O Segredo da Boneca

Shadow on the Wall is directed by Pat Jackson and adapted to screenplay by William Ludwig from the story "Death in the Doll's House" written by Lawrence P. Bachmann and Hannah Lees. It stars Ann Sothern, Zachary Scott, Nancy Davis, Giggi Perreau and John McIntire. Music is by André Previn and cinematography by Ray June.

A nifty psychological hot pot this one. Story centers on a young child called Susan Starrling (Perreau), who after witnessing the murder of her step-mother, succumbs to amnesia. Which is inconvenient for her father since he has been convicted of the murder and sent down to await execution. Can determined psychiatrist Caroline Cranford (Davis) eek the truth out of Susan's troubled memory? Can the real killer ensure that that isn't the case?

It's a personal thing of course, but I have always found there to be something off kilter about doll's houses, and here we are greeted to an opening shot of one, superbly accompanied by Previn's ominous music, it's a perfect mood setter as to what is to come. Story lacks any mystery dynamic since we are privy to exactly what has gone on regarding the who, why and what fors, and in truth the outcome of it all is never really in doubt. So for although it's a thriller pic dressed up in film noir clobber, it doesn't have the verve or devilment to really be classed full bodied as such. But that's by the by, visually and the presence of a child in peril, with main character disintegration the key feature, puts it into noir lovers considerations.

Since the title features the word shadow it's no shock to find shadows and low lights feature prominently. The lighting effects are very striking, the changes in contrasts perfectly befitting the mood of certain scenes. Such as when dialogue is implying emotional discord, or the silent mindset of our antagonists, while a couple of neat shadow smother shots are killer narrative boosts. The main building of the piece is not the doll's house, but that of the hospital where Susan is receiving treatment, and at night photographer Ray June perfectly sets it up for peril and dastardly deeds. While we also get a bit of wobble screen to signify troubled mental confusion.

Cast range from adequate to very good. Honours go to Perreau, who is never once annoying, turning in an involving performance that has us firmly involved in her world, whilst Davis (the future First Lady Reagan) is very understated, where she gets a well written female character whose not relying on male dominance to expand the part. And with Jackson directing in an unfussy manner it rounds out as a pic worth seeking out. 7/10

David (Zachary Scott) is married to a no-good cheat, Celia. After returning from a business trip, he learns at a dinner party that his wife and 'friend' are having an affair. Later, as the two are arguing over this, Celia knocks out David. In the meantime, Celia's sister, Dell (Ann Sothern) arrives and confronts Celia for stealing her fiancé. Soon Dell kills Celia...and with David unconscious, he's assumed to have done the killing...and David isn't sure he didn't. David's been sent to death row and the only glitch in Dell's plan is that David's young daughter (Gigi Perreau) might have witnessed the killing and Dell needs to be certain she won't talk. While the young girl is too traumatized to fully recall the events, she could remember through the course of therapy...and it could be Dell on death row instead! So Dell can either wait and hope the child cannot remember or kill her to make certain!

This is an unusual film due to the casting. This is NOT a complaint, but seeing Ann Sothern playing a killer is interesting, as she usually played nice, sweet folks like her Maisie character from the 1940s. At first, you can understand her motivation in killing her sister...but to see her attempting to murder an innocent child...that is a dark and twisted character! Additionally, this is one of the few films I've seen where Nancy David (Reagan) is given a chance to really act and she was quite nice as the child psychiatrist, Caroline. In other films, such as "Hellcats of the Navy" and "The Next Voice You Hear", Davis never really had a chance to shine as an actress.

As for the film itself, it is very good and worth seeing. It's also very unusual for MGM...a studio that wasn't known for such dark films back in 1950. In general, film noir pictures were done by other studios and MGM preferred making 'nice' movies...but here they've created a rather hard-hearted film! This is NOT a complaint...I liked the film and can easily recommend it to anyone.

By the way, one odd thing you see in the film is 'hydrotherapy'. Back in the bad old days of psychiatric treatment, hospitals often used baths to somehow try to cure or alleviate suffering in mental patients. In the really bad old days, it was ice water! Here, in the more enlightened 20th century, the baths were less traumatic and more soothing--with warm water. Of dubious value...but at least not harmful in the latter.

During the opening theme, the music starts out happy go lucky, and suddenly turns heavy and dark. This indicates that all is not well.... Zachary Scott (best known for Mildred Pierce) is David, who has a little daughter from his first wife. of course, the daughter Susan doesn't like new mom, Celia, played by Kristine Miller. to add intrigue, Celia has a man on the side. and David knows. and lets everyone know that HE knows. then things really go south! Ann Sothern is Celia's sister "Dell". Nancy (davis) Reagan is in here as Doctor Canford. She's treating Susan, who may or may not have witnessed a terrible event. Some psychiatrist therapy and discussions, as we try to unlock what really happened. pretty good stuff. the music is great. mostly good acting and story. Directed by Brit Pat Jackson. didn't win any oscars, but seems to have had a pretty successful career in hollywood before returning to England.

A young girl(Gigi Perreau)suffers amnesia after witnessing her stepmother's murder. Zachary Scott is the husband mistakenly put in prison for the murder. Ann Southern, straying from her comedic roles, has trouble hiding her guilt and even thinks of causing harm to the little girl to keep her quiet.

Fast moving film-noir also starring John McIntire and Nancy Davis. This was before Miss Davis became Mrs. Ronald Reagan. Small roles for familiar Barbara Billingsley and Jimmy Hunt.

I'm convinced that movies that have SHADOW in the title have a better than average chance of being good flicks. This flick SHADOW ON THE WALL upholds that little axiom. It starts slow, but stick with it, it picks up steam quickly.

This one eschews the normal trappings of noir, such as the seedy private eye, and the femme fatale while maintaining the stark cinematography and riveting suspense. Ann Sothern turning in a surprising performance, always the good girl in movies, here the director plays on that, to create a character whose actions becomes ever more... egregious. And because she is so much one of us, one of the good people, we are carried along... with her fall.

A movie that ultimately revolves around four women as central characters, would hardly seem to fit the noirish mold, but this film is far less lifetime network and far more grim, and gritty. The only foray into the the world of Noir by its director Pat Jackson, and the only script ever done by its writer Hannah Lees, the movie is deserving of far more recognition than its received. A solid little thriller. *** out of **** stars.