Da Terra à Lua

Despite what we would now consider laughable scientific goofs, this science-fiction film carried itself well as a dramatic film. The actors were all solid professionals. The Martian settings were believable. The sentiments, while a bit pretentious, were sincere and laudable. It was an early attempt at mature science-fiction and succeeded better than many more polished, but cynical efforts that came later on.

I recently picked up the DVD of this film for a look. I originally saw it in 1951 when it got to my town on the bottom of a double bill with the western of the day. At that young age, the screaming cave-girl was my most vivid memory, but I liked it. Also saw it maybe 20 years ago on VHS. Still pretty good. Lloyd Bridges was cool, underplayed the whole part. On this last viewing, it's still a good sci-fi flick but from a vastly different point of view. The science as since provided by the real rockets that have been put into space was fairly on the money, especially the two-stage rocket explanation. Since special effects are practically nil, the look is O.K. The fiction, on the other hand was way, way out there. Please note, that all instruments were manual and mechanical and calculations were done with pencil and paper. Not a digital instrument or computer in sight. The idea of doing the Mars locations in Sepia-tone was as brilliant as it was cheap, as well. Lloyd Bridges and Morris Ankrum were head and shoulders the most talented actors in the cast of otherwise good players. Ankrum especially ,always under-rated, could read a grocery list and make it sound important. It also didn't hurt that Kurt Neuman put the whole thing together, either. This film probably inspired in it's own way a lot of young people to explore science and space exploration for real.

Some films are blessed (though the producers would argue) by having less money with which to work. "Rocketship X-M" (the initials represent "eXpedition Moon") relies therefore upon, ahem, a real Story, with Acting, rather than flash and effects. That's why a half-century later, the well-remembered "RX-M" has held up so well. (An analogy could be drawn with the co-incidental 1949-1955 television series "Captain Video and His Video Rangers", where the bulk of budget also went towards quality writers and cast.) John Emery is - surprise!- a good guy here.

Osa Massen, one of the screen's most photogenic stars ever, is radiant. The whole cast carries through the forgivable inconsistencies with style. Ferde Grofé's music takes us from exultant triumph to eerie mystery and, finally, into bitter realization of what the RX-M crew discovers, the utter waste of an entire civilization. (Remember the real-life "face" on Mars?) Grofé well-illustrates the withering madness in the crew's panicked escape and return attempt. And the final moments aboard the doomed RX-M are of the stuff that makes for great film. I saw this in theatrical release, and you, too, will find "Rocketship X-M" one of your most memorable. Highly recommended to all.

I first saw this when it came out in the theater. Though only 13 at the time, I was an avid reader of "hard science" science fiction stories. The technical gaffes of the film are burned into my memory.

Some of the following may have significant spoilers.

Even as a youngster, I knew the premise is silly. The rocket takes off for a lunar mission, in a cosmos where there is always a gravitational effect on the crew (though loose objects float as in zero gravity) and because of that, the "cabin" (the area with the controls, whatever they called it) was gyrostabalized to maintain the "correct" orientation (so that when they landed, why didn't they land standing on their heads?) and where, at least in near-earth space, the rocket engines had to be running continually -- with propellant combusting away without an oxidizer. When the engines quit, the rocket stopped _dead_ in space, and couldn't start going until a PhD chemist determined it needed at a little oxidizer. This time, the rocket recalled it had momentum, and the next thing our heroes know they're near Mars (even a 13-year-old nerd knew such a minimum-energy trip would take over 200 days).

They land, find the air was breathable (though at the time scientific data revealed that the pressure, even if the atmosphere were pure oxygen, would be too low to do any good). They decide to camp outside the ship, and even build a campfire. They come armed, even though they were supposedly going to the Moon, where firearms wouldn't be needed.

They get a sight of a collapsed civilization, encounter stray martians who look just like people, develop an anti nuclear war philosophy, and those who survive try to get back to the home planet, and die in the attempt by crashing on the Earth! To do that would require such a long orbital period, they'd have died of starvation long before approaching their destination.

The film it preceded, Destination Moon, used real science most effectively (even though their "rescue" with the Oxygen Tank forgot about the moment arm from the tank's center of gravity to the output nozzle). This film showed woeful ignorance of even the most basic science. Only the most technologically illiterate should think of it as a science fiction film: it's on a par with the old Flash Gordon serials where their rocketships took off from their bellies and climbed in spirals, and whose engines were always on.

The story on this one I considered banal, and I can recommend this only as a film to be shown to students for them to pick out technical gaffes.

This movie is great in its predictions of how space travel would take place in the future (remember, it was released in 1950, way before any manned rocket launches). Of course there are some mistakes, but overall I am impressed how accurate they are. The plot is extremely simple, but the ending is in style with the realism it portrays (although not very hollywood-like) Acting is adequate, but stereotype of its age.

All in all, an enjoyable movie for SF fans