nestor Paiva
    • Louis Galba
    Orley Lindgren
    Orley Lindgren
    • Rick as a Boy
    Walter Reed
    Walter Reed
    • Jack Chandler
    Fred Aldrich
    Fred Aldrich
    • Doorman
    • (não creditado)
    Al Bain
    Al Bain
    • Derelict
    • (não creditado)
    Oscar Blank
    • Derelict
    • (não creditado)
    Willie Bloom
    • Derelict
    • (não creditado)
    Paul Bradley
    Paul Bradley
    • Nightclub Patron
    • (não creditado)
    John Breen
    • Bartender
    • (não creditado)
    Paul Brinegar
    Paul Brinegar
    • Stage Manager
    • (não creditado)
    Bridget Brown
    • Dancing Girl
    • (não creditado)
    • Direção
      • Michael Curtiz
    • Roteiristas
      • Carl Foreman
      • Edmund H. North
      • Dorothy Baker
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários72

    7,24.1K
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    Avaliações em destaque

    8yocarlosvarelapr

    The Doris Day Evidence

    Michael Curtiz was a genius director, don't you agree? Masterpieces like "Casablanca" "The Adventures Of Robin Hood" "The Charge Of The Light Brigade" "Mildred Pierce" and over 150 other titles including the musical "Romance on the High Seas" which introduced Doris Day to the world. In "Young Man with a Horn" Doris Day is the luminous center, the ideal. She is photographed and framed like a reachable dream. Kirk Douglas plays the trumpet player in love with the wrong woman and Lauren Bacall here is the personification of the wrong woman, she knows it, she tells him but he goes for it like a lamb to the slaughter. "Young Man with a Horn" has some extra pluses, Hoagy Carmichel for instance and Juano Hernandez but what the film reminded me of was, Michael Curtiz's brilliance and that Doris Day was, is and always will be one of the great film actresses of all time. Regardless of the film she appeared in, she displayed an extraordinary talent to be, to be totally and if you think I'm just waxing lyrical, "Young Man with a Horn" presents indisputable evidence of her extraordinary talent.
    7byoolives

