Feras que Foram Homens

Good performances and scripting enhance this tale of hardship and endurance set in a Japanese internment camp in Borneo during World War II. Miss Colbert's performance in particular is always convincing and often riveting. Also noteworthy is Sessue Hayakawa's sensitive portrayal of the outwardly stern but inwardly humane Col. Suga.

Considering that this film was released only five years after the end of World War II, when anti-Japanese feeling was still very much present in the U.S., it's surprising that the horrors of life in Japanese captivity aren't played up more. Several instances of casual and calculated brutality are shown, but there is little here to compare with the shocking (and realistic) scenes in the much more recent film "Paradise Road." And the range of characterizations among the Japanese should be a welcome surprise to those who dismiss wartime and postwar American attitudes as uniformly jingoistic and racist. Yes, some of the Japanese are wantonly cruel, but others are obviously sympathetic to the prisoners, and as noted above, Col. Suga emerges not only as a reasonable commander but also as a noble man who can resist the temptation to take out his own grief and anger on the prisoners. Sadly, there were few men like Col. Suga in the real Borneo camps.

One unfortunate oversight: the action of the film covers almost four years of imprisonment and deprivation, but the prisoners appear just about as well-fed and energetic at the end as when they arrived.

During WWII a family stationed in Borneo is captured by the Japanese and struggle to survive in brutal POW camp in the Far East. This is a true story, exterior scenes were photographed wherever possible in Borneo in the exact locales associated with the event as related by Mrs Keith (Claudette Colbert) , an American married to a British administrator (Patrick Knowles). The happenings throw the whole family into a hard concentration camp . Their confinement is recounted in unsparing and harrowing detail , as the British-American family find themselves interned for the long duration . As orders from Nipponese Army Administration are strict as ¨ All Europeans will evacuated swiftly to prison camps , be ready when the truck calls , each prisoner will be permitted one suitcase . Men and women will be imprisoned separately ¨ . ¨To avoid punishments and beatings , the ladies should presume themselves to endeavor , with passive behavior not negative¨. Meanwhile, Mrs Keith suffering a surreal and brutal experience ; however , she attempts to lift the spirits of his son and the brutalized women. When Mrs Keith is cruelly attacked , she denounces the deeds , then she is obligated to sign the following : ¨I swear the events are the truth . I was not attacked by a Japanese soldier, I was not attacked by anyone. I made the charge because I was hungry over punished last week ¨.

Interesting and strong drama based on an autobiographical book by Agnes Newton-Keith , being perfectly adapted by Nunnally Johnson . No weakest in the cast and few in the movie , which presents the women's Japanese captors as human and inhuman at the same time with clashing cultures included . Clearly there's much longer plot in this, but director Jean Negulesco concentrates on the passionate acting of Colbert . It's a taut psychological drama about physical and emotional survival focusing on the tensions between Claudette Colbert , soldiers and camp commander well played by Sessue Hayakawa as cultured officer. Crammed with emotive moments , the picture has a string of committed performances from Colbert , Knowles , Desmond and Hayakawa . Familiar ground is trod in this prisoner-of-war saga , but the thought-provoking story and magnificent acting help sustain interest. This superior though overlooked drama , is also laudable for a fairly portrayal of the enemy captors and being masterfully directed by Jean Negulesco. Rating : Above average , worthwhile watching .

Other film about women on concentration camps mistreated by Japanese military during WWII are the following : ¨Women on valor¨(1986) by Buzz Kulik with Susan Sarandon , Kristy McNichol and Alberta Watson set in Philippines and ¨Paradise road¨(1997) by Bruce Beresford with Glenn Close , Julianna Margulies and Frances McDormand , set in Singapur.

Claudette Colbert is remembered for her performances in comedy roles, but she was a fine dramatic actress as well. This is by far her best dramatic performance. My only problem with the film is the fact that Claudette is confined to a Japanese prison camp for several years, but maintains her hairdo throughout!

This movie probably could not have been made during the war or immediately afterwards because although the Japanese are definitely bad in the film, they are not one-dimensional and Sessue Hayakawa plays a Japanese Commandant that is believable and not 100% wicked or sex-crazed. Instead, this is a compelling true story of a woman who is interred in a camp for the duration of the war and her relationship with the commandant. The commandant is NOT typical of many ultra-brutal and inhumane camp leaders and tries to treat the detainees firmly but reasonably. While they never become best friends (that would be creepy and ridiculous), over time, she was able to see and appreciate his humanity. In fact, over time, both began to find things to respect about the other. A fascinating look at history and the people who lived through it.

Claudette Colbert got one of her best late career roles in Three Came Home, the moving story of the experiences of Agnes Newton Keith and her time in a Japanese POW camp. Keith earned her status by dint of being married to a British colonial official in North Borneo who is played by Patric Knowles in the best stiff upper lip tradition.

On the screen and in real life Keith was a novelist who faithfully recorded oriental life with some empathy in her books. That got her some favorable treatment from the Japanese, in the film in the form of an ally of sorts in a colonel played by Sessue Hayakawa.

Hayakawa's performance is the highlight of the film. It may very well have been the first time post World War II that a Japanese character was given three dimensions. Of course the brutality of the Japanese prison camps is also shown in the best tradition of that other World War II film Sessue Hayakawa did, The Bridge On The River Kwai.

1950 was definitely the year for women in stir. A few weeks before this film came out, MGM released Caged which certainly has some of the same themes as Three Came Home. Of course the big difference is that over at MGM the women were criminals in a civilian setting.

Three Came Home directed by Jean Negulesco who normally did lighter material than this, holds up very well for today's audience. Colbert, Knowles, and Hayakawa do some of their best screen work here and definitely try to catch this one when broadcast.