Adicionar um enredo no seu idiomaThree short stories by W. Somerset Maugham, "The Verger", "Mr. Know-All", and "The Sanatorium" are introduced by the author.Three short stories by W. Somerset Maugham, "The Verger", "Mr. Know-All", and "The Sanatorium" are introduced by the author.Three short stories by W. Somerset Maugham, "The Verger", "Mr. Know-All", and "The Sanatorium" are introduced by the author.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 2 indicações no total
Wilfrid Hyde-White
- Mr. Gray (segment "Mr. Know-All")
- (as Wilfrid Hyde White)
Bill Travers
- Fellowes (segment "Mr. Know-All")
- (as Bill Linden-Travers)
Avaliações em destaque
Somerset Maugham introduces three short stories that he has authored. The first two are particularly humorous and uplifting and a bit ironic and they are also very short at about 20 minutes each. The first concerns a man over 50 who is fired by the church for which he works because he cannot read and refuses to learn. At first blush he'd seem to be too stubborn for his own good, but he turns out to be more adaptable than his former employer could ever dream. The second involves a fellow with a tremendous ego who at the same time is very generous as he takes a shipboard journey. In the end he must choose between his generosity and his ego as his dominant trait.
The third tale, at about 40 minutes in length, had the potential to be the downbeat one in the bunch and doesn't sound that intriguing at first - it involves the lives of a group of sufferers of "consumption" - tuberculosis - that are being treated in a sanatorium, which was a long term process prior to the introduction of antibiotics. This one turns out to be as upbeat as a story could possibly be in such a setting. The practical in me has me asking a couple of questions that go unanswered. First, there are several patients who may or may not be recovered who apparently have set this place up as their home of preference since they have been there so long and have made social ties they do not wish to break. Why would any doctor of scruples allow this to go on? The sanatorium is spacey and charming and doesn't seem at all medical or antiseptic, so I can see how lonely people with an illness in common wouldn't want to leave, but it seems like it would be the doctor's obligation to force the patients back out into the real world once cured. Second, since apparently recovery takes months or years, who is paying for all of this? Money never comes into the equation as a concern for any of the patients.
I'd recommend this one. Some of Maugham's work can be dark and depressing but these three stories are quite uplifting.
The third tale, at about 40 minutes in length, had the potential to be the downbeat one in the bunch and doesn't sound that intriguing at first - it involves the lives of a group of sufferers of "consumption" - tuberculosis - that are being treated in a sanatorium, which was a long term process prior to the introduction of antibiotics. This one turns out to be as upbeat as a story could possibly be in such a setting. The practical in me has me asking a couple of questions that go unanswered. First, there are several patients who may or may not be recovered who apparently have set this place up as their home of preference since they have been there so long and have made social ties they do not wish to break. Why would any doctor of scruples allow this to go on? The sanatorium is spacey and charming and doesn't seem at all medical or antiseptic, so I can see how lonely people with an illness in common wouldn't want to leave, but it seems like it would be the doctor's obligation to force the patients back out into the real world once cured. Second, since apparently recovery takes months or years, who is paying for all of this? Money never comes into the equation as a concern for any of the patients.
I'd recommend this one. Some of Maugham's work can be dark and depressing but these three stories are quite uplifting.
This is actually a trilogy of 3 of Somerset Maugham's short tales. The first one is The Verger, which is about 15 minutes long and very enjoyable. After 17 years Albert Foreman is laid off from his church job because he can't read nor write. So what does he do? Opens a tobacco shop, of course!
The second is Mr. Know-All which was actually a story I had read for school 6 years ago and instantly forgotten, until I heard the familiar introduction. Another 15 minute one, and also very good. It worked better on film than in a book for me, but then perhaps that's because I was only 14 the last time, afterall.
The 3rd one is nearly a let-down. Almost an hour in length, it simply drags. It's not all that bad, but not as quick and snappy as the last 2. I watched the first quarter hour of it and then skipped forward to the last quarter hour, and found that it still made sense and really I hadn't missed a thing!
Overall I give them 8, 9, and 6 out of 10, respectively.
The second is Mr. Know-All which was actually a story I had read for school 6 years ago and instantly forgotten, until I heard the familiar introduction. Another 15 minute one, and also very good. It worked better on film than in a book for me, but then perhaps that's because I was only 14 the last time, afterall.
The 3rd one is nearly a let-down. Almost an hour in length, it simply drags. It's not all that bad, but not as quick and snappy as the last 2. I watched the first quarter hour of it and then skipped forward to the last quarter hour, and found that it still made sense and really I hadn't missed a thing!
Overall I give them 8, 9, and 6 out of 10, respectively.
Trio's vignettes were insightful and quite enjoyable. It was curious seeing so many soon to be famous actors when they were very young. The performances and attention to detail were wonderful to watch.
Observation. In film it isn't necessary that source material be in alignment with the contemporary era to be interesting or worthwhile. "Small morality" storytelling is quaint (or coy) only in the eye of the beholder--thankfully. Story content--well told--can overcome it's time, subject or place.
Ironically, there are quite a few contemporary films today that have not overcome the conventions or cutting edge mores of the present era. Inserting "small morality" content--occasionally--might provide a dimension lacking.
Observation. In film it isn't necessary that source material be in alignment with the contemporary era to be interesting or worthwhile. "Small morality" storytelling is quaint (or coy) only in the eye of the beholder--thankfully. Story content--well told--can overcome it's time, subject or place.
Ironically, there are quite a few contemporary films today that have not overcome the conventions or cutting edge mores of the present era. Inserting "small morality" content--occasionally--might provide a dimension lacking.