    Two different movies

    This movie is pre Bacall and during and after Bacall. The pre part is much better. It's not Bacall's fault. The best part of this film comes near the end. If you recall, shortly after Art's death and his breakup with Amy, Rick embarrasses himself on the bandstand one night, and the bandleader follows him to the dressing room to give him a severe reprimand. He tells Rick that the boys in his band don't drink while their working. Rick replies that he has to drink to listen to his kind of music or he'd go nuts. The leader retorts, that Rick has done pretty well with his kind of music, and who ever heard of him before he gave him a break. Then, the leader says "what do you think this is a spasm band like Art Hazzard's". Then Rick replies with what every real musician has wanted to say to every leader, fan, critic, mother in-law, well, basically anyone who just doesn't have a clue about music. Any music, not just jazz.(Symphonic musicians want to say the same thing to some idiot conductor for example). Rick says: "Why you stupid....if that tin ear of yours could really hear the kind of music that Art Hazzard was playing, you'd go out and shoot yourself". That's what the story, the characters of Rick and Smoke, and Beetoven for that matter, is really all about. Smoke sums it up later when he says something like "you know who buys records, 14 year old girls, to learn the words. The only guys who care about the music are the guys who are doing it". Only a dedicated musician (and that's the tragedy) understands what's going on up there. That's the frustration. Of course it used to be a little different back when this film was made, because at least then, people put a priority on at least learning an instrument. It was considered important to a person's growth and education. Shari Lewis, the late puppetteer, creater of lamb chop, once said that "Music is not secondary. It is as important as the three r's" (reading, writing and rithmatic). To further illustrate, I recall viewing one of the local news stations in New York . On their own, the stars and crew of the broadcast decided to make up their own top ten list of the greatest songs ever. There was not one song on that list that pre dated 1965. Imagine, totally ignored were the songs of Gershwin, Kern, Rodgers and Hart/Hammerstein, Vernon Duke, Cole Porter ,etc. By the completion of the list I was so disgusted, I wanted to say the same thing to them that Rick said. "Why you stupid.... One reviewer on this site expressed that he guessed you have to be a musician to really understand this movie. He is probably right, but maybe you don't have to be a professsional, some first hand knowledge might at least be helpful. I have known many horror stories like Rick's . Not only Bix died young, but Fats Navarro and Bunny Berigan were also great trumpet players who died young of alcoholism. Let's not forget Mozart as well. A very young friend of mine, Wes Norris (piano player) died at the age of 28 from the same affliction. I could go on. But you are probably glad that I won't. Musicians while on the bandstand have amusing ways of dealing with the ignorance of leaders, fans, etc. The musicians have substitute names for some of the songs they hate. When for instance the leader would call out "Memories" it is referred to as Mammaries. "Feelings" is known as Ceilings. Of course nicknames are also given to songs that they like. "I only have eyes for you" is I only have ICE for you and "Cry me a river" is FRY me a LIVER. And I can't tell you how many collective groans went up when ever "In the Mood" had to be played. Yes! "In the mood" was a favorite of many a musician in his youth, but as they matured they grew out of it. Of course the groan was partly due to the constant requests for it. When sometime in the future , historians look back on the current period, they will call it(with the exception of salsa) the dark ages of music. Even the musicians or at least a great many of them don't know what they are doing. And you can take that to the bank. Many of todays artists wouldn't even be able to play what was heard in this film. That's because this film's music is so much more complicated than the music of the last forty years, and it takes so much more virtuosity to play a non electrical instrument. The electronics of the new music is very limited in color, tone, dynamics and variety of sound. This relatively new emphasis on electricity,(akin to special effects in the movies) is responsible for a good deal of the ignorance around us. It's like when some 14 year old reviewer says that the greatest movie of all time is "Jaws" or "Star Wars" III, when he's never even heard of "Sunset Bouelevard". In the movie "Barbershop", Cedric the Entertainer tells Ice T, "that's the trouble with your whole generation, you have no history". The fine musician knows whom and what has come before him, just like Rick knew Art. Miles knew Dizzy, and Dizzy knew Eldridge, and Eldridge knew Louie, and Louie knew Oliver. Mozart knew Bach and Beetoven knew Mozart. etc. Charlie Parker knew Stravinsky and Leonard Bernstein knew the great Louie Armstrong. I wonder what Snoop Dog knows?
    musicallowb

    The haunting, melodic sounds of jazz music. Smoky clubs. Beautiful women. A musician's tragic life. And lots and lots of pathos. All the makings of a great film!

    This is a great film with three great actors; Kirk Douglas as Rick Martin, Lauren Bacall as Amy North, AND Doris Day as Jo Jordan. Even though the movie was loosely based on the short and sad life of jazz trumpeter Bix Beiderbecke, the ending was written in a more positive light than Bix's tragic real life story. Yet the movie still manages to capture the essence of a tormented musician's existence, the dangers of alcoholism, the deceptions of false love, and the effect Rick Martin's choices have on those around him who love...and hate...him. There's Lauren Bacall and Doris Day...bad girl and good girl...who will he choose? Slinky, seductive, and cat-like Lauren? Or loving, beautiful and wholesome Doris? It's a visual feast with two of Hollywood's most alluring women! And it's an acting tour de force from all involved, including Juano Hernandez as young Rick Martin's African American trumpet mentor, Art Hazzard. It's also a great pathos film, only with an added light-at-the end-of-the-tunnel type of ending. Not necessarily a true to life ending, but it makes for a great story...and an even greater movie. This should definitely be on DVD!
    7Lechuguilla

    Love Of Jazz

    More or less fictional, this film tells the story of a lonely but musically inclined kid who grows up to be an ace trumpet player. Kirk Douglas plays Rick Martin, a guy with a one-track mind ... music. But whereas he could make a steady income playing in routine dance bands with their sing-a-long songs, Martin prefers the more free-form sounds of jazz.

