O Cavaleiro de Sherwood

Of course John Derek is not Errol Flynn and George Macready is not Basil Rathbone, but this Gordon Douglas' directing is more than worth watching. It is fun, fast paced, with a splendid production design, despite the obvious studios lots settings. Columbia pictures was rather good in those cheap medieval tales, not as much as Metro Goldwyn Mayer directed by the likes of Richard Thorpe; I will even prefer Columbia to Universal - BLACKSHIELD OF FALSWORTH was rather lame compared to this one. So, yes, this Gordon Douglas film is an exciting little programmer, perfect for a sunday afternoon time waster. I discovered it in 1975, precisely a sunday afternoon. And don't confound it with another Gordon Douglas' flick of this kind: THE BLACK ARROW.

Gordon Douglas's 1950 dip into the Son of Robin Hood formula turns out to be one of the most spirited and lively of all the swashbuckling Columbia pieces of matinée fodder of their 40s/50s heyday. Gordon Douglas is one of Hollywood's dark horses among genre (mostly action) directors: neither as reflective or consistently stylish in his mise-en-scene as Raoul Walsh nor as spectacular using scarce means as William Witney, his track record in this area is by no means slight. He has made several good westerns (The Doolins of Oklahoma, The Nevadan, The Great Missouri Raid, Only the Valiant, The Charge at Feather River, Yellowstone Kelly, Rio Conchos), two very tough James Cagney vehicles (Kiss Tomorrow Goodbye, Come Fill the Cup), a science-fiction classic (Them!) and an honorable romantic melodrama as a change of pace (the Doris Day/Frank Sinatra remake of Four Daughters, Young at Heart).

Rogues of Sherwood Forest may not have the voltage of the Errol Flynn/ Olivia De Havilland/Claude Rains/Basil Rathbone combo or even the authentic feel and quirky charm of Disney's Richard Todd/Joan Rice/Peter Finch version; but John Derek's energetic acrobatics, Diana Lynn's fetching and proactive Lady Maryanne, and George Macready's really vicious King John make this humble but red-blooded and fast-moving programmer compulsively watchable during its entire 80 minutes.

With England suffering under the rule of the villainous King John (George Macready), Robin and his father's loyal band fight countless battles with the king's tax collectors and henchmen, who have corrupted the kingdom, oppressed the common folk, and brought false charges of treason and murder against the disenfranchised. When the tyrant has been deposed, Robin finally returns to the lovely Lady Marianne (Diana Lynn) and just rule is restored.

John Derek plays son of Robin Hood, and soon is following in his footsteps by helping the downtrodden. Derek certainly looks the part, is suitably youthful and nimble on his feet, and though he's doesn't have the same charisma as Errol Flynn, he does a good job, and comes across lively. He ably supported Alan Hale (Little John), and the trio of villains headed by George Macready are a fiendish delight as they plot and plan their diabolical scheme. It's a zesty Sherwood Forest programmer, colourful, brimming with some some good swords fights - the one in the finale is really good.

I think this could be the third time that I have seen Alan Hale playing "Little John" in a "Robin Hood" adventure and he always manages to do it with gusto and enthusiasm. That is really all there is to say about this otherwise pretty shameless rip off the Flynn/Rathbone version (1938). This time, the nasty King John (George Macready), with the help of his henchman "Sir Giles" (Paul Cavanagh) decides to tax his already poverty-stricken Saxon people and it falls to the second Earl of Huntingdon (John Derek - aka son of the legendary "Robin Hood") to thwart this dastardly plan and to find a way to bring this monarch to book. The adventures are all pretty formulaic, but there is a colourful zeal to the whole thing. Derek has a charming boyishness as he parades around in his spray-on Lincoln green, whilst Cavanagh and Macready make for quite effective baddie double-act and much of it looks as if it was filmed on the same sets as it's more illustrious earlier iteration. There is plenty of swordplay, just a soupçon of romance with Diana Lynn's rather static "Lady Marianne" and it's well worth eighty minutes of your time.

Since the beloved character of Robin Hood is (hopefully) soon to grace our silver screens once again, it is perhaps appropriate that I should venture now into Sherwood Forest to seek out his lesser-known son (also helpfully named Robin here and in love with a noble maiden named Marianne!) who finds himself at loggerheads with his father's old nemesis Prince (now King) John and is likewise aided by Robin Sr.'s band of merry men – Little John, Friar Tuck, Will Scarlett and Alan-a-Dale. Traveling in the company of these characters always provides an enveloping feeling of nostalgia (illustrated books of his exploits were mandatory childhood reading chez nous) and is a guarantee of entertainment but, this being a modest second-class offering, the results are milder than other more fondly-remembered adventures of theirs. The action is there but performed with little panache and even a curious lethargy in spots but the film's handsome look goes a long way in compensating for this shortcoming, as does the cast: John Derek makes an attractive lead (even though Diane Lynn's bland heroine is another liability), George Macready a smarmy tyrant (eventually being forced by Robin's deeds to sign the all-important historical document of the Magna Carta), Paul Cavanaugh an oily henchman, Billy House a jovial friar but the film's major claim to fame is surely the fact that Alan Hale reprises (for the third and last time – sadly, this was his last film) his trademark role of Little John. This was Columbia's second of three similarly-titled Robin Hood-themed pictures – made in between THE BANDIT OF SHERWOOD FOREST (1946; which had Cornel Wilde playing Robin Jr.) and Hammer's disappointing SWORDS OF SHERWOOD FOREST (1960; with Richard Greene reprising his popular TV incarnation); there was even THE SON OF ROBIN HOOD (1958; starring David Hedison) but it was the product of a different studio.