Two years earlier, the film Quartet showcased four W. Somerset Maugham short stories, each introduced by the very charming and humorous author. In 1950, Trio was released, and three more Maugham stories were brought to the big screen.
The first two stories, "The Verger" and "Mr. Know All", were very delightful. Cute, with recognizable character actors like Kathleen Harrison and Wilfrid Hyde-White, and each containing surprise twists to add to the plot. I adored the first two stories, and looked forward to "The Sanatorium", hoping it would be just as enjoyable. To my surprise, it wasn't at all like the preceding two stories. A strict drama, it took place in a tuberculosis sanatorium, exploring the lives of each ill patient. This one could have easily been expanded to the length of a feature film; the supporting characters were all so interesting, I wished they'd been given more time to explore their motivations and story lines. The main storyline was the romance between Jean Simmons and Michael Rennie, but even though they were given the most screen time, I still would have wished for more character development and twists and turns in the plot.
All in all, I'd recommend a viewing of Trio, but if your tastes lean towards cute rather than tragic, I'd recommend you only watch the first two stories. They're very sweet. On the other hand, if you'd like to watch a sad story, you can skip the first two and watch only the last. That's the great thing about a short story compilation; there's something for everyone!
The first two stories, "The Verger" and "Mr. Know All", were very delightful. Cute, with recognizable character actors like Kathleen Harrison and Wilfrid Hyde-White, and each containing surprise twists to add to the plot. I adored the first two stories, and looked forward to "The Sanatorium", hoping it would be just as enjoyable. To my surprise, it wasn't at all like the preceding two stories. A strict drama, it took place in a tuberculosis sanatorium, exploring the lives of each ill patient. This one could have easily been expanded to the length of a feature film; the supporting characters were all so interesting, I wished they'd been given more time to explore their motivations and story lines. The main storyline was the romance between Jean Simmons and Michael Rennie, but even though they were given the most screen time, I still would have wished for more character development and twists and turns in the plot.
All in all, I'd recommend a viewing of Trio, but if your tastes lean towards cute rather than tragic, I'd recommend you only watch the first two stories. They're very sweet. On the other hand, if you'd like to watch a sad story, you can skip the first two and watch only the last. That's the great thing about a short story compilation; there's something for everyone!
W. Somerset Maugham appears as narrator to three divergent tales of his. The
first two are of the comic variety and the third is a tender romance laced with
looming tragedy.
James Hayter and Kathleen Harrison are a church janitor and his landlady whom after he is fired from his job proposes marriage to her and she agrees. Hayter and her go into business with a tobacconist shop and they do quite well. They've prospered so much that bank manager Felix Aylmer has a serious talk about the bank investing some of his considerable deposits. No thank you is Hayter's answer and he reveals a secret. All I'll say is that behind every good man there is a good woman.
I guarantee you will love Nigel Patrick's performance as the boorish nouveau riche lout that everyone on the cruise ship he's on shudders when he comes near. One of those who is an expert on everything. Only Wilfrid Hyde-White who is his cabin roommate can't avoid him. But when it comes to a matter of discretion regarding Anne Crawford, Patrick shows he has some grace.
The last is a tender romance at a tubercular sanitarium in Scotland. A couple of patients Jean Simmons and Michael Rennie fall in love. They are as opposite as can be. Simmons hasn't seen much of the world and Rennie is a high living rake whose hedonistic ways have caught up with him. Sometimes Maugham writes himself into his stories and here Roland Culver plays a version of him. It's through his eyes we see the story unfold. In any event Simmons and Rennie make a life altering decision.
You'll laugh pretty good at the first two stories especially at Nigel Patrick. And the third would reduce a Medusa to tears.
A fine film from British Gainsborough films that holds up well.
James Hayter and Kathleen Harrison are a church janitor and his landlady whom after he is fired from his job proposes marriage to her and she agrees. Hayter and her go into business with a tobacconist shop and they do quite well. They've prospered so much that bank manager Felix Aylmer has a serious talk about the bank investing some of his considerable deposits. No thank you is Hayter's answer and he reveals a secret. All I'll say is that behind every good man there is a good woman.
I guarantee you will love Nigel Patrick's performance as the boorish nouveau riche lout that everyone on the cruise ship he's on shudders when he comes near. One of those who is an expert on everything. Only Wilfrid Hyde-White who is his cabin roommate can't avoid him. But when it comes to a matter of discretion regarding Anne Crawford, Patrick shows he has some grace.
The last is a tender romance at a tubercular sanitarium in Scotland. A couple of patients Jean Simmons and Michael Rennie fall in love. They are as opposite as can be. Simmons hasn't seen much of the world and Rennie is a high living rake whose hedonistic ways have caught up with him. Sometimes Maugham writes himself into his stories and here Roland Culver plays a version of him. It's through his eyes we see the story unfold. In any event Simmons and Rennie make a life altering decision.
You'll laugh pretty good at the first two stories especially at Nigel Patrick. And the third would reduce a Medusa to tears.
A fine film from British Gainsborough films that holds up well.
Você sabia?
- CuriosidadesAndrew Crawford (uncredited) played the coachman who talked to Ashenden about Scotland as he drove the latter from the railway-station to the sanatorium at the beginning of the last part of the picture.
- Citações
Albert Foreman: [to the vicar] I'm too old a dog to learn new tricks, sir.
- ConexõesFollowed by Gigolô e Gigollete (1951)
Principais escolhas
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- How long is Trio?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Proporção
- 1.37 : 1
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