    But jazz doesn't sell records, so Martin hops from one boring band to another, never finding satisfaction except when he's engaged with other like-minded jazz musicians. It's the old conflict of commercialization vs. art. Along the way Rick meets his true love, Jo (Doris Day), but gets sidetracked by a sultry academic named Amy (Lauren Bacall). And therein lies the main problem with this film.

    Amy is an annoying character. Since she relates not at all to music, every time she's on screen, we have to listen to her whine. She detracts both from Rick Martin and from the film's jazzy, moody style. These plot segments, which show up in the second half take us far away from jazz and into angst filled soap opera territory.

    Ted McCord's terrific B&W cinematography adds a lot. The lighting and interesting camera angles amplify the moody, downbeat tone, consistent with a 1940s urban visual style, helped along by effective sets and realistic costume design. Casting is acceptable except for Lauren Bacall, who is too overbearing. Doris Day is quite good. And Hoagy Carmichael does a terrific job, both in acting and in narrating the story.

    A satisfying film overall could have been rendered even better had the script kept the focus on Rick Martin and his love of jazz. That "Young Man With A Horn" didn't win any kind of award is unfortunate. It's a good film, especially for viewers who enjoy jazz and can appreciate the dreary, moody ambiance of 1940s urban America.
    8Petey-10

    Music and life

    Rick Martin is a young boy who finds the love for music after his mother dies. The trumpet becomes his instrument, and he learns to play it from an old master called Art Hazzard. Young Man with a Horn from 1950 is directed by Michael Curtiz. Rick Martin is first played by Orley Lindgren, then by Kirk Douglas. Lauren Bacall plays his troubled wife Amy North. Doris Day is the singer friend Jo Jordan. Hoagy Carmichael is the pianist friend Willie 'Smoke' Willoughby. Juano Hernandez portrays Art Hazzard. The cast is quite superb. Douglas does excellent job in the lead. Especially when Rick starts having problems with the alcohol, then Kirk really has to act. And that he does really well! I think the movie becomes more interesting when it portrays all those problems this young man starts having. Problems with marriage, drinking. When it's not just about music and how good he is at it. Bacall's performance is very film noir, which works fairly good in this movie. Day is very touching in the caring she has for her friend. And she can really sing, which we all knew! If you're a fan of the main trio, if you like good music, if you like drama you should see this movie.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Kirk Douglas's trumpet licks were performed by Harry James, who also taught Douglas the correct fingering of the instrument.
    • Erros de gravação
      When a young Rick Martin is looking out the rear window of the car as it drives away from the cemetery, a light or reflector and its articulated stand is clearly reflected on the glass.
    • Citações

      Amy North: People try to find security in a lot of strange ways. You seem to have solved your problems - at least while you're playing that trumpet.

      Rick Martin: I don't understand a word you're saying, but I love the sound of your voice. It's got a wonderful rough spot in it.

    • Conexões
      Featured in Siskel & Ebert & the Movies: RoboCop/The Squeeze/Snow White and the Seven Dwarfs/Withnail and I (1987)
    • Trilhas sonoras
      In the Sweet By and By
      (uncredited)

      Music by J.P. Webster (1868)

      Lyrics by S. Fillmore Bennett

      Sung by a chorus

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    Perguntas frequentes

    • How long is Young Man with a Horn?
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    Detalhes

    Editar
    • Data de lançamento
      • 1 de março de 1950 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • HBOMAX
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Música en el alma
    • Locações de filme
      • Aragon Ballroom - Lick Pier, Venice, Los Angeles, Califórnia, EUA(Martin's first gig site)
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 52 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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    Lauren Bacall, Doris Day, Kirk Douglas, and Hoagy Carmichael in Êxito Fugaz (1950)
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