Da Terra à Lua

This movie is great in its predictions of how space travel would take place in the future (remember, it was released in 1950, way before any manned rocket launches). Of course there are some mistakes, but overall I am impressed how accurate they are. The plot is extremely simple, but the ending is in style with the realism it portrays (although not very hollywood-like) Acting is adequate, but stereotype of its age.

All in all, an enjoyable movie for SF fans

Some films are blessed (though the producers would argue) by having less money with which to work. "Rocketship X-M" (the initials represent "eXpedition Moon") relies therefore upon, ahem, a real Story, with Acting, rather than flash and effects. That's why a half-century later, the well-remembered "RX-M" has held up so well. (An analogy could be drawn with the co-incidental 1949-1955 television series "Captain Video and His Video Rangers", where the bulk of budget also went towards quality writers and cast.) John Emery is - surprise!- a good guy here.

Osa Massen, one of the screen's most photogenic stars ever, is radiant. The whole cast carries through the forgivable inconsistencies with style. Ferde Grofé's music takes us from exultant triumph to eerie mystery and, finally, into bitter realization of what the RX-M crew discovers, the utter waste of an entire civilization. (Remember the real-life "face" on Mars?) Grofé well-illustrates the withering madness in the crew's panicked escape and return attempt. And the final moments aboard the doomed RX-M are of the stuff that makes for great film. I saw this in theatrical release, and you, too, will find "Rocketship X-M" one of your most memorable. Highly recommended to all.

This is one I've carried in my memory for years.

Without the Technicolor budget of George Pal and Robert Heinlein's "Destination Moon," "Rocketship X-M" succeeds in becoming a far more meaningful and memorable pre-"2001" science fiction film.

"Destination Moon" attempts a "scientific" preview of man's first lunar visit. Of course, this effort seriously dates the movie (I also smile at the rather whimsical, seat-of-the-pants, "outsider" endeavors of our heros as they manfully put forth, launching their rocket one-step ahead of the narrow-minded "authorities." Okay, so much for that!).

Rocketship X-M had to vie with "D.M." for entertainment bucks at the box office. X-M's b&w budget (with special effects courtesy of White Sands V-2 stock footage and model-making of the string and cardboard variety) didn't allow the producers to throw a lot of "science" at us, however. What they did have going for them, however, were a few excellent character actors doing star-turns for a change of career-pace, a script by Dalton Trumbo, music by Ferde Grofe, and excellent -- and evocative -- sound and camera work...etc.

Granted: The film's overall messages are a bit simplistic -- nuclear war is bad and should be avoided and the human spirit for exploration and discovery cannot be put down by failure and difficulty (I guess they never considered budget shortfalls as a "failure of spirit"). These ideas are, at least, given voice here during what was, after all, a dangerous era in American politics. Remember, Dalton Trumbo was blacklisted!

The science? Okay, it sucks. Who cares!? Science fiction, to my liking, is less about science and numbers than it is about people and life. This has all of that and carries it forward with distinction and class.

When I first saw this movie as a kid, I remember being truly frightened by the bleak view of a post-apocalyptic Mars and shivered in disbelief then terror at the onrushing tragedy of the about-to-crash rocket bearing the two doomed lovers and their sole-surviving crew-mate (a young Hugh O'Brien) to a fiery demise over the Ural Mountains. The producers did a terrific job with what they had and they deserve a great deal of credit.

Rocketship X-M is a solid film, and is a darker, less optimistic effort than 1951's "Flight to Mars". The 50th anniversary DVD edition is amazing, and the "Sepiacolor" scenes on the martian surface are quite effective.

Buffs will notice that the very brief (5 second) image of the ship on the surface is a different image than in the original. The use of Death Valley for the Martian surface (at dusk) is much more effective that in scenes from Flight to Mars, which were probably all shot in a studio. Lloyd Bridges is in love with himself even more than he is with the German girl scientist on board - which is kind of nauseating - but overall, the film is a favorite.

Classical music lovers will take note of the music score by Ferde Grofe, better know for his Grand Canyon Suite and other orchestral works.

I first saw this when it came out in the theater. Though only 13 at the time, I was an avid reader of "hard science" science fiction stories. The technical gaffes of the film are burned into my memory.

Some of the following may have significant spoilers.

Even as a youngster, I knew the premise is silly. The rocket takes off for a lunar mission, in a cosmos where there is always a gravitational effect on the crew (though loose objects float as in zero gravity) and because of that, the "cabin" (the area with the controls, whatever they called it) was gyrostabalized to maintain the "correct" orientation (so that when they landed, why didn't they land standing on their heads?) and where, at least in near-earth space, the rocket engines had to be running continually -- with propellant combusting away without an oxidizer. When the engines quit, the rocket stopped _dead_ in space, and couldn't start going until a PhD chemist determined it needed at a little oxidizer. This time, the rocket recalled it had momentum, and the next thing our heroes know they're near Mars (even a 13-year-old nerd knew such a minimum-energy trip would take over 200 days).

They land, find the air was breathable (though at the time scientific data revealed that the pressure, even if the atmosphere were pure oxygen, would be too low to do any good). They decide to camp outside the ship, and even build a campfire. They come armed, even though they were supposedly going to the Moon, where firearms wouldn't be needed.

They get a sight of a collapsed civilization, encounter stray martians who look just like people, develop an anti nuclear war philosophy, and those who survive try to get back to the home planet, and die in the attempt by crashing on the Earth! To do that would require such a long orbital period, they'd have died of starvation long before approaching their destination.

The film it preceded, Destination Moon, used real science most effectively (even though their "rescue" with the Oxygen Tank forgot about the moment arm from the tank's center of gravity to the output nozzle). This film showed woeful ignorance of even the most basic science. Only the most technologically illiterate should think of it as a science fiction film: it's on a par with the old Flash Gordon serials where their rocketships took off from their bellies and climbed in spirals, and whose engines were always on.

The story on this one I considered banal, and I can recommend this only as a film to be shown to students for them to pick out technical gaffes.