A Voz que Vão Ouvir

This is an unusual picture. The idea of God speaking to the whole world over the radio, is sure to provoke conversation. Whitmore is great(as always!)as the average 'joe', just too busy to stop and consider what he is really doing in his life/with his family and friends. Considering this one was made during the height of the cold-war, I'm sure it reflects the fears and anxieties of the times. Know what? It's just as timely now.

This is an amazing piece of 1950 Americana with a nice father, nice mother, nice son, nice people who believe in God and care about having decent morals - a far cry from films in the past 40 years.

The story, acting and photography is okay but nothing exceptional. Today, it would bore 95 percent of the viewing audience. The main appeal is simply its homage to an innocent age (if there ever was one!).

This was my first look, when I first saw this VHS about 15 years ago, at Nancy Davis, who became Nancy Reagan. I was surprised to see how plain her looks were. She didn't look as pretty and elegant as she did as an older woman, as the First Lady.....but that has nothing to do with this film, so bear with my senility.

The story, without spoiling it, is simply about people who hear God talking through the radio to them, trying to get them to think about things. Theology- wise, the movie is pretty vague and general, not wanting to offend anyone but it still had a good message. This is almost a curiosity piece.

The Next Voice You Hear is about Almighty God interrupting all the radio broadcasts on all frequencies on planet Earth at exactly 8:30 pm Pacific Standard Time. He does this for one week.

The film shows the affect hearing from the Almighty on one American family, the Smith family of Los Angeles. The Smiths are played by James Whitmore, Nancy Davis, and Gary Gray. Whitmore is an aircraft worker and Davis is quite pregnant with their second child.

Of course the film is made through an American Christian filter so to speak, that was the targeted audience back in the day. Yet it avoids any direct reference to Christianity or any other faith for that matter. It even says God is speaking to the ears listening behind the Iron Curtain, to places where His existence isn't acknowledged.

James Whitmore was supposed to be another Spencer Tracy for MGM and while his career never quite got that far it certainly has been lengthy and honorable. Nancy Davis of course opted for another career along with her husband. Both play well the parts of Mr.&Mrs. Average American, you'd never know there was a future First Lady in the cast.

The reactions to hearing from the Almighty himself run the gamut, in fact it does take a week to convince most it isn't some kind of gigantic hoax. Significant in 1950 that God uses the radio as His media outlet. Most families still did not have televisions. Good thing to because then the film would have had one huge casting problem.

Of course we never actually hear the Voice. When the first broadcast comes Davis and Gray are in the kitchen and Whitmore hears it in the living room. He comes back reporting on the strange thing that just happened and Davis remarks did it sound like Lionel Barrymore. I remember on All in the Family Archie Bunker once remarking God would sound like Bing Crosby. I suppose there are an infinite number of schools of thought there. We always get a report second hand on what the Voice has said.

The final message is I guess what encapsulates the interfaith message of the film is about. What this old world needs in equal measure is love, freedom, peace, and faith. Equal measure is important because a lack of any one of these causes problems. And it's not up to just nations to practice this, but more so for individuals.

Next Voice You Hear..., The (1950)

** 1/2 (out of 4)

Interesting film about people across the world and how their lives change after they hear the voice of God on the radio. The film takes a look at the Joe Smith family with James Whitmore, Nancy Davis and Gary Gray. This is a rather offbeat film for director Wellman but he pulls it off pretty well and makes this a rather memorable religious film, although the screenplay isn't juicy enough to pull it off as a masterpiece. The performances are all very good with Whitmore stealing the film as the hard working dad who begins to rethink things after hearing the voice. I think one of the problems with the screenplay is that it centers on this one family a tad bit too much. There are scenes where large groups of people are debating about the voice and these moments are the best of the film and I wish there had been more. The film plays a lot like what we'd eventually see in a 'Twilight Zone' episode because the voice, a mysterious one, never comes out and says it's God but that's up to the viewer to debate just like the people in the film. I called the film a religious one but thankfully it never goes over the top with propaganda or tries to beat the viewer over the head with a message.

"You know," writer George Sumner Albee said, "wouldn't it be something if God would come on the radio and give people such a bad scare they'd wake up and behave themselves!" That quote appeared in MGM president Dore Schary's book "Case History of a Movie", which elevated "The Next Voice You Hear…" far above its station. It also places the "germ" of the story in the days of radio, when the magical medium would be natural place for God to speak to "Joe Smith, American". So, during the time it was written and filmed, this story must have seemed far less ludicrous.

The story focuses on the Smith family: James Whitmore (as Joe), Nancy Davis (as Mary), and Gary Gray (as Johnny). The names "Joseph" and "Mary" have Biblical implications, of course; and, in the film, "Mary" is pregnant. These facts, like the "voice of God" itself, never progress past the point of mildly intriguing, however. The Smith family proves to be an underwhelming choice to follow, through God's supposed manifestation. Interestingly, the filmmakers combine all the world's Gods into one; with the implication being that Jews, Muslims, and others hear a similar message.

A couple of supporting performers are nice, but Ms. Davis (later known as Nancy Reagan) is the best thing in the film. Though a surprisingly thin pregnant woman, she still endeavors to look like she's carrying a child; and, Davis gives the most realistic performance. She helps the other performers look believable, too, just by appearing on screen with them. For example, it looks like she covers for young Gray, when he almost knocks over a table. And, after a silly "drunk scene", ending with Mr. Whitmore walking a straight line into EVERY stool on his way out of a bar, Davis' presence dampens the mediocrity.

Davis is genuine in her manner and looks; she obviously worked on the character, with direction from William A. Wellman. Mr. Wellman keeps it interesting, for the most part; and, the film provokes some thought. Finally, many at MGM would agree with the observation that God's voice, if heard, would sound exactly like Lionel Barrymore.

***** The Next Voice You Hear… (6/29/50) William A. Wellman ~ James Whitmore, Nancy Davis, Gary Gray, Lillian Bronson