Pavor nos Bastidores

With such an unusual set of components, it was probably inevitable that "Stage Fright" would be a little uneven, but most of it works well enough. By Hitchcock's standards, it's average at best, but it is still an entertaining movie with an interesting story and a number of good sequences.

Simply seeing the distinctive persona of Marlene Dietrich and the enjoyably unique style of Alastair Sim in an Alfred Hitchcock film would make for an interesting combination in itself. They are joined by a generally solid group of performers, with their own individual styles, and there are several characters who all get fairly sizable roles.

Hitchcock's own approach here is a somewhat surprising contrast from his usual style of story-telling, and some of the developments must have seemed even more unexpected to the movie's original viewers. Another aspect of this is that for much of the movie none of the characters really takes and holds the focus, and as a result there are times when it seems to lack some flow.

Yet there are a number of good points to it as well. There are plenty of the usual Hitchcock details that make things more interesting, and most of the cast members give good performances in themselves. Most of Hitchcock's movies are rather better than this one, but watching "Stage Fright" is still a better use of one's time than watching the weak present-day efforts in the genre.

I had never heard of this movie before and had low expectations. However, I was amazed at what a wonderful movie it is. Not only is it "Hitchcocky" and suspenseful, it is also humorous and touching. Jane Wyman and Richard Todd did particularly well in this film. I do not usually like Marlene Dietrich, but I have to admit that she did a splendid job as the flamboyant theater star. This movie is set in London, and Hitchcock did a wonderful job of picking out the crew's British actors and actresses such as Alistair Sim and Michael Wilding. Surprisingly he even gave his own daughter, Patricia Hitchcock, a bit part towards the end. It is too bad "Stage Fright" is not more well known, and I highly recommend it.

"Stage Fright" has become one of my favourite Hitchcock movies. Even though it's not in the same league as "Psycho" or "Rear Window", it's still an extremely delightful piece of film making.

What makes it so enjoyable is the wonderful cast, which was mostly unknown to me before. Jane Wyman makes a lovely heroine for the audience to care about, and Marlene Dietrich is a riot as the stage diva, although I was a bit skeptical toward her at first. The scenes between Alastair Sim and Sybil Thorndike as Wyman's eccentric parents are hilarious. Richard Todd is perhaps a bit weak as the suspected murderer, but not distractingly so.

All in all, I find this a far more preferable watching experience than some of his more acclaimed films like "Notorious" or "The Birds" which are kind of cold and sterile. See it if you have the chance.

I don't think it is as good as North By Northwest and Rebecca, but Stage Fright was a great film, and this is coming from a Hitchcock fan. The photography is beautiful, and so is the music, making some scenes like the one in the taxi very touching. The script is well crafted, and while you think you know what's happening, the final solution is very unpredictable. My only complaint for the film was the last couple of minutes, the film just ended abruptly without a rounded finish or even a monologue. I liked the story, about a man who is accused of murder and a friend of his sets out to clear his name, it is well told, and doesn't have a sense of contrivance, and I did fear it would do. As for the acting, I had very little problem with it, Jane Wyman was perfectly alluring as Eve. Michael Wilding delights as "Ordinary Smith", and while he started off a tad wooden, Richard Todd was fine too. Two of the film's stars impressed me the most though. One was Marlene Dietrich, who was deliciously frosty as the stage actress and singer Mrs Winstead. I find Dietrich quite captivating, with her lovingly designed clothes, beautiful face and distinctive voice, I thought she was a great actress. The other was Alistair Sim, who I consider the best Scrooge ever, with George C. Scott close behind- he had some very funny moments, the most notable one being at the garden party and the doll stall. Even Hitchcock himself has a cameo 30 minutes into the film, as does his daughter Patricia. I didn't know until the end credits, that Kay Walsh, Nancy in Oliver Twist, played the maid. All in all, a very overlooked film, that is actually very clever. It isn't Hitchcock's best, but it is a very good film. 9/10 Bethany Cox

black comedy that boasts great performances from Jane Wyman, Marlene Dietrich, Michael Wilding, Alistair Sim, Sybil Thorndike, Joyce Grenfell, Kay Walsh & Richard Todd. Great use of silent sequences, close ups, slow motion, black humor, and mood lighting, Hitch's most underrated talkie (Easy Virtue is is most underrated silent film), this murder mystery offers all kinds of plot twists and sly humor even though you know the outcome long before it unspools. It's irrelevent. Fun all the way, including the opening theatre curtain and the closing one (thump). Dietrich is a splendid bitch, and this may be the best performance Wyman ever gave. Also look for Everley Gregg, Patricia Hitchcock, Miles Malleson and Ballard Berkeley. Dietrich's final close up and the coach scene with Wyman and Todd are gems. Sim and Thorndike are hilarious, as is the always wonderful Grenfell as "Lovely Ducks." A Must